Showing results by narrator "Sam Kusi" in All Categories

A foundling of mysterious parentage brought up by Mr. Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighboring squire though he sometimes succumbs to the charms of the local girls. BOOK 13: Come, bright love of fame, inspire my glowing breast: not thee I will call, who, over swelling tides of blood and tears, dost bear the hero on to glory, while sighs of millions waft his spreading sails; but thee, fair, gentle maid, whom Mnesis, happy nymph, first on the banks of Hebrus did produce.

A foundling of mysterious parentage brought up by Mr. Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighboring squire though he sometimes succumbs to the charms of the local girls. BOOK 3: The reader will be pleased to remember, that, at the beginning of the second book of this history, we gave him a hint of our intention to pass over several large periods of time, in which nothing happened worthy of being recorded in a chronicle of this kind.

A foundling of mysterious parentage brought up by Mr. Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighboring squire. BOOK 8: As we are now entering upon a book in which the course of our history will oblige us to relate some matters of a more strange and surprizing kind than any which have hitherto occurred, it may not be amiss, in the prolegomenous or introductory chapter, to say something of that species of writing which is called the marvellous.

A foundling of mysterious parentage brought up by Mr. Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighboring squire though he sometimes succumbs to the charms of the local girls. BOOK 12: The learned reader must have observed that in the course of this mighty work, I have often translated passages out of the best antient authors, without quoting the original, or without taking the least notice of the book from whence they were borrowed.

Though we have properly enough entitled this our work, a history, and not a life; nor an apology for a life, as is more in fashion; yet we intend in it rather to pursue the method of those writers, who profess to disclose the revolutions of countries, than to imitate the painful and voluminous historian, who, to preserve the regularity of his series, thinks himself obliged to fill up as much paper with the detail of months and years in which nothing remarkable happened, as he employs upon those notable aeras when the greatest scenes have been transacted on the human stage.

Peradventure there may be no parts in this prodigious work which will give the reader less pleasure in the perusing, than those which have given the author the greatest pains in composing. Among these probably may be reckoned those initial essays which we have prefixed to the historical matter contained in every book; and which we have determined to be essentially necessary to this kind of writing, of which we have set ourselves at the head.

In our last initial chapter we may be supposed to have treated that formidable set of men who are called critics with more freedom than becomes us; since they exact, and indeed generally receive, great condescension from authors. We shall in this, therefore, give the reasons of our conduct to this august body; and here we shall, perhaps, place them in a light in which they have not hitherto been seen.

It is impossible we should know what sort of person thou wilt be; for, perhaps, thou may'st be as learned in human nature as Shakespear himself was, and, perhaps, thou may'st be no wiser than some of his editors. Now, lest this latter should be the case, we think proper, before we go any farther together, to give thee a few wholesome admonitions; that thou may'st not as grossly misunderstand and misrepresent us, as some of the said editors have misunderstood and misrepresented their author.

In our last book we have been obliged to deal pretty much with the passion of love; and in our succeeding book shall be forced to handle this subject still more largely. It may not therefore in this place be improper to apply ourselves to the examination of that modern doctrine, by which certain philosophers, among many other wonderful discoveries, pretend to have found out, that there is no such passion in the human breast.

As truth distinguishes our writings from those idle romances which are filled with monsters, the productions, not of nature, but of distempered brains; and which have been therefore recommended by an eminent critic to the sole use of the pastry-cook; so, on the other hand, we would avoid any resemblance to that kind of history which a celebrated poet seems to think is no less calculated for the emolument of the brewer, as the reading it should be always attended with a tankard of good ale.

A foundling of mysterious parentage brought up by Mr. Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighboring squire. BOOK 7: The world hath been often compared to the theatre; and many grave writers, as well as the poets, have considered human life as a great drama, resembling, in almost every particular, those scenical representations which Thespis is first reported to have invented, and which have been since received with so much approbation and delight in all polite countries.

An author ought to consider himself, not as a gentleman who gives a private or eleemosynary treat, but rather as one who keeps a public ordinary, at which all persons are welcome for their money. In the former case, it is well known that the entertainer provides what fare he pleases; and though this should be very indifferent, and utterly disagreeable to the taste of his company, they must not find any fault; nay, on the contrary, good breeding forces them outwardly to approve and to commend whatever is set before them.

Ann Veronica is a New Woman novel by H. G. Wells published in 1909. Ann Veronica describes the rebellion of Ann Veronica Stanley, "a young lady of nearly two-and-twenty", against her middle-class father's stern patriarchal rule. The novel dramatizes the contemporary problem of the New Woman. It is set in Victorian era London and environs, except for an Alpine excursion. Ann Veronica offers vignettes of the women's suffrage movement in Great Britain and features a chapter inspired by the 1908 attempt of suffragettes to storm Parliament.

The Book of Jude is the penultimate book of the New Testament as well as the Christian Bible. It is traditionally attributed to Jude the Apostle, brother of James the Just, and thus possibly brother of Jesus as well.

The Book of Revelation is the final book of the New Testament (and consequently the final book of the Christian Bible). Its title is derived from the first word of the Koine Greek text: apokalypsis, meaning "unveiling" or "revelation". The Book of Revelation is the only apocalyptic book in the New Testament canon. It occupies a central place in Christian eschatology.

The Third Book of John is the third-to-last book of the New Testament and the Christian Bible as a whole, and attributed to John the Evangelist, traditionally thought to be the author of the Gospel of John and the other two epistles of John. The Third Epistle of John is a personal letter sent by "the elder" to a man named Gaius, recommending to him a group of Christians led by Demetrius, which had come to preach the gospel in the area where Gaius lived.

The Second Book of Thessalonians is a book from the New Testament of the Christian Bible. It is traditionally attributed to Paul the Apostle, with Timothy as a co-author. Modern biblical scholarship is divided on whether the epistle was written by Paul; some scholars believe Paul wrote this epistle, but others reject its authenticity based on what they see as differences in style and theology between this and the First Epistle to the Thessalonians.

The Epistle to the Colossians is the twelfth book of the New Testament. It was written, according to the text, by Paul the Apostle and Timothy, and addressed to the church in Colossae, a small Phrygian city near Laodicea and approximately 100 miles from Ephesus in Asia Minor. Some scholars have increasingly questioned Paul's authorship and attributed the letter to an early follower instead, but others still defend it as authentic. If Paul was the author, he probably used an amanuensis, or secretary, in writing the letter possibly Timothy.

The First Book of Timothy is one of three letters in the New Testament of the Bible often grouped together as the pastoral epistles, along with Second Timothy and Titus. The letter, traditionally attributed to the Apostle Paul, consists mainly of counsels to his younger colleague and delegate Timothy regarding his ministry in Ephesus . These counsels include instructions on the organization of the Church and the responsibilities resting on certain groups of leaders therein as well as exhortations to faithfulness in maintaining the truth amid surrounding errors.

The Second Book of Timothy is one of the three pastoral epistles traditionally attributed to Paul the Apostle. Addressed to Timothy, a fellow missionary it is traditionally considered to be the last epistle he wrote before his death. Although the pastorals are written under Paul's name, they are different from his other epistles, and since the early 19th century, scholars have increasingly seen them as the work of an unknown student of Paul's doctrine.