Showing results by publisher "Blackstone Publishing" in African American Studies

In Hate Crime Hoax, professor Wilfred Reilly examines over 100 widely publicized incidents of so-called hate crimes that never actually happened. With a critical eye and attention to detail, Reilly debunks these fabricated incidents - many of them alleged to have happened on college campuses - and explores why so many Americans are driven to fake hate crimes. We're not experiencing an epidemic of hate crimes, Reilly concludes - but we might be experiencing an unprecedented epidemic of hate crime hoaxes.

When Moya Bailey first coined the term misogynoir, she defined it as the ways anti-Black and misogynistic representation shape broader ideas about Black women, particularly in visual culture and digital spaces. She had no idea that the term would go viral, touching a cultural nerve and quickly entering into the lexicon. Misogynoir now has its own Wikipedia page and hashtag, and has been featured on Comedy Central’s The Daily Show and CNN’s Cuomo Prime Time.

The Cotton Kingdom recounts his daily observations of the curse of slavery: the poverty it brought to both black and white people, the inadequacies of the plantation system, and the economic consequences and problems associated with America’s most “peculiar institution.” Disproving the opinion that “cotton is king”, Olmsted examined the huge differences between the economies of the northern and southern states, contrasting the more successful, wealthy, and progressive North with the South, which was stubbornly convinced of the necessity of slavery.

In 1860, a ship called the Clotilda was smuggled through the Alabama Gulf Coast, carrying the last group of enslaved people ever brought to the US from West Africa. Five years later, the shipmates were emancipated, but they had no way of getting back home. Instead they created their own community outside the city of Mobile, where they spoke Yoruba and appointed their own leaders.

Mari N. Crabtree traces the long afterlife of lynching in the South through the traumatic memories it left in its wake. African American victims and survivors had to find a way to live through and beyond the horrors of lynching. Crabtree offers a theory of African American collective trauma and memory rooted in a strategy for “working through” trauma that has long existed within the African American cultural tradition: the ironic spirit of the blues sensibility—a spirit of misdirection and cunning that blends joy and pain.

I Too Am America examines the promise and peril of Black men and boys in America by exploring the lives of two talented young men, one in Detroit and one in Oakland, who at once embody all that we want our boys to be while also illuminating the many uncertainties they face. The book delves into the story of CBMA founder Shawn Dove, who had to navigate similar waters of promise and peril decades ago as a Black boy in New York City.

Black Panther and Cuban exile, Assata Shakur, has inspired multiple generations of radical protest, including our contemporary Black Lives Matter movement. Drawing its title from one of America’s foremost revolutionaries, this collection of thought-provoking essays by award-winning Panther scholar Donna Murch explores how social protest is challenging our current system of state violence and mass incarceration. Assata Taught Me offers a fresh and much-needed historical perspective on the fifty years since the founding of the Black Panther Party.

In the first half of the 20th century, Dunbar was an academically elite public school, despite being racially segregated by law. By the 1950s, Dunbar High School was sending 80 percent of its students to college. Today, as with too many troubled urban public schools, the majority of Dunbar students struggle with reading and math. Journalist and author Alison Stewart, whose parents were both Dunbar graduates, tells the story of the school’s rise, fall, and path toward resurgence.

When Cassandra Lane finds herself pregnant at 35, the knowledge sends her on a poignant exploration of memory to prepare for her entry into motherhood. She moves between the 20th-century rural South and present-day Los Angeles, reimagining the intimate life of her great-grandparents Mary Magdelene Magee and Burt Bridges, and Burt’s lynching at the hands of vengeful White men in his Southern town.