Showing results by narrator "Romy Nordlinger" in All Categories

In The End of Sex, Donna Freitas draws on her own extensive research to reveal what young men and women really want when it comes to sex and romance. Surveying thousands of college students and conducting extensive one-on-one interviews at religious, secular public, and secular private schools, Freitas discovered that many students are deeply unhappy with hookup culture. Meaningless hookups have led them to associate sexuality with ambivalence, boredom, isolation, and loneliness, yet they tend to accept hooking up as an unavoidable part of college life.

A women of the Tohono O'otam tribe has been savagely - and ritually - murdered in Wyoming, outside the jurisdictions of Granite Creek, Colorado, Police Chief Scott Parris and Ute tribal policeman Charlie Moon. But a brutal, unprovoked assault by the suspected killer on one of Parris's detectives - and the dark, unsettling visions of Charlie's shaman aunt, Daisy Perika - are pulling two dedicated lawmen and an aging Native American mystic into the hunt.

EMT Kaitlin North can’t believe the shooting victim at an isolated Ozark cabin is the man who once saved her life. Now, the only way she can keep undercover police officer Daniel Ryan alive is to help him elude the hitmen on his trail. With danger closing in, can Kaitlin and Ryan trust each other’s instincts...and take a chance on love?

A medieval slave-turned-sultan, an alien who declines to visit Earth, a prophet who dares to ask "is God funny?" and a ghost who fears the living - these are among the terrifying, tragic, passionate, and comic characters who animate Michael Oren's stories. Crisscrossing genres, they explore the outer bounds of imagination and artistic freedom, exposing the listener to a kaleidoscope of human emotions and experience. In The Night Archer, the acclaimed historian, political commentator, and statesman Michael Oren is revealed as a writer of bold versatility.

The idea of American musical theater often conjures up images of bright lights and big city, but its lifeblood is found in amateur productions at high schools, community theaters, after-school programs, summer camps, and dinner theaters. In Beyond Broadway, author Stacy Wolf looks at the widespread presence and persistence of musical theater in US culture and examines it as a social practice - a live, visceral experience of creating, watching, and listening.

Marion Davies was, in so many ways, created by and for William Randolph Hearst - their symbiotic relationship spanned from 1915 when W. R. first ogled her chorus-girl charms until his death in 1951. But she was much more quickly superannuated, cinema-historically speaking, by the Orson Welles-Herman Mankiewicz dumb-blonde caricature in Citizen Kane, paradoxically the most important film in her life.

Blanche Tucker longs to escape her drop-dead dull life in tiny Boynton, Oklahoma. Then dashing Graham Peyton roars into town. Posing as a film producer, Graham convinces the ambitious but naive teenager to run away with him to a glamorous new life. Instead, Graham uses her as cruelly as a silent-picture villain. Taking charge of her life, she makes it to Hollywood. Six years later, Blanche has transformed into the celebrated Bianca LaBelle, the reclusive star of a series of adventure films, and Peyton's remains are discovered on a Santa Monica beach. Is there a connection?

The interwoven tales of three women unfold in the voices of Sarah, Miriam, and Beth, whose unshakable friendship takes root in a Buffalo college dorm in the late 1960s. Fueled by the optimism and bravado of that era, they charge into adulthood with high expectations and lofty ideas. They were, as Beth would later observe, the first generation of women to feel entitled to interesting lives. At times, they find themselves living long distances from each other as each of them seeks new directions and new locales. Nonetheless, they remain deeply connected in the decades after college.

Eccentric 70-something Vivian Borne and company, amateur-sleuths-turned-pro, have a challenging case to solve as a series of creepy crimes plague an ill-fated Edgar Allan Poe festival, where a fiend is misguidedly dispensing Poe-etic justice. Small-town Antiqua, known for its quaint main street of antique shops, has set out to celebrate the gothic poet with food, fun, and rare memorabilia, only to have the Master of the Macabre's twisted tales come to deadly life.

Fitzgerald's debut novel, This Side of Paradise, tells of a handsome young man, Amory Blaine, whose romantic relationships with women are touched with a reflection of his own narcissism. First published in 1920, it covers Amory's life at Princeton and later as a soldier during World War I. The central character is loosely based on Fitzgerald himself, and the female characters are mostly based on actual women in his life as well. The book was a solid success and helped Fitzgerald persuade Jazz Age icon Zelda Sayres, fictionalized in the novel, to marry him.

Anna Percival drifted through the shadowy rooms of the old dark house in a sleepwalker's trance. And wherever she went a strange death was sure to follow. Many years before, at Land's End Manor, lived another Anna, a murderess of uncommon cunning and cruelty. Gossipy villagers tried to make Anna Percival believe that the other Anna's evil spirit lived in her! Yet even as death thrived at Land's End, Anna Percival found her own safety threatened again and again. Was she out to take her own life as well as the lives of others?

Dunbar Manor had always been a place of fear for Ann Randall. Years ago, her mother had been killed there by a black-hooded figure who escaped capture. There were those who said that the phantom-like "thing" still roamed the eerie grounds at the dark of the moon. Ann had never expected to return to Dunbar Manor. But one night she awoke in one of its shadowy rooms, her money gone, to find herself the fiancée of a sinister man she had never seen before! She was informed that soon she would become the mistress of the great estate.

Regina Widden stirred restlessly in her bed as she fought to pull herself out of her nightmare.... At last, she opened her eyes and found that she was on a narrow cot in a small cottage. She turned to see a candle in a pewter holder burning on a wooden table beside her. Suddenly, the door burst open and a young girl rushed in. Regina recognized her friend, Peggy.

Karen arrives at he Bagnold plantation in Haiti determined to uncover the truth about her cousin Sheila’s mysterious death. Sheila’s husband, Henri Bagnold, is not above suspicion - though Karen finds herself inalterably drawn to the handsome artist. But Henri is not the only one who had a motive for murder. His beautiful adopted sister, Jean Marie, or his attractive blonde secretary, Dorothy, also had reason to want Sheila dead. So did Leonard, Henri’s cousin, who committed suicide after Sheila’s death and is said to stalk the Bagnold plantation now in zombie form.

Arundel was cursed with a still unexplained secret from its sinister past. And when a series of strange, near-fatal accidents befell her, Marie was certain that the mysterious menace of the old mansion was reaching out to claim her as its next victim. At first she clung to her new-found love for comfort and protection. Suddenly, she became aware that the killer who pursued her from the shadows of that doomed house could very well be her own husband!

From the moment she came to live at Phantom Manor, a rotting pile of stone she had suddenly inherited, Jan Davis became the terrified victim of a series of “accidents.” The lurking murderer could be anyone whose life was tied to the dread secret of the eerie mansion: a homicidal, half-witted young man; a jealous relative who wanted the manor for herself; even a neighboring landowner with whom Jan had fallen in love. But the hidden villain of Phantom Manor could also be one of the “unliving” - the legendary ghost that stalked its shadowy corridors....

Will Anita lose her husband to the ghost with the porcelain face? When they inherit an ancient mansion, Anita and her husband Charles move in. From the very beginning of their arrival at Shorecliff, Anita notices the change that comes over her husband. Charles turns into a sullen and brooding stranger. He becomes obsessed with the legend of Amanda, a vain and beautiful murderess who kept forever young by wearing a mask of porcelain. Though dead 100 years, Amanda seems to have taken complete control of Charles.

Pamela Wales, the young governess at Ravenswood, can hardly believe her luck. The man she adores - the brooding master of the palatial estate - wants her for his wife. For a little while, she is so happy that she ignores the servants' gossip of old scandals and her fiance's involvement in a recent murder. Suddenly, she is almost killed. Then a ghost pursues her through the mansion's sinister corridors.

In a time when most formal religions are on the wane, Wicca is said to be the fastest growing religion in North America. What is it that draws people to Witchcraft, and how does a spiritual path with its roots in ancient beliefs and traditions transform itself into a practice that resonates so deeply with today's modern woman? There are a number of explanations for the phenomenon, such as Witchcraft's connection to the natural world, or acceptance of members regardless of lifestyle choices. For women, however, the greatest appeal may be the worship of a goddess (or goddesses).

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