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The Crime of the Brigadier is a short story written by Arthur Conan Doyle first published in The Cosmopolitan in December 1899. 10th story of the Gerard saga.

The Adventure of the Six Napoleons, one of the 56 Sherlock Holmes short stories written by Sir Arthur Conan Doyle, is one of 13 stories in the cycle collected as The Return of Sherlock Holmes.Inspector Lestrade of Scotland Yard brings Holmes a mysterious problem about a man who shatters plaster busts of Napoleon. One was shattered in Morse Hudson's shop, and two others, sold by Hudson to a Dr. Barnicot, were smashed after the doctor's house and branch office had been burgled. Nothing else was taken. In the former case, the bust was taken outside before being broken.

Moonshine springs - is a satirical story by Mikhail Afanasyevich Bulgakov (1891 - 1940), an outstanding writer, playwright and theatre worker. Bulgakov was a Soviet playwright, novelist, and short story writer best known for his humor and penetrating satire. Because of their realism and humor, Bulgakov's works enjoyed great popularity, but their trenchant criticism of Soviet mores was increasingly unacceptable to the authorities.

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The Adventure of the Dying Detective, in some editions simply titled The Dying Detective (first published 1913), is one of the 56 Sherlock Holmes short stories written by Sir Arthur Conan Doyle. Together with seven other stories, it is collected as His Last Bow (published 1917). Dr. Watson is called to tend Holmes, who is apparently dying of a rare tropical disease, Tapanuli fever, contracted while he was on a case. Watson is shocked, not having heard about his friend's illness. Mrs. Hudson says that Holmes has neither eaten nor drunk anything in three days.

Nothing stands still. The moment we grasp an idea, it expands beyond us. The instant we define a boundary, a wider one emerges. Ralph Waldo Emerson's essay Circles is not about shapes on a page but about the shifting nature of thought, existence, and perception. Each insight is a stepping stone, each conclusion just another starting point. There is no final answer—only an ever-widening ring of understanding. Emerson writes with the quiet confidence of someone who has seen the world rearrange itself countless times. He does not dictate; he invites. He does not confine; he liberates.

Life does not unfold by design. It moves, shifts, adapts—sometimes in harmony, often in chaos. What, then, is the right way to live? With his signature clarity and quiet defiance, Ralph Waldo Emerson steps beyond theory into the pulse of everyday existence. He does not prescribe rigid formulas but instead offers something sharper: a way of seeing. Here, work is not mere labor but an act of self-realization. Power is not control but a force that shapes character. Fate is not an iron law but a current to navigate.

A world in perfect balance—so claims Emerson in Compensation, an essay that pulses with quiet defiance and deep assurance. No gain without loss, no misstep without lesson, no fortune without its hidden tax. It is neither fate nor blind justice but a living rhythm, an invisible hand that rights every scale, even when human eyes fail to see. Emerson does not preach; he unfolds. The idea seeps in, settles, challenges. His words are not doctrine but a lens—through which prosperity and misfortune reveal themselves as two faces of the same coin.

True heroism does not seek applause. It does not wear armor or demand recognition. It walks quietly, steady in its purpose, untouched by fear or flattery. In Heroism, Ralph Waldo Emerson strips away the illusions of grandeur and reveals the essence of courage: a quiet, unwavering commitment to one's own principles. This is not a celebration of warriors or conquerors but of those who face the world with integrity, who move through life unshaken by its storms.

Intellect is not a possession but a force—fluid, expansive, untamed. It cannot be hoarded, nor can it be caged within doctrine or tradition. In Intellect, Ralph Waldo Emerson urges us to see thought as a living current, not a stagnant pool. True understanding, he suggests, is not about collecting knowledge but about breaking through to deeper insight, where intuition leads and logic follows.

Prudence is not timidity. It is not caution for its own sake. It is the art of knowing when to act and when to wait, when to follow reason and when to trust instinct. In Prudence, Ralph Waldo Emerson reclaims this often-misunderstood virtue, not as mere carefulness but as the wisdom of navigating life with both vision and restraint. For Emerson, prudence is not the enemy of boldness but its quiet architect. It does not stifle ambition but shapes it, guiding passion with clarity and purpose. A mind without prudence rushes blindly; a mind ruled by it never moves at all.

Ralph Waldo Emerson's The Over-Soul isn't just an essay—it's a revelation. It speaks of a vast, unshakable presence within us all, a silent force that knows, guides, and connects. Beyond intellect, beyond ego, Emerson leads us to the infinite. The Over-Soul is the quiet voice of truth, the source of wisdom that needs no teacher. It is intuition over logic, unity over isolation. When we listen, the noise of the world fades, and something deeper takes its place—clarity, purpose, transcendence. Emerson doesn't explain; he awakens.

Imagine a world where shadows are reality, where knowledge is but flickering illusions cast upon a wall. This is the chilling vision of Plato's Allegory of the Cave, a philosophical parable nestled within The Republic. More than two millennia old, it remains one of the most haunting explorations of truth, perception, and enlightenment. In this tale, Socrates describes prisoners trapped in a dark cavern since birth, chained so they can see only the wall before them. Behind them burns a fire, casting the silhouettes of unseen objects.

The Collected Ghost Stories of M. R. James is an omnibus collection of ghost stories. Many of these stories are time-tested classics. Montague Rhodes James is best remembered for his ghost stories, which some consider among the best in the genre. He redefined the ghost story for the new century by abandoning many of the formal Gothic clichés of his predecessors and using more realistic contemporary settings. However, his protagonists and plots tend to reflect his own antiquarian interests.

What is art? A mere imitation of life or something far greater—an act of creation that reveals the soul of the universe? Ralph Waldo Emerson, the philosopher-poet of American transcendentalism, elevates art beyond the canvas, beyond words, beyond form itself. In this essay, he explores the divine spark within creativity, arguing that true art is not bound by technique or tradition but flows from the spirit of the artist, a force both mysterious and essential.

Emerson's Nature is not just an essay—it's a rebellion against confinement, an argument against secondhand wisdom. He strips away artifice, forcing us to confront the raw, untamed presence of the world. To walk through the woods, he suggests, is to be undressed of civilization, to shed the weight of customs, history, and ego. Nature demands no commentary, no theory—it simply is. This is not the sentimental nature of poets, nor the docile landscape of painters. Emerson's nature is unsettling, absolute.

In the echoes of ancient Rome, where the clang of swords met the whispers of philosophy, Marcus Aurelius stood as both ruler and sage. The Speeches of Marcus is not a mere collection of words, but a testament to a mind sculpted by discipline and tempered by duty. His voice, austere yet compassionate, resounds through the corridors of time, inviting the listener to ponder the nature of power, virtue, and the fragile thread that binds humanity. With each measured phrase, Marcus does not seek to dazzle or dominate but to illuminate the path of reason and justice.

With his sense of humor and ability to observe, Nikolai Gogol presents the world with stories of little people: the weak and fragile people who try to hold on to life in the gloomy cities of Russia. The Mantle, which is listed among his masterpieces, describes how Russian bureaucracy turns everyone into a ghost of each other. It tells the tragicomic story of a poor low-ranking official named Akakiy Akakiyevich Bashmachkin, a faint character living on the margins of society who spends all his time diligently copying documents.

Anthology of Christmas Stories is a unique collection of Christmas tales, reflections, and poems from beloved authors across the centuries and makes the perfect gift for the reader in your life. This beautiful treasury will take you back to firesides, simple gifts, and warm family moments of Christmases past as you cherish the timeless truths and joys of the season.

Konstantin Paustovsky was a Russian writer nominated for the Nobel Prize for literature in 1965, 1966,1967,1968. Paustovsky began writing while still in Gymnasium. His first works were imitative poetry but he restricted his writing to prose after Ivan Bunin wrote in a letter to him: "I think that your sphere, your real poetry, is prose. It is here, if you are determined enough, that I am sure you can achieve something significant."