Showing results by publisher "Penguin Audio" in African American

Claude McKay’s first novel, Home to Harlem, was published in 1928 during the height of the Harlem Renaissance. McKay portrays Harlem post-WWI through two Black migrants to New York: Jake, a Southern-born African American longshoreman who deserts the U.S. army and returns to his home in Harlem; and Ray, an educated Haitian immigrant. With his innovative use of Black dialects, McKay portrays a complex world of Black people, both native-born and immigrant, who navigate a dynamic society in the midst of radical change.

Fred Daniels, a Black man, is picked up randomly by the police after a brutal murder in a Chicago neighbourhood and taken to the local precinct where he is tortured until he confesses to a crime he didn't commit. After signing a confession, he escapes from the precinct and takes up residence in the sewers below the streets of Chicago.

The tale of Billy Lee Turner, a 10-year-old boy convicted of the murder of a white girl in Mississippi in 1937, illuminates the monstrous face of racism in America with harrowing clarity and power. Narrated in the rich accents of the American South, Billy's story is told amid the picking fields and town streets, the heat, dust and poverty of the region in the time of the Depression.

The Butler family has had their share of trials - as sisters Althea, Viola, and Lillian can attest - but nothing prepared them for the literal trial that will upend their lives. Althea, the eldest sister and substitute matriarch, is a force to be reckoned with, and her younger sisters have alternately appreciated and chafed at her strong will. They are as stunned as the rest of the small community when she and her husband, Proctor, are arrested, and in a heartbeat, the family goes from one of the most respected in town to utter disgrace.

Why exactly Charley Bordelon's late father left her eight hundred sprawling acres of sugarcane land in rural Louisiana is as mysterious as it was generous. Recognizing this as a chance to start over, Charley and her 11-year-old daughter, Micah, say good-bye to Los Angeles. They arrive just in time for growing season but no amount of planning can prepare Charley for a Louisiana that's mired in the past: as her judgmental but big-hearted grandmother tells her, cane farming is always going to be a white man's business.

From spoken word poet Jasmine Mans comes an unforgettable poetry collection about race, feminism, and queer identity. With echoes of Gwendolyn Brooks and Sonia Sanchez, Mans writes to call herself - and us - home. Each poem explores what it means to be a daughter of Newark, and America - and the painful, joyous path to adulthood as a young, queer Black woman. Black Girl, Call Home is a love letter to the wandering Black girl and a vital companion to any woman on a journey to find truth, belonging, and healing.

When siblings Jacob and Belinda Nti were growing up in Ghana, their goal was simple: to move to America. For them, the United States was both an opportunity and a struggle, a goal and an obstacle. Jacob, an awkward computer programmer who still lives with his father, wants a visa so he can move to Virginia to live with his wife—a request that the U.S. government has repeatedly denied.

It is the 1990s, and Gloria is living in a London psychiatric ward. She is unapologetically loud, audacious and eternally on the brink of bursting into song. After several months of uninterrupted routine, she is joined by another young Black woman - Merle - who is full of silences and fear. Unable to confide in their doctors, they agree to journal their pasts. Whispered into tape recorders and scrawled ferociously at night, the remarkable stories of their lives are revealed.

Early one morning, at the close of St Colibri’s carnival, a young female steel pan player is found dead beneath a cannonball tree. It is a discovery that will transform the lives of everyone on this small island.

In a time of rolling blackouts and terrible storms battering America, the neighbourhood of 1st Street, Charlottesville, is attacked by violent white supremacists. Families, friends and strangers flee for their lives in an abandoned bus, taking refuge in Monticello, Thomas Jefferson's historic plantation home in the hills above town. Over 19 heart-stopping days the group find ways to care for and sustain one another as the world burns beneath them.

Young and confident, with a swagger in her step, Sugar arrives in the small Southern town of Bigelow with the hope of starting over. Soon Bigelow is alight with gossip and suspicion, and Sugar fears she can't hide from her past. Until, that is, she meets Pearl, her next door neighbour. Over sweet-potato pie, an unlikely friendship begins, transforming both women's lives - and the life of an entire town.

Harlem, 1927. Twenty-seven-year-old Louise Lloyd has found the perfect job! She is the new manager of the Dove, a club owned by her close friend Rafael Moreno. There Louise meets Nora Davies, one of the girls she was kidnapped with a decade ago. The two women—along with Rafael and his sister, Louise’s girlfriend, Rosa Maria—spend the night at the Dove, drinking and talking. The next morning, Rosa Maria wakes up covered in blood, with no memory of the previous night. Nora is lying dead in the middle of the dance floor.

Dunni hasn’t seen her high school boyfriend, Obinna, since she left Nigeria to attend college in America. Before their devastating separation, they vowed to find their way back to each other one day.

Sylvie de Rosiers, as the daughter of a rich planter and an enslaved woman, enjoys the comforts of a lady in 1791 Saint-Domingue society. But while she was born to privilege, she was never fully accepted by island elites. After a violent rebellion begins the Haitian Revolution, Sylvie and her brother leave their family and old lives behind to flee unwittingly into another uprising—in austere and radical Paris.

Seven years ago, Zella Grisham came home to find her man, Harry Tangelo, in bed with her friend. The weekend before, $6.8 million had been stolen from Rutgers Assurance Corp., whose offices are across the street from where Zella worked. Zella didn't remember shooting Harry, but she didn't deny it either. The district attorney was inclined to call it temporary insanity - until the police found $80,000 from the Rutgers heist hidden in her storage space. For reasons of his own, Leonid McGill is convinced of Zella's innocence. But as he begins his investigation, his life begins to unravel.

How can Leonid McGill say no to the beautiful young woman who walks into his office with a stack of cash? She's an artist, she tells him, who's escaped from poverty via marriage to a rich collector who keeps her on a stipend. But she says she fears for her life, and needs Leonid's help. Though Leonid knows better than to believe every word, this isn't a job he can afford to turn away, even as he senses that - if his family's misadventures don't kill him first - sorting out the woman's crooked tale will bring him straight to death's door.

Welcome to the Northwestern Hemisphere, 2529. An equally exciting and terrifying world born from the ashes of our own, where almost half of people are born invisible, and thus relegated to second-class citizenship. Sweetmint, a young invisible woman, has done everything right her entire life, from excelling in school to landing a highly sought-after apprenticeship with a mysterious, powerful inventor.

Distilled over many years from Henry Louis Gates Jr's legendary Harvard course in African American Studies, The Black Box: Writing the Race is the story of Black self-definition in America through the prism of the writers who have led the way. From Phillis Wheatley and Frederick Douglass, W. E. B. Du Bois and Booker T. Washington, to Zora Neale Hurston and Richard Wright, James Baldwin and Toni Morrison, these writers used words to create a liveable world – a “home” – for Black people destined to live in a bitterly racist society.

In Oru L'ore has a secret. She is the only one without agbára – the ability to harness power from the sun. On pain of death she must conceal it from everyone. Including her best friend, Alawani. But when the gods declare Alawani an Àlùfáà – a great honour where he will serve the gods and the Kingdom – he must be stripped of his power in a brutal trial likely to kill him. Unwilling to bear his death, L'ore vows to rescue him.

Seventeen-year-old Farrah Turner is one of two Black girls in her country club community, and the only one with Black parents. Her best friend, Cherish Whitman, adopted by a white, wealthy family, is something Farrah likes to call WGS—White Girl Spoiled. With Brianne and Jerry Whitman as parents, Cherish is given the kind of adoration and coddling that even upper-class Black parents can’t seem to afford—and it creates a dissonance in her best friend that Farrah can exploit.