Showing results by narrator "Leighton Pugh" in All Categories

Some of the most extraordinary stories of courage and endurance in the Second World War concern the freedom trails, the escape routes out of Nazi-occupied Europe. Over 5,000 British, Commonwealth and American servicemen made the journey over the Pyrenees, the Slovenian mountains and the Italian Alps. Many also died en route, killed by the perilous conditions or caught by the German army. In this audiobook, Monty Hall recreates the stories of some of the most charismatic figures of the Second World War.

Felix Mendelssohn was a child prodigy to rival Mozart and achieved great fame during his lifetime, fêted across Europe, and composing in the widest possible range of musical genres. However, his music has also been denigrated for its elegance, charm and symmetry. This insightful biography explores the breadth of his achievements, the complexities of his privileged upbringing, and the reasons for the fluctuating nature of his reputation. Musical excerpts include the Violin Concerto, String Octet and Elijah, as well as his choral works, symphonies, sonatas and songs.

The unresolved and ambiguous details of Robert Schumann’s psychological decline and death have tended to dominate his biography. Yet in his time Schumann was lauded as a protean Romantic literary genius whose writings, as a music critic, poet, novelist and dramatist, eclipsed his musical creativity. How did Schumann reconcile these elements? Does his music suggest he suffered from bipolar disorder? How did his pianist wife, Clara, influence his compositions?

The first of Kafka’s three great novels, The Man Who Disappeared (America) follows the picaresque adventures of Karl Rossman, who is banished to America following a family scandal. Upon his arrival, Karl immediately happens upon his uncle, and from there follows a pattern of wandering, adoption and expulsion as Karl marches inexorably on towards the interior of the continent. With its blitheness and comical moments, The Man Who Disappeared is perhaps the most charming of Kafka’s works.

Franz Schubert was regarded chiefly as a composer of domestic music, and during his all-too-brief life managed to publish only a quarter of his works. Without patronage and without ever becoming well known or a virtuoso, how did Schubert manage to achieve unprecedented expressivity in song composition, or to create his chamber, symphonic and piano masterpieces? And how did he reconcile the warring elements of his tempestuous personality?