Showing results by author "William Gibson" in All Categories

After an attack of scruples, Colin Laney's skipped out on his former employer Slitscan—avoiding the rash of media lawyers sent his way—and taken a job for the outfit managing Japanese rock duo, Lo/Rez. Rez has announced he's going to marry an "idoru" by the name of Rei Toi—she exists only in virtual reality—and this creates complications that Laney, a net runner, is supposed to sort out.

San Francisco in the nearish future. Ex-cop Berry Rydell's lost one job he didn't much like and landed another he likes even less. Some sunglasses—actually high-end kit infused with super-sensitive data—were stolen from a courier, and a man named Warbaby's been charged with retrieving them. And Warbaby needs Rydell's help. But, with SFPD Homicide involved, an abandoned bridge populated by freaks and misfits, and some weirdness involving the Republic of Desire and a 'Death Star', it's turning out to be a very strange and dangerous scene indeed . . .

Count Zero is a rustbelt data-hustler totally unprepared for what comes his way when the designer's defection triggers war in cyberspace. With voodoo gods in the Net and angels in the software, he can only hope that the megacorps and the super-rich have their virtual hands too full to notice the amateur hacker with the black market kit trying desperately to stay alive....

In the near future in a broken down rural America, Flynne Fisher scrapes a living as a gamer for rich players. One night, working a game set in a futuristic but puzzlingly empty London, she sees a death that's unnervingly vivid. Soon after she gets word that it isn't a game after all—the future she saw is all too real, she's the only witness to a murder and someone from that unreal tomorrow now wants her dead. The story of a young woman caught between two worlds, The Peripheral interweaves two futures to tell a story which gets right to heart of the way we live now.

The sky above the port was the colour of television, tuned to a dead channel. William Gibson revolutionised science fiction in his 1984 debut Neuromancer. The writer who gave us the matrix and coined the term 'cyberspace' produced a first novel that won the Hugo, Nebula and Philip K. Dick Awards, and lit the fuse on the cyberpunk movement.

Tautly-written and suspenseful, Burning Chrome collects 10 of William Gibson’s best short stories with a preface from Bruce Sterling, co-Cyberpunk and editor of the seminal anthology Mirrorshades. These brilliant, high-resolution stories show Gibson's characters and intensely-realized worlds at his absolute best.

Hubertus Bigend, the Machiavellian head of global ad-agency Blue Ant, wants ex-musician Hollis Henry to uncover the maker of a secret, obscurely fashionable denim called 'The Gabriel Hounds'. Hollis knows nothing about fashion - which, curiously, is why Bigend hired her. Soon, though, it's clear that Bigend's interest in underground labels might have sinister applications. Powerful parties, who'll do anything to get into this territory, are showing their hand.

Father of cyberpunk William Gibson’s original script for Alien III, written in 1987 as a sequel to Aliens, never made it to our screens, although it went on to achieve cult status among fans as the third instalment that might have been after being leaked online. This terrifying, cinematic multicast dramatisation - directed by the multi-award-winning Dirk Maggs - is the chance to experience William Gibson’s untold story and its terrifying, claustrophobic and dark encounters between humans and aliens, as a completely immersive audio experience.

In William Gibson's first novel since 2014's New York Times best-selling The Peripheral, a gifted "app-whisperer", hired to beta test a mysterious new product, finds her life endangered by her relationship with her surprisingly street-smart and combat-savvy "digital assistant".

In New York, a young Cuban called Tito is passing iPods to a mysterious old man. Such activities do not go unnoticed, however, in these early days of the War on Terror, and across the city, an ex-military man named Brown is tracking Tito's movements. Meanwhile in LA, journalist Hollis Henry is on the trail of Bobby Chombo, who appears to know too much about military systems for his own good. With Bobby missing and the trail cold, Hollis digs deeper and is drawn into the final moves of a chilling game played out by men with old scores to settle.

Cayce Pollard owes her living to her pathological sensitivity to logos. In London to consult for the world's coolest ad agency, she finds herself catapulted, via her addiction to a mysterious body of fragmentary film footage, uploaded to the web by a shadowy auteur, into a global quest for this unknown 'garage Kubrick'. Cayce becomes involved with an eccentric hacker, a vengeful ad executive, a defrocked mathematician, a Tokyo Otaku-coven known as Eye of the Dragon and, eventually, the elusive 'Kubrick' himself.

Angie Mitchell is a famous Hollywood Sense/Net star with a special talent. And despite the efforts of studio bosses to keep her in ignorance, Angie's started remembering things. Soon she'll discover who she really is...and why she doesn't need a deck in order to enter cyberspace. From inside the matrix, plots are set in motion and human beings are being played like pieces on a board. And behind the intrigue lurks the shadowy Yazuka, the powerful Japanese underworld, whose leaders ruthlessly manipulate people and events to suit their own purposes.

Ex-cop Berry Rydell has been hired by Colin Laney—who is hooked deep into the network of things—to go to San Francisco and act in such a way that he comes to the attention of a certain unspecified individual. This, Laney promises Rydell, could prove life-threatening. And now Rydell's been sent a package. Something that belonged to Laney, something that others with guns, blades and very bad attitudes want.

The year is 2016. Not our 2016. Theirs. Earth is dying, the result of a worldwide nuclear holocaust caused by America’s dictatorial President-for-Life Lewis Henderson, a man who will use any means necessary to maintain power and survive. Enter: The Splitter. A machine capable of splitting off an exact replica of Henderson’s world. A world where the cataclysmic events causing its destruction have yet to occur. That world is ours.

1855: the Industrial Revolution is in full swing, powered by steam-driven cybernetic engines. Charles Babbage perfects his analytical engine and the computer age arrives a century ahead of its time. Three extraordinary characters race toward a rendezvous with the future: Sybil Gerard - fallen woman, politician’s tart, daughter of a Luddite agitator; Edward Leviathan Mallory - explorer and palaeontologist; Laurence Oliphant - diplomat, mystic and spy. Their adventure begins with the discovery of a box of punched engine cards of unknown origin and purpose.

"Der Himmel über dem Hafen hatte die Farbe eines Fernsehers, der auf einen toten Kanal geschaltet war." Mit der Neuromancer-Trilogie hat William Gibson die Science Fiction revolutioniert. Sein Debütroman "Neuromancer" gewann den Hugo-, den Nebula- und den Philip-K.-Dick-Award, die drei wichtigsten Preise des Genres. Zudem hat er nicht nur die Begriffe Matrix und Cyberspace geprägt, er hat ein ganzes Genre begründet: Cyberpunk. Das Netz ist allgegenwärtig, der Cyberspace zu einer zweiten Realität geworden, bestimmt von KIs und hart umkämpft von riesigen Firmenkomplexen, Hackern und Kriminellen.

Die Megakonzerne streiten in der Matrix weiterhin um die neueste Technologie, doch im Hintergrund wird ein ganz anderes Spiel gespielt. Die KIs haben sich unbemerkt längst verselbstständigt und machen sie sich nun auf die Suche, nach der nächsten Stufe ihrer Existenz. Mona ist ein junges Mädchen mit einer dunklen Vergangenheit und einer unsicheren Zukunft.

Case est un ancien pirate de la matrice, cet univers qu'il définit comme "une hallucination consensuelle". Après la destruction de son système nerveux par un de ses employeurs, il survit désormais grâce à l'alcool et aux drogues, et trempe dans plusieurs trafics d'organes et de matériel informatique. Alors qu'il s'apprête à franchir le point de non-retour dans cette spirale d'autodestruction, il se voit offrir une nouvelle naissance : la possibilité de retourner dans la matrice pour l'exultation désincarnée qu'elle procure.

William Gibson was writing fiction when he predicted the internet. And as his stories bled into reality, he became one of the first to report on the real-world consequences of cyberspace's growth and development. Now, with the dust settling on the first internet revolution, comes Gibson's first collection of nonfiction - essays from the technological and cultural frontiers of this new world.

"In Neu-Delhi setzten sie auf Turner einen Killerhund an, der auf seine Pheromone und seine Haarfarbe programmiert war." Computer Cowboys und Firmensöldner liefern sich im Namen von Megakonzernen unerbittliche Kämpfe, die sie oft genug mit ihrem Leben bezahlen. Doch als der Entwicklungsleiter von Maas Biolabs mitsamt seinen revolutionären Biochips zu Hosaka überlaufen will, ruft das Kräfte auf den Plan, die nicht nur menschlich sind... In der Matrix des Cyberspace tobt ein gnadenloser Kampf um die Macht, geführt von riesigen Konzernen, für die Computer Cowboys ihren Verstand aufs Spiel setzen.