Showing results by narrator "Graham Dunlop" in All Categories

The modern-day term “Machiavellian” is used to describe deception, dishonesty, and cruelty to meet a goal. The Prince by Niccolò Machiavelli was written as a guide for autocrats on how to govern using means that were meant to deceive and manipulate a government’s constituency—to the extent of advocating the use of evil for political expediency.

Manly P. Hall's magazine The All Seeing Eye. The 5 Volumes (1-5) span between 1923 and 1931.

The works of American author Edgar Allan Poe (January 19, 1809-October 7, 1849) include many poems, short stories, and one novel. His fiction spans multiple genres, including horror fiction, adventure, science fiction, and detective fiction, a genre he is credited with inventing. These works are generally considered part of the Dark romanticism movement, a literary reaction to Transcendentalism. Poe's writing reflects his literary theories: he disagreed with didacticism and allegory.

Joseph Ennemoser (1787-1854) was an Tyrolean doctor and scientist, noted for his use of magnetism and hypnosis. He was a forerunner of Freud in his belief in the connection between the mind and physical health, and his interest in psychology led to investigations into the paranormal and magic. He became well known for his presentations about magic, delusions and apparently supernatural occurrences. He suggested that most of these phenomena appeared miraculous only because of a lack of understanding of the laws of nature.

No tree can grow without soil, and Theosophy can only flourish and develop its fair flowers and refreshing fruits where many pure hearts seeking the truth are gathered together.

Some of the articles and stories span multiple issues of this Magazine—The All Seeing Eye—Modern Problems in the Light of Ancient Wisdom, and we have combined them into one issue. Or we have collated them into one full segment.

How much government is too much? What rights should be given up for government? It is the Social Contract which is the foundational discussion on these topics.

Virginia Woolf’s A Room of One’s Own is a timeless and thought-provoking exploration of the relationship between women and creativity. Based on a series of lectures delivered at Cambridge University in 1928, this seminal work blends sharp wit, eloquence, and intellectual rigor to examine the systemic barriers that have historically denied women the opportunity to achieve their artistic potential.

The Flower of the House of Ming is a poetic and philosophical reflection by Manly P. Hall, first published in his periodical The All-Seeing Eye. Written with delicate insight and symbolic richness, this esoteric essay blends Chinese mysticism, alchemical allegory, and spiritual aspiration into a tale of transcendent beauty.

In this rare and mystical work, Manly P. Hall unveils the hidden thread of spiritual brotherhood that guides the evolution of humanity from behind the veil. The Brothers of the Shining Robe refers to the invisible order of Initiates, Sages, and Adepts who, throughout the ages, have silently labored for the advancement of truth, beauty, and enlightenment on Earth.

Zodiakos: The Circle of Holy Animals is a mystical exploration of the twelve signs of the zodiac as they were originally conceived—sacred emblems in the celestial scripture of the ancient world. This richly symbolic work reinterprets Aries through Pisces as spiritual archetypes, each one a phase in the soul’s journey around the eternal wheel of life, death, and rebirth.

What if everything we believed about morality, crime, health, and machines was reversed? In Erewhon, Samuel Butler delivers a brilliant satirical utopia where illness is treated as a crime, criminals are pitied like the sick, and machines are feared as dangerous competitors to mankind’s future. Originally published in 1872, this classic dystopian novel was far ahead of its time—questioning Victorian values, blind progress, and the foundations of civilization itself.

Gerard Massey’s massive Ancient Egypt: The Light of the World–first published in 1907 and the crowning achievement of the self-taught scholar–redefines the roots of Christianity via Egypt, proposing that Egyptian mythology was the basis for Jewish and Christian beliefs.

Gerard Massey’s massive Ancient Egypt: The Light of the World–first published in 1907 and the crowning achievement of the self-taught scholar–redefines the roots of Christianity via Egypt, proposing that Egyptian mythology was the basis for Jewish and Christian beliefs.

For thousands of years, whispers of an ancient past have echoed through forbidden texts, revealing glimpses of a world before the Great Flood—a time when gods walked among men, giants ruled the earth, and knowledge was hidden away for future generations.

It goes unappreciated by modern Egyptologists, but it is embraced by those who savor the concept of a “hidden history” of humanity, and those who approach all human knowledge from the perspective of the esoteric. Gerard Massey’s massive Ancient Egypt: The Light of the World–first published in 1907 and the crowning achievement of the self-taught scholar–redefines the roots of Christianity via Egypt, proposing that Egyptian mythology was the basis for Jewish and Christian beliefs.

Here, Cosimo proudly presents Book 3 of Ancient Egypt, in which Massey explains how the original elemental spirits of early humans were transformed into deities, and how the concept of a “soul” developed from animalistic representations of natural forces.

The origin of a saviour in the guise of a little child is traceable to Child-Horus, who brought new life to Egypt every year as the Messu of the inundation. This was Horus in his pre-solar and pre-human characters of the fish, the shoot of the papyrus, or the branch of the endless years. In a later stage the image of Horus on his papyrus represented the young god as solar cause in creation.

Here, Cosimo proudly presents Book 1 of Ancient Egypt, in which Massey argues that “primitive man” found no human agency in the phenomena of the natural world, which led to a woeful misinterpretation of Egyptian hieroglyphics by the Greeks and Romans as well as a misunderstanding of the essence of Egyptian mythology. As a consequence, Massey contends, a deep fount of wisdom of the ancients has been lost, and he goes on to reveal how it can be rediscovered.

Here, Cosimo proudly presents Book 2 of Ancient Egypt, in which Massey reads the prehistoric story of human civilization that can be studied in the language of ceremonial rites, ancient customs, and ritual dance, and consequently explores the resultant concept that religion evolved out of expressions of human fertility and sexuality–particularly as embodied in the primeval symbols of blood, sacrifice, and motherhood–and formed the first influences on Judeo-Christianity.