Showing results by narrator "Caroline Lennon" in All Categories

Martha MacKenzie was an ordinary woman. Nothing extraordinary had ever happened to her, unless she counted her marriage to Dan and the birth of her three perfect, healthy children. Until the day of the accident, when she touched the Lucas boy as he lay dying on the tarmac, and they said she saved him. That was the start of it all.... As word of her healing spreads, Martha's life and the lives of those around her are radically altered. Hounded by the media and those in desperate search of hope and miracles, Martha is forced to decide what is most important in her life.

Lissadell House, Sligo, 1913. Lily and her friend Nellie are young housemaids in service in the Big House - they work for Lady Mary and Sir Josslyn Gore-Booth at Lissadell. As well as her housework and duties, Lily helps out in the local school of needlework - she hopes it might be a step on the way to her dream of being a teacher. Though they work hard, there’s lots of fun to be had at Lissadell - like friendship, fun and madcap bicycle rides with Sir Josslyn’s niece Maeve, daughter of the famous Republican Constance Markievicz.

Families are complicated! Molly’s dad seems so lonely. He lives on his own, he won’t get a pet and he doesn’t get on with his brother.... Best friends Molly and Beth suspect his problems lie in his past, but what can two 13-year-olds do about that? Well, when they have a time-travelling door, maybe they can do something! The girls go back to 1975 hoping to right some wrongs - if they can navigate 1970s cars, food and boybands. And if the colourful fashions don’t blind them first!

It’s 1913, and the time has come for Lily to leave primary school in Sligo and start her job in the Big House - Lissadell. Her employers, the Gore-Booths, are kind, but life as a young housemaid is hard: Lily misses her home and family, she works long days and has to learn how to get on with her sullen roommate, Nellie. Then Maeve, the daughter of Constance Markievicz and niece of the Gore-Booths, comes to visit. She decides to paint a portrait of Lily, and a friendship begins.

Life is complicated enough for Molly and Beth even before they walk through a spooky doorway that leads to - Thursday 26 July 1984! The girls can’t believe they are back in a time where the hair is weird and the technology is basic. But when Beth realises that her mum, who died when Beth was little, would be alive in the 1980s, she just has to try to find her.... Can the girls navigate their way through the strange world of their parents’ youth - and back home again (without using Google maps)?

Eva Gordon doesn't like mysteries - so when new girl Aretta hurries away after school every day, Eva's determined to find out why. And Aretta’s not the only person Eva’s interested in - a friend’s granny has been parted from her beloved dog, so Eva decides to cheer her up. But can she? Eva finds that some things are too big and complicated for one girl to deal with alone...but she has a talent for bringing people together, and together people can do almost anything!

When a mysterious note arrives for six months pregnant Dr Eliana Hughes, she begins to doubt every aspect of her life - from her mixed feelings about motherhood to her marriage to Martin, who has become distant in recent months. As the person behind the note escalates their campaign to out Eli’s husband as a cheat, she finds herself unable to trust even her own instincts, and as pressure builds, she makes a mistake that jeopardises her entire future. Elsewhere, someone is watching.

It begins with a singing and dancing septet in dusty church halls. But it is not the sisters’ dancing that fills the seats: it is the torrents of hair they let loose at the end of each show. And their hair will pull them out of poverty, to the salons of Dublin and the palazzi of Venice. It will bring some of them love and each of them loss. For their fame and fortune will come at a terrible price...

Molly Darling wants life to be as simple as wellies and porridge - this is rural Ireland after all. Instead, Mum's hiding in the attic; Dad's run away, leaving only a PowerPoint to explain; her sister has a ham sandwich for a fiance; there's a boy and the silence; her BFF will stop at nothing to go viral; and the chickens are missing. It's enough to make any girl cantankerous. But she'll fix it all. Easy, right?

Georgina Corrigan is dead! It must be true. It has been printed in the newspapers. How does one prove one is not dead? Georgina is forced to seek assistance from her well-connected friends to establish that she is indeed alive and well and living in Percy Place. The accident that caused the death of her unlamented husband has had other ripple effects, and a young woman is being forced to flee all that she knows.

A widow spends weeks haunting a cemetery, desperate to track down an unknown woman who keeps leaving flowers on her husband’s grave; A daughter searches a foreign city for her father, trying to understand why he disappeared forty-five years ago; A former gay lover of Roger Casement stands among the crowds at his state funeral in 1965, paying silent homage to the closeted world they were forced to inhabit at the dawning of the Irish State. A writer at a book launch comes face to face with the person secretly responsible for his success.

Bridget and Josie are leaving rural Ireland for New York, to stay with a distant relative, Catherine, who has found jobs for them. On the journey they meet a young orphaned girl, Julia, who is travelling alone in hopes of staying with her long-absent brother. When they get to the brother's address, he is no longer there, and no one knows where he has gone to. In the following weeks they do their best to search for him, but are unsuccessful as he has a common name, and the police are not particularly interested in finding yet another lost Irish man.

Children today grow up in an increasingly volatile, complex and uncertain world. Theirs is a generation disempowered from steering their lives while society’s systems are failing to provide the support they need. Yet, a country only prospers when its children—from all walks of life—thrive, meaning that the United Kingdom now faces some consequential choices. Raising the Nation builds a compelling case showing why we must nurture smart, strong and kind children to one day inherit the stewardship of society.

Sally and her sister Bridget are New Yorkers now – they’ve settled in and feel at home in the bustling city. Life in New York is exciting enough that the girls can rise above life with Catherine, their mean cousin. At work one day, Bridget finds a photograph of a young man between the pages of a book. She shows it to her employer Miss Cameron who dismisses it, but her blush and flustered manner intrigue Bridget. She soon discovers he was a suitor, but not allowed by Miss Cameron’s family as he came from a poor background.

Georgina Corrigan is worried. The first women sent to her Percy Place home by the BOBs - an organisation which supports women escaping difficult home lives - are ready to step out into the world again. Some have found opportunities in Dublin, others in New York. Will those travelling to America find employment with the Harvey Company? Thousands try every year to become Harvey Girls - young women who serve in restaurants and hotels on the railway line. Will they be successful when so many fail?