Showing results by author "Andrea Camilleri" in All Categories

La calda e fascinosa voce di uno dei migliori attori italiani, Luigi Lo Cascio, racconta una torbida inchiesta del celebre commissario, un delitto spietato in una casa di periferia di Vigata e tutto sembra condurre alla pista passionale. Il commissario, tuttavia, non si lascia ingannare dalle apparenze. Più pensieroso e malinconico del solito, Montalbano è stretto in mezzo a due donne forti e insidiose. Bellissime ed entrambe possibili assassine.

The goats of Vigàta once grazed on the trash-strewn site still known as the Pasture. Now local enterprise of a different sort flourishes: drug dealers and prostitutes of every flavour. But their discreet trade is upset when two employees of the Splendour Refuse Collection Company discover the body of engineer Silvio Luparello, one of the local movers and shakers, apparently deceased in flagrante at the Pasture. The coroner's verdict is death from natural causes - refreshingly unusual for Sicily.

Two deaths - the suicide of a recently fired worker and the murder of an unscrupulous businessman - lead Inspector Montalbano to the Halcyon, a mysterious ship that visits Vigàta's port each day. With very few crewmen, no passengers and a stern large enough to land a helicopter, it piques the Inspector's interest straight away. And whilst all this is going on, a rare trip to Genoa to visit Livia ends with the Vigàta police department in disarray, and Inspector Montalbano's position as the head of the commissariat in jeopardy. It will be up to Montalbano to fix the damage done.

Things are not going well for Inspector Montalbano. His long-distance relationship with Livia is on the rocks, he feels himself getting even older and he's growing tired of the violence in his job. Then the dead body of a young woman is found in an illegal dump, with half her face missing. Her identity at first is unknown; a tattoo of a sphinx moth on her left shoulder links her with three other girls bearing the same mark, all recent Russian immigrants to Italy.

Chief Inspector Montalbano is on enforced sick leave. But when a local girl goes mysteriously missing, the whole community takes an interest in the case. Why are the kidnappers so sure that the girl's impoverished father and dying mother will be able to find a fortune? The ever-inquisitive Montalbano steps in, to get to the heart of the matter in his own inimitable style.

Quasi una vita, momento per momento, quelli più intensi che nel tempo acquistano ancora più vigore e ritornano in tutta la loro vividezza. Tanti incontri qui offerti nella forma del racconto, ognuno dei quali ha una luce, un'atmosfera e dei personaggi indimenticabili che hanno segnato soprattutto la giovinezza e l'adolescenza di Camilleri. Alcuni conosciuti negli anni più maturi, durante la sua carriera di regista teatrale e televisivo, molti altri sconosciuti, che ci riportano ai tempi del fascismo, della guerra.

When Inspector Montalbano receives an early-morning phone call it proves to be the start of a very trying day. For the caller expects Montalbano to arrive imminently at a rendezvous with some friends. But before he can reply, the caller announces himself as someone called Riccardino and hangs up. Later that day, news comes in of a brutal slaying in broad daylight by an unknown assassin who makes his getaway on a motorbike. And when the Inspector learns of the victim’s identity - a man called Riccardino - his troubles are only just beginning.

Maybe a phrase, a line, a hint somewhere would reveal a reason, any reason, for the elderly couple's disappearance. They'd saved everything.... There was even a copy of the 'certificate of living existence', that nadir of bureaucratic imbecility.... What was the protocol, to use a word dear to government offices? Did one simply write on a sheet of paper something like 'I, the undersigned, Salvo Montalbano, hereby declare myself to be in existence', sign it, and turn it in to the appointed clerk?

He began swimming in slow, broad strokes. The sea smelled harsh, stinging his nostrils like champagne, and he nearly got drunk on it.... In a fraction of a second, Montalbano realized he'd struck a human foot. Somebody else was floating right beside him, and he hadn't noticed. 'Excuse me,' he said hastily, flipping back onto his belly and looking over at the other. The person beside him didn't answer, because he wasn't doing the dead man's float. He was actually dead.

The goats of Vigàta once grazed on the trash-strewn site still known as the Pasture. Now local enterprise of a different sort flourishes: drug dealers and prostitutes of every flavour. But their discreet trade is upset when two employees of the Splendour Refuse Collection Company discover the body of engineer Silvio Luparello, one of the local movers and shakers, apparently deceased in flagrante at the Pasture. The coroner's verdict is death from natural causes - refreshingly unusual for Sicily.

The Terracotta Dog, the second audiobook in Andrea Camilleri's Inspector Montalbano series, opens with a mysterious tête-à-tête with a mafioso, some inexplicably abandoned loot from a supermarket heist and some dying words that lead Inspector Montalbano to a secret grotto in a mountain cave where two young lovers, dead 50 years and still embracing, are watched over by a life-size terracotta dog.

En una cálida noche siciliana, tras nadar un buen rato en las tranquilas aguas que se remansan a escasos metros de su casa a orillas del mar, Salvo Montalbano emerge de la oscuridad con las ideas más claras: la solución del caso le ronda las narices, así que sólo es cuestión de paciencia y método, para lo cual nada mejor que relajarse antes con algún manjar preparado por Adelina, su fiel asistenta.

In Inspector Montalbano’s coastal town of Vigàta, a surge of migrants have been coming in by boat, and all the town’s hands are on deck to help the arrivals. At the heart of the scene are the police - on the lookout for the people smugglers responsible - and long night shifts are rendering Inspector Montalbano and his officers exhausted. Then one night, while Montalbano is enduring yet another gruelling stint at the port, a separate crime is committed - unexplained, unexpected, and unpleasant. Elena, the dressmaker at the town’s famous tailors, has been found dead....

A Vigàta è tornato l'inverno. E il commissario Montalbano non è più un ragazzino. Lo si avverte perché i segni lasciati da tutte le inchieste passate riaffiorano qua e là, con i colori della nostalgia, a ogni passo di quest'ultimo caso. Un caso anomalo in cui il cadavere non spunta all'inizio, e Montalbano non ne è proprio il titolare, ma vi si intrufola. Troppe coincidenze lo spingono. Scava nella scomparsa di un finanziere truffatore, che si è portato via i soldi di mezzo paese e dintorni, e poi del suo aiutante.

Feeling his age as his birthday rolls round once again, Inspector Montalbano decides to cheer himself up by dealing with a young driver's road rage in his own unique way. But his joy is short-lived, as at police headquarters he receives an angry phone call from a supermarket boss; there's been a robbery at his store, and Montalbano's colleague is treating him as a suspect. On arrival at the scene, Montalbano quickly agrees with Inspector Augello that this was no ordinary break-in.

The lazy, slow month of August at the height of the Sicilian summer is, Inspector Montalbano assures his girlfriend, Livia, as they prepare for a relaxing holiday in a villa he has found for them, far too hot for any murders to be committed. But when Livia's friends' young son goes missing, a chain of events is sparked which will certainly ruin the Chief Inspector's pleasant interlude. A secret apartment and a grisly find in an old trunk are just the beginning as Montalbano navigates his way though the case and copes with the heat.

It follows Inspector Montalbano from his very first case in Vigàta, in which he stumbles upon a young girl lurking outside a courthouse with a pistol in her handbag. When she is taken in for questioning and won't utter a single word, Montalbano must find another way to learn who she is trying to kill, and why . . .

Inspector Montalbano rises one morning to find the carcass of a horse on the beach in front of his seaside home. But no sooner do his men arrive than the body has mysteriously vanished, leaving only a track in the sand. Before long Rachele, a beguiling equestrian champion, turns up at police headquarters to report her horse missing. The horse had been stabled at the grounds of a certain Saverio Lo Duca, one of the richest men in Sicily. Lo Duca has lost one of his own horses, too. Montalbano, his curiosity piqued, investigates....

Mimi Augello is visiting his lover when the woman's husband unexpectedly returns to the apartment. Hurriedly, he climbs out the window and into the downstairs apartment, but from one danger to another. In the dark he sees a body lying on the bed. Shortly afterwards another body is found and the victim is Carmelo Catalanotti, a director of bourgeois dramas with a harsh reputation for the acting method he developed for his actors: digging into their complexes to unleash their talent, a traumatic experience for all.

Sicily, April 16, 1677. From his deathbed, Charles III's viceroy, don Angel de Guzmàn, marquis of Castel de Roderigo, names his wife, donna Eleonora, as his successor. Eleonora di Mora is a highly intelligent and capable woman who immediately applies her political acumen to heal the scarred soul of Palermo, a city afflicted by poverty, misery, and the frequent uprisings they entail. The marquise implements measures that include lowering the price of bread and establishing stipends for young couples wishing to marry - all considered seditious by the conservative city fathers.