Showing results by publisher "audible originals" in United States

The Pulitzer Prize-winning New York Times Critic's Pick that served Broadway "raucous comedy and nonstop pleasure" has made its way home to Audible. Juicy is a queer, Southern college kid already grappling with some serious questions of identity when the ghost of his father shows up in their backyard, demanding that Juicy avenge his murder. But here’s the rub! Revenge doesn’t come easy to Juicy, a sensitive and self-aware young Black man in search of his own happiness and liberation.

An Audible Original from Audible Theater, Proof of Love is an Emerging Playwrights Commission, written for and available exclusively on Audible. Constance thought she had a happy life and a loving husband. Suddenly, a tragic accident splinters her upper-class black family - and forces Constance to face uncomfortable truths about her marriage and herself. Proof of Love is the explosive, funny, and moving new one-woman play by Chisa Hutchinson, member of the first class of talent supported by the Audible Playwrights Fund.

"If this is one of those robocalls, please delete my number,” orders Reinalda Paraíso, a painter whose work lies at the heart of C. Quintana’s new play, The 126-Year-Old Artist. On the other end of the line is Yésica Ortega, a young, queer, Latine curator who “discovers” Reinalda's work at a flea market and becomes obsessively determined to make a name for them both.

A woman (Alison Pill) finds herself grappling with both grief and anger following the sudden death of her mother and the shocking revelation of her father’s infidelity. Her father (Reed Birney), on the other hand, is just trying his best to verbalize his own complicated feelings about love, loss, lust…and household chores. And the other woman (Marsha Mason) simply wonders: Is she still “the other woman” when the original woman is gone?

Ali Stroker won the Tony Award for Best Featured Actress in a Musical for her role as Ado Annie in a revival of Oklahoma! and before that made history as the first actor in a wheelchair to appear on Broadway. Listeners can now experience her incredible one-woman show as she performs crowd favorites as well as some unexpected songs while telling stories from her life and talking about her personal motto: “Turn your limitations into opportunities.”

What’s the cost of comfort? In The Fever, playwright, actor, and cultural icon Wallace Shawn (My Dinner with André, The Designated Mourner) captures the crisis of conscience of a privileged American traveler visiting a war-torn country. Faced with the disparity between her rarified world and the real world, she can’t help but wonder if she’s part of the solution or part of the problem.

What happens when “The show must go on!”meets a global pandemic? In this illuminating four-part podcast, host Faith Salie looks at the lives affected by 2020’s shutdown of Broadway and the subsequent reopening of productions there and across the country.

Tori (Grace McLean) aims to be the first woman to row solo across the Atlantic. As a child, she raised her younger brother Lamar (John McGinty), defending him against discrimination and neighborhood bullies. Now, with nothing but her body and a hand-built boat, she squares off with her own tormentor: the ocean.

Doc Brown hosts a showcase of the best in spoken word, rap and slam featuring poets, musicians, comedians and performers such as Scroobius Pip, Kae Tempest and Murray Lachlan Young among many, many others.

In a quiet suburb of New Delhi, two next-door neighbors develop a friendship: one, a young woman engaged to be married, and the other, Nadine: a woman in her 60s living with her second husband. We follow these two women through their phone calls and visits together, diving deeper into Nadine's storied past: With her larger-than-life personality and proclivity to defy society's conventions, her insight weighs heavily on her young friend, about to face a major turning point of her own.

In his provocative new show, Bad Faith, celebrated solo artist Mike Daisey sinks his teeth into a harsh reality: Bad faith is becoming more rampant in today’s culture. From the president and our politics to climate and corporate rule, Daisey unpacks how bad faith - a twisted kind of deception - spreads, why people choose bad faith over goodwill, and how this growing epidemic impacts our lives.

Inspired by extensive interviews following the 2014 shooting of Black teenager Michael Brown by white Police Officer Darren Wilson, Orlandersmith gives equal voice and embodies the many faces of a community haunted by injustice, in a country yearning for change. Until The Flood is a tour de force solo performance that explores the dark forces of American history, race, and politics that exploded in the streets of Ferguson, Missouri, and sent shock waves across the nation.

Un viaje absolutamente factual el final de la vida, Mala es una exploración irreverente de cómo vivimos, nos enfrentamos y sobrevivimos en el momento. Establecida en un idioma emocional y un humor agudo, esta ponderosa obra baila entre la creciente fragilidad de una madre y atentos de encontrar la gracia de una hija. Todo durante un épico invierno en Boston.

Tech City: Society is obsessed with relentless progress and the possibility of eternal life. A woman and a man meet in waiting room, anticipating a procedure that will incorporate the latest science and technology into their minds and bodies, heightening their awareness and increasing their productivity. Years pass, their relationship deepens and fades, and they grow increasingly uncertain where the AI stops and where they begin. A romantic drama exploring the potentiality of transhumanism, Life Ever After is a rich listening experience that is at once naturalistic and poetic.

Talking While Female & Other Dangerous Acts is a fresh collection of original short stories on themes of risk and resilience, written and performed by Latina womxn across the USA. Curated by Teatro Luna West: America's All Latinx and All Women of Color Theatre Ensemble, these stunning stories are combined with original music by Maria Chavez and poetry by Gabriela Ortega in order to fully transport the listener to each individual life and journey.

Daniel is a freelancer without health insurance or a committed relationship when he suddenly finds himself as the sole caregiver for his dangerously premature daughter. As he grapples with whether he will run from responsibility or grow into fatherhood, he befriends an outspoken neonatal intensive care unit nurse struggling to balance the demands of her job and her own family.