Showing results by narrator "Anne Flosnik" in All Categories

After mourning her husband, Fanny goes out to experience freedom like never before - until she becomes enamored with a man who only wants one thing: a wife.

Of all the widows of Lyttlefield Park, Elizabeth Easton seems least likely to remarry. Although many gentlemen would love to get to know the charming Mrs. Easton better, she is devoted to the memory of her late husband - which is why she’s so shocked to be overtaken by passion during a harvest festival, succumbing to an unforgettable interlude with the handsome Lord Brack.

Victory is sweet - but England’s triumph was Georgie’s rout. Now that she’s widowed, the loathsome marriage her father first arranged has simply been renegotiated. With neither money nor rights, and nowhere to flee, all she can do is cherish her last weeks of freedom...until a band of ruffians overtake her carriage and kidnap her. When she escapes in seaside Brighton and encounters her brother’s rather wild friend, Lord St. Just - whom she suspects aspires to be a pirate - she’s prepared to entertain more of his adventurous suggestions than usual....

Maria just gave birth to her first child, a beautiful daughter, but the event is shrouded in sorrow. A month earlier, Maria’s husband, Lord Kersey, was killed in a duel under compromising circumstances. Worse, Maria’s failure to provide a male heir has stripped her of any hope of an inheritance. Scorned by the ton, one of her few allies is her late husband’s steward, Hugh Granger. Hugh is everything her husband was not - warm, charming...and penniless. Hugh has fallen desperately in love with Maria but has little to offer but comfort.

Diana Vertue, known in an earlier life as the terrifying esper Jenny Psycho, had been a hardcore terrorist and a saint of the uber-esper Mater Mundi, but she'd outgrown both those roles. Now it’s time for a psychic showdown with the Mater Mundi herself.

The armies of Shub have come to the planet Loki, and the over-extended parliament of the New Republic can only send the legendary hero Jack Random and his loose-cannon companion Ruby Journey to do their damnedest with the powers they’ve acquired from the Madness Maze. But when they get to the mining planet, they find the colony engaged in a civil war, with the representative government in the hands of unsavory profiteers who are at war with justifiably aggrieved rebel forces, who have unjustifiably aligned themselves with the rogue AIs of Shub.

Dear Listener, I began writing the Night Trilogy in 1987. I’m very proud of all three novels. Perhaps Night Fire is my favorite simply because it’s so different from the other two. In Night Fire, Arielle Leslie is a sixteen-year-old forced to wed Paisley Cochrane,a sadistic old man who abuses her. When he dies, she believes herself free. But she’s not. Burke Drummond, Earl of Ravensworth, a young man she’d worshipped three years before, is home from the wars, and he wants her.

April 1831, her grace Corinne Monroe wants her widowed son, Lord Julian, to marry her best friend’s daughter, Miss Sophie Wilkie. Julian last saw Sophie when she was twelve years old, silent, skinny, and always staring at him. However, his mother is nothing if not persuasive, and Julian reluctantly accompanies her to London to meet the young lady. And he knows that whatever happens isn’t going to be good. Lord Devlin Monroe, Julian’s nephew, is very fond of his intriguing reputation in society: he delights, he frightens, he brings on delicious shudders. He’s enjoying a pleasant bachelor life....

Spanning half a century of Elizabethan and Jacobean history and sweeping from the lowest reaches of society to the royal court, this richly textured novel tells the real story of Shakespeare in love.

Sexism in Narnia? Or Screwtape? Or amongst the Inklings? Many critics have labelled C.S. Lewis a sexist, even a misogynist. The younger Lewis was criticized for a mysterious living arrangement with a woman, but his later marriage to an American poet, Joy Davidman, became a celebrated love story. As a writer he, along with J.R.R. Tolkien, formed a legendary literary group, the Inklings - but without women. In this collection of short essays, opinion pieces, and interviews, academics and writers come together to investigate these accusations.

This biography evokes the pervasive importance of religion to Queen Victoria's life, but also that life's centrality to the religion of Victorians around the globe. The first comprehensive exploration of Victoria's religiosity, it shows how moments in her life - from her accession to her marriage and her successive bereavements - enlarged how she defined and lived her faith.

Elizabeth Tudor learned resilience young. Declared illegitimate after the execution of her mother Anne Boleyn, she bore her precarious position with unshakable grace. But upon the death of her father, King Henry VIII, the vulnerable fourteen-year-old must learn to navigate a world of shifting loyalties, power plays, and betrayal.

Raised in the backwater province of Crowthorne, Cara finds her fate bound to a system she despises and a goddess she no longer believes in. When it becomes clear that the heir to the Elbian throne has found disfavor in the eyes of the goddess, Cara is ordained by blood to take her cousin's place as heir apparent.

Vivienne Poppy's plans are working out quite well. She's run away from her family and the prospect of a horrid marriage of convenience and plans to spend her time writing under her pseudonym, Lady Larkby. Until she discovers the old Larkby title is not as dead as she thought. Yeoman of the Guard and recently knighted Sir Sebastian Larkby is stunned to discover a Lady Larkby that he does not remember marrying.

Muriel Beau, country baker turned heiress, can't stop instigating outrage. She discards two arranged engagements, then further antagonizes Kent society by publicly proposing to a baron at a ball. His rejection leaves her with no choice but to flee to the city and secure a coronet so splendid that her peers will forget her debacles.

A central figure in Christian tradition, Mary of Nazareth is both pivotal in theologies of the incarnation and a source of theological controversy. In this volume, bible scholar and priest Christopher Bryan examines the role of Mary in the theology of the first generations of Christians. Considering every reference to Mary in the New Testament in the order that the biblical texts were written, Mary of Nazareth situates biblical texts' treatment of Mary within first-century culture and examines changing theologies of Mary and the incarnation among the earliest generations of Christians