Showing results by author "Andersen Hans Christian" in All Categories

In the city of Florence, not far from the Piazza del Granduca, there is a little cross street which I think is called Porta Rossa. In front of a sort of market in this street, where vegetables are sold, stands an artificial but beautifully fashioned metal pig. A fountain of fresh clear water gushes out of the animal's mouth. Age has turned it dark green; only its snout shines as if it had been polished, and so it has by the many hundreds of children and poor people who take hold of it with their hands when they put their mouths to its mouth to drink the water.

You ought to have known Aunty; she was so lovely. And yet, to be more specific, she wasn't lovely in the usual sense of the word, but she was sweet and charming and funny in her own way - just the type to gossip about when one is in the mood to gossip and be facetious over someone. She should have been put in a play, just because she herself simply lived for the theater and everything that goes on in it. She was so very respectable, even if Agent Nob, whom Aunty called Snob, said she was stage-struck.

Have you ever heard the story of the old Street Lamp? It's really not very amusing, but you might listen to it for once. - It was such an honest lamp, which had done its duty for many, many years and which was now going to be discarded. It was the last evening it hung on its post and gave light to the street beneath it. The Lamp felt like an old ballet dancer who is performing for the last time and who knows that tomorrow she will be in a cold garret.

There is nobody in the world who knows so many stories as Ole-Luk-Oie, or who can relate them so nicely. In the evening, while the children are seated at the table or in their little chairs, he comes up the stairs very softly, for he walks in his socks, then he opens the doors without the slightest noise, and throws a small quantity of very fine dust in their eyes, just enough to prevent them from keeping them open, and so they do not see him.

Somewhere in the street stood an old old house; it was almost three hundred years old, as you could tell from the date cut into the great beam. Tulips and hopbines and also whole verses of poetry were carved into the wood as people used to do in those days, and over every window a mocking face was cut into the beam. The second story hung way out over the ground floor, and right under the eaves was a leaden spout with a dragon's head. Rain water was supposed to run out of the dragon's mouth, but it came from his belly instead, for there was a hole in it.

I am a poor lad, and live in one of the narrowest of lanes; but I have plenty of light: my room is high up in the house, and there is a good prospect over the roofs of the opposite houses. During the first few days I lived in the town, I felt very lonely and low-spirited. Instead of the forest and the green hills of the country, I had nothing but black chimney-pots on the horizon of my view. And then I had not a single friend, nor one familiar face to greet me.

In a poet's study, somebody made a remark as he looked at the inkstand that was standing on the table: "It's strange what can come out of that inkstand! I wonder what the next thing will be. Yes, it's strange!"

The storks tell many, many stories to their young ones, all about the bogs and marshes. In general each story is suited to the age and sense of the little storks. While the youngest ones are satisfied with, "Kribble-krabble, plurry-murry," and think it a very fine story, the older ones demand something with more sense to it, or at least something about the family.

The Emperor of China is a Chinaman, as you most likely know, and everyone around him is a Chinaman too. It's been a great many years since this story happened in China, but that's all the more reason for telling it before it gets forgotten.

"It's a dreadful story!" said a hen, and she said it in a part of town, too, where it had not taken place. "It's a dreadful story to happen in a henhouse. I'm afraid to sleep alone tonight; it's a good thing there are many of us on the perch!" And then she told a story that made the feathers of the other hens stand on end and the rooster's comb fall. It's quite true!

There was once a mighty Queen, in whose gardens were found the most glorious flowers at all seasons of the year and from all countries of the world. But best of all she loved roses, and therefore she had all possible varieties of this flower, from the wild dog rose, with its apple-scented green leaves, to the most splendid roses of Provence. They grew along the walls of the castle, wound around pillars and window frames, and spread into the passages and along the ceilings of all the halls; and the roses were varied in fragrance, form, and color.

It was bitterly cold, the sky glittered with stars, and not a breeze stirred. "Bump"—an old pot was thrown at a neighbor's door; and "bang, bang," went the guns; for they were greeting the New Year. It was New Year's Eve, and the church clock was striking twelve.

There once was a woman who wanted so very much to have a tiny little child, but she did not know where to find one. So she went to an old witch, and she said: "I have set my heart upon having a tiny little child. Please could you tell me where I can find one?"

This story really consists of two parts. The first part might be left out, but it gives us a few particulars, and these are useful. We were staying in the country at a gentleman's seat, where it happened that the master was absent for a few days. In the meantime, there arrived from the next town a lady; she had a pug dog with her, and came, she said, to dispose of shares in her tan-yard.

High up in the thin, clear air there flew an angel bearing a flower from the garden of heaven. As he kissed it, a tiny leaf drifted down into the muddy soil in the middle of the wood; it very soon took root there, and sprouted, and sent up shoots among the other plants.

The Flying Trunk is a literary fairy tale by the Danish poet and author Hans Christian Andersen about a young man who has a flying trunk that carries him to Turkey where he visits the Sultan's daughter. The tale was first published in 1839. A young man squanders his inheritance until he has nothing left but a few shillings, a pair of slippers, and an old dressing-gown. A friend sends him a trunk with directions to pack up and be off. Having nothing to pack, he gets into the trunk himself. The trunk is enchanted and carries him to the land of the Turks.

Little Claus and Big Claus (Danish: Lille Claus og store Claus) is a literary fairy tale by Hans Christian Andersen, published in Danish in 1835 in the first instalment of his booklet Fairy Tales Told for Children. First Collection. (Danish title: "Eventyr fortalte for børn. Første Samling."). In a village lived two men called Claus. In order to tell them apart, the one who owns only one horse is called Little Claus, and the other one, who owns four horses, is called Big Claus. Each week, Little Claus borrows the horses from Big Claus to plow his field.

There was once a regular student, who lived in a garret, and had no possessions. And there was also a regular huckster, to whom the house belonged, and who occupied the ground floor. A goblin lived with the huckster, because at Christmas he always had a large dish full of jam, with a great piece of butter in the middle. The huckster could afford this; and therefore the goblin remained with the huckster, which was very cunning of him.

The Ice-Maiden is an 1861 literary fairy tale by the Danish writer Hans Christian Andersen. The first English translation was published by King and Baird in 1863. The story, set in Switzerland, was inspired by a local legend about the Île de Peilz, a small island in Lake Geneva, which is also the setting of its denouement. In The Ice-Maiden, written towards the end of his career, Hans Christian Andersen tells the tale of Rudy, a boy who lost both his parents and goes to live with his uncle. The reader is first introduced to Rudy as he sells toy houses made by his grandfather.

The Flax is a fairy tale by Hans Christian Andersen about the development and use of the flax plant. The story was first published in 1849 in the periodical Fædrelandet. The fairy tale tells the story of the journey of the flax plant, which begins its life full of optimism, dismissing the warnings of the fern about the fleeting nature of life. Flax is ultimately uprooted and undergoes a series of painful transformations, first becoming fabric – flax, and later practical items, such as linen.