Showing results by publisher "Picador" in All Categories

Denise Riley has pursued her singular path with a determined disregard for poetic fashion: a poet of immense musical gifts and formal skill, as happy in traditional forms as experimental, her non-alignment with any ‘tribe’ has led to a rich and various poetry that, while densely allusive and intellectually uncompromising, remains emotionally open towards the reader at the most profound level. Say Something Back, her lyric meditation on bereavement, won Riley universal acclaim - and a wide and long-deserved readership.

In this innovative and compelling work of environmental history, Philipp Blom chronicles the great climate crisis of the 1600s, a crisis that would transform the entire social and political fabric of Europe. While hints of a crisis appeared as early as the 1570s, by the end of the 16th century the temperature plummeted so drastically that Mediterranean harbours were covered with ice, birds literally dropped out of the sky and ‘frost fairs’ were erected on a frozen Thames - with kiosks, taverns and even brothels that became a semipermanent part of the city.

These are poems of whimsy and imaginative acrobatics, but they are grounded in the familiar, common things of everyday experience. Collins takes us for a walk with an impossibly ancient dog, discovers the proper way to eat a banana, meets an Irish spider and invites us to his own funeral. Facing both the wonders of being alive and the thrill of mortality, these new poems can only solidify Collins’ reputation as one of America’s most durable and interesting poets.

Jackie Kay's first collection as Scottish Makar is an audiobook about the fighting spirit - one, the poet argues, that we need now more than ever. Bantam brings three generations into sharp focus - Kay's own, her father's, and his own father's - to show us how the body holds its own story. Kay shows how old injuries can emerge years later; how we bear and absorb the loss of friends; how we celebrate and welcome new life; and how we embody our times, whether we want to or not.

Meet Drew Lord Haig, called upon to sing the obscure hit from his youth at a paramilitary event. Or Max, who recalls an eventful journey to a Christian film festival. Meet Mrs Dallesandro, in the tanning salon on her wedding anniversary dreaming of a teenage sexual experience. And Sonya, who scours the streets of Belfast for the missing posters of her dead son. In Dance Move, the new collection of stories from Wendy Erskine, we meet characters who are looking to wrest control of their lives, only to find themselves defined by the moment in their past that marked them.

In 2012 the rebel suburb of Daraya in Damascus was brutally besieged by Syrian government forces. Four years of suffering ensued, punctuated by shelling, barrel bombs and chemical gas attacks. People’s homes were destroyed and their food supplies cut off; disease was rife. Yet in this man-made hell, 40 young Syrian revolutionaries embarked on an extraordinary project, rescuing all the books they could find in the bombed-out ruins of their home town. They used them to create a secret library, in a safe place, deep underground.

Costa Rica, 1968. When a lethal fire erupts at the American Fruit Company’s most lucrative banana plantation burning all evidence of a massive cover-up, the future of Teresa Cepeda Valverde’s family is changed for ever. Now, twenty-seven years later, Teresa and her daughter Lyra are still picking up the pieces. Lyra wants nothing to do with Teresa, but is desperate to find out what happened to her family that fateful night. Teresa, haunted by a missing husband and the bitter ghost of her mother, Amarga, is unable to reconcile the past.

6th December 1993. A drug dealer called Scrappy is shot and left for dead on her mother’s lawn in South Central Los Angeles. Two local gang members, Wizard and Dreamer, are arrested. The problem is: one is guilty, the other wasn’t even there. It had to be a frame-up. And the cops had to be responsible, didn’t they?

Young, inexperienced and fleeing a terrible personal loss, Rosie travels to France to become an au pair to the Tivot family. Nicole, the cool, distant and beautifully polished mother of the three children she cares for is impossible to connect with - there is something about the woman that both fascinates and unnerves Rosie. The same is true of the rest of the Tivot clan. Nicole’s husband, Marc, and their children all seem to be caught in an unending struggle against each other for love and acceptance. Only when Rosie is sent to care for Nicole’s guardian does she finally discover the truth.

At sixteen, Eva meets Jamie by chance. She lives in middle-class South Brooklyn; he comes from the super-rich of upper Manhattan. She’s observant, cautious, eager to seem normal; he’s curious, bold, full of mysteries. She keeps a keen intelligence under wraps; his eccentric brilliance is all but impossible to repress. While Eva welcomes Jamie into her family’s embrace, he avoids going home; with little in common, they are drawn together in a deep friendship. As Eva goes off to an elite college and falls in and out of love, Jamie drops out of school and joins the Occupy Wall Street movement.

Atossa Abrahamian traces the rise of the hidden globe to thirteenth-century Switzerland, where poor cantons marketed the commodity they had—bodies, in the form of mercenary fighters. Following its evolution around the world, she reveals how prize-winning economists, eccentric theorists, visionary statesmen, and consultants masterminded its export in the form of free trade zones, flags of convenience, offshore detention centers where immigrants languish in limbo, and charter cities controlled by by foreign governments and multinational foreign corporations—and even into outer space.

Polls show that if you ask the average person even the most basic question – ‘Does racism still exist?’ – half the population will say that it does, while the other half will say that it doesn’t. Despite increasingly vocal and polarized opinions on both traditional and social media platforms, as a society we have no more clarity about racism than we did a generation ago. In the ground-breaking The Science of Racism Professor Keon West cuts through the divisive anecdotes and rhetoric with decades’ worth of clear, factual, rigorous, quantitative science, to reveal truths about racism.

Gardiner Amory’s life is reeling – Nixon is being impeached, his wife is leaving him and his worldview is rapidly becoming outdated. His daughter, Daley, has spent her life negotiating her parents’ conflicting worlds: the liberal realm of her mother and the conservative, liquor-soaked life of her father. But when the pair divorces, Gardiner’s basest impulses are unleashed in a deluge, and the chasm between all of them widens. As she reaches adulthood, Daley rejects her father’s prejudices and embarks on her own life – until Gardiner hits rock bottom.

Fifteen years ago, English teacher Vida Avery arrived alone and pregnant at the elite Fayer Academy. Living on the campus off the coast of New England, she worked to become a beloved fixture of the school – and to shelter herself and her son, Peter, from a painful secret she left behind. Then she accepts the impulsive marriage proposal of ardent widower Tom Belou, and the prescribed life Vida has constructed begins to come apart.

Acclaimed novelist Susannah Dickey turns to poetry in emphatically striking style via a true crime podcast with this, her debut collection. Isdal is comprised of three parts, the first a very funny poetic stalking of the flirty co-presenters of a podcast about a long-unsolved murder mystery, as they ruminate over meagre evidence and reach, well, very few conclusions. It is crafted in Dickey’s intellectually agile and witty rhyming style. At the centre of the book is a prose philosophical enquiry into our perennial obsession with female victims, ‘sexiness’, and death.

The greatest popular songs, whether it’s Aretha Franklin singing ‘Respect’ or Bob Dylan performing ‘Blind Willie McTell’, have a way of embedding themselves in our memories. You remember a time and a place and a feeling when you hear that song again. In Holding the Note, David Remnick writes about the lives and work of some of the greatest musicians, songwriters, and performers of the past fifty years.

By the long-time art critic of The Daily Telegraph, Warhol After Warhol tells the David-and-Goliath story of collector Joe Simon and his struggles with the [Andy] Warhol Authentication Board, a tale of power, corruption and lies, a Bad Blood for the art world.

When Graham Caveney was in his early 20s, he began to suffer from what was eventually diagnosed as agoraphobia. What followed were decades of managing his condition and learning to live within the narrow limits it imposed on his life: no motorways, no dual carriageways, no shopping centres, limited time outdoors. Graham’s quest to understand his illness brought him back to his first love: books. From Harper Lee’s Boo Radley, Ford Madox Ford, Emily Dickinson and Shirley Jackson: the literary world is replete with examples of agoraphobics—once you go looking for them.

Keith Ridgway, author of the acclaimed Hawthorn & Child, writes about people whose understanding of their own situation is only ever partial and fuzzy, who are consumed by emotions and anxieties and narratives, or the lack thereof, that they cannot master. He focuses on peripheral figures who mean well and to whom things happen, and happen confusingly, and his fictional strategies reflect this focus. In a deftly conjured high-wire act, Ridgway achieves the fine balance between the imperatives of drama and fidelity to his characters.

Over the course of a single year, our nameless narrator heroically tries to keep her small brood of four chickens alive despite the seemingly endless challenges that caring for another creature entails. From the freezing nights of a brutal winter to a sweltering summer which brings a surprise tornado, she battles predators, bad luck and the uncertainty of a future that may not look anything like the one she always imagined.