Showing results by narrator "Rosalyn Landor" in All Categories

Helen Huntingdon is beautiful - so beautiful she has to wear an iron mask. Six months ago her sister Jane uncovered a fey plot to take over the city. Too late for Helen, who opted for fey beauty in her face - and now has to cover her face with iron so she won’t be taken over, her personality erased by the bodiless fey. Not that Helen would mind that some days.

Jane Eliot wears an iron mask. It's the only way to contain the fey curse that scars her cheek. The Great War is five years gone, but its scattered victims remain—the ironskin. When a carefully worded listing appears for a governess to assist with a “delicate situation”—a child born during the Great War—Jane is certain the child is fey-cursed, and that she can help.

When sleep was at its deepest, night at its blackest, up from the mist-filled marsh came Grendel stalking. Thus begins the battle between good and evil, for lying in wait and anxious to challenge the ogre Grendel is a young man, strong-willed and fire-hearted. This man is Beowulf, whose heroic dragon-slaying deeds were sung in the courts of Anglo-Saxon England more than a thousand years ago.

Silas Marner, which first appeared in 1861, is a tale about life, love, and the need to belong. Accused of a crime he didn't commit and unjustly forced from his home town, Silas the weaver lives a reclusive and godless life, finding love and companionship only in material objects.

The greatest mystery surrounding Sherlock Holmes comes to light: Was he actually a woman? At last the master - or rather, mistress - of disguise puts pen to paper to reveal this decades-long deception, and in so doing, discovers another fact she kept secret even from herself. The complex mind of the brilliant consulting detective is finally opened to the public in the chronicle of a new case never recorded by Dr. Watson - a case featuring Constance Moriarty, the beguiling daughter of Holmes’ infamous nemesis.

Some see stem-cell research as mankind’s greatest scientific breakthrough; others, a blasphemous attempt to play God. Suddenly, the possibility of immortality exists. Two brothers, both doctors, stand on opposite sides of the controversy. To Arthur Marshak, his work is a momentous gift to humanity. To Jesse Marshak, it is a curse. And between them stands a beautiful, remarkable woman that both brothers will do anything to save.

The novel, a deceptively simple story, is set in Holland in 1672 during the amazing tulipmania of the 17th century that brought wealth to some and ruin to many. The story weaves the historical events surrounding the brutal murder of John de Witte and his brother Cornelius into a tale of romantic love. The novel is also a political allegory in which Dumas makes his case against tyranny and puts all his energies into creating a symbol of justice and tolerance: the fateful tulipa negra.

Like other well-bred young women in Edwardian England, Lily Throop is expected to think of little beyond marriage and motherhood. Passionate about the stage, Lily has very different ambitions. To her father's dismay, she secures an apprenticeship at London's famous Imperial Theatre. Soon, her talent and beauty bring coveted roles and devoted admirers. Yet to most of society, the line between actress and harlot is whisper-thin. With her reputation threatened by her mentor's vicious betrayal, Lily flees to St. Petersburg with an acting troupe - leaving her first love behind.

Bright, willful Maggie Tulliver longs for acceptance from Tom, her obstinately responsible brother whom she cherishes above all. As their father falls ill and loses Dorlcote Mill in a lawsuit, Maggie and Tom are forced down two divergent paths in life, each dictated by familial and societal expectations. Wasting away in the Tullivers' home, Maggie is soon inspired to follow her heart and lead a life of passion and impulse, which results in her brother renouncing her. As the siblings drift apart, only tragedy along the River Floss can bring them together again.

At first blush, Widdershins is a conventional haunted house story involving an unsuccessful writer who moves into an empty house in hope that isolation will help his failing creativity. His sensitivity and imagination are enhanced by his seclusion, but his art, his only friend, and his sanity are all destroyed in the process. It can be interpreted as narrating the gradual possession of the protagonist by a mysterious, possessive feminine spirit, or as a realistic description of a psychotic outbreak culminating in catatonia and murder, told from the psychotic subject’s view.

Lightspeed: Year One compiles fiction published by the online science fiction magazine Lightspeed in its first year. Produced by Skyboat Media, and under the direction of Grammy and Audie Award-winning narrator and producer Stefan Rudnicki, the Lightspeed podcast features audiobook-style recordings of the stories published each month in Lightspeed.

Amy has recently given birth to her first child, Evie, but, while utterly besotted with her daughter, she can't quite manage to get her own life back on track. She feels overweight, unattractive, and incapable of holding a conversation beyond the lines of breast pumps and feeding times. She wants her figure, her sassiness, her LIFE back. And on top of that, she suspects her partner, Joe, is having an affair. Then her friend Alice decides to give her a makeover.