Showing results by publisher "-emdashery books-" in Russian & Soviet

Anna Karénine est une jeune femme mariée à Alexis Karénine et mère d'un jeune garçon. Elle se rend à Moscou chez son frère Stiva Oblonski. En descendant du train, elle croise le comte Vronski. Anna tombe amoureuse de Vronski, cet officier brillant, mais frivole. Elle lutte contre cette passion et finit pourtant par s'abandonner avec un bonheur coupable. Puis Anna tombe enceinte. Elle décide d'avouer son infidélité à son mari.

Stalin’s Scribe is the first biography of a man who was once one of the Soviet Union’s most prominent political figures. Thanks to the opening of Russia’s archives, Brian Boeck discovers that Sholokhov’s official Soviet biography is actually a tangled web of legends, half-truths, and contradictions. Boeck examines the complex connection between an author and a dictator, revealing how a Stalinist courtier became an ideological acrobat and consummate politician in order to stay in favor and remain relevant after the dictator’s death.

Imerso no ambiente revolucionário da São Petersburgo da época, o autor nos apresenta um panorama de personagens que buscam resistir às ameaças da vida na capital. Escritos entre 1846 e 1849, os quatro contos reunidos neste volume revelam um autor ousado e, em certos aspectos, experimental, mas já atento a temas e procedimentos que se tornariam marcantes em sua obra tardia.

Viv Groskop has discovered the meaning of life in Russian literature. As she knows from personal experience, everything that has ever happened in life has already happened in these novels: from not being sure what to do with your life ( Anna Karenina) to being socially anxious about your appearance (all of Chekhov's work). This is a literary self-help memoir, with examples from the author's own life.

Fyodor Dostoyevsky's final novel, considered to be the culmination of his life's work, "The Brothers Karamazov" is the story of the murder of Father Karamazov, whose four sons are all to some degree complicit in the crime. Within the context of this crime story evolves a brilliant philosophical debate of religion, reason, liberty, and the nature of guilt in society. Considered by Sigmund Freud as "The most magnificent novel ever written", the excellent translation of Constance Garnett is presented here in this edition of "The Brothers Karamazov".

Using, or rather mimicking, traditional forms of storytelling, Gogol created stories that are complete within themselves and only tangentially connected to a meaning or moral. His work belongs to the school of invention, where each twist and turn of the narrative is a surprise unfettered by obligation to an overarching theme.

The Tashkent-born Russian-American literary critic, editor, essayist, and journalist Vladislav Davidzon has been covering post-Soviet Ukraine for the past ten years, a tumultuous time for that country and the surrounding world. In late 2015, a year and a half after the 2014 Revolution swept away the Moscow-leaning kleptocratic President Viktor Yanukovich, Davidzon and his wife founded a literary journal, The Odessa Review. This eagerly anticipated debut tells the real story of what happened in Ukraine from the keen and resilient perspective of an observer at its center.

Смелее, адептка Тайлэ! или Как отыскать инкуба - фантастический роман Катерины Темной, третья книга цикла Адептка Тайлэ, жанр любовное фэнтези, приключенческое фэнтези.

Студия АРДИС предлагает вашему вниманию эпохальный исторический роман Алексея Николаевича Толстого "Пётр Первый".

Fyodor Dostoevsky’s "A Faint Heart" (1848) is a short story about two close friends, Arkady Ivanovitch Nefedevitch and Vasya Shumkov. After a lengthy rumination on their names, Dostoevsky recounts the tale of how one of them is so overwhelmed by his good fortunate and happiness that he becomes consumed by it. The prospect of marrying his sweetheart brings him such euphoric joy that he experiences a masochistic transformation because the world wasn’t equally happy. So he ends up in an institution and his bride-to-be marries another.

The Seagull is Anton Chekhov's first major play, originally produced in 1896. It dramatizes the romantic and artistic conflicts between four characters: the famous middlebrow story writer Boris Trigorin, the ingenue Nina, the fading actress Irina Arcadina, and her son, the symbolist playwright Constantine Treplef.

This short but powerful novel was acclaimed by Vladimir Nabokov and Mahatma Gandhi as the greatest in the whole of Russian literature. It is one of Tolstoy's most celebrated pieces of late fiction. At the center of the story is an examination of the nature of both life and death and how man can come to terms with death's inevitability. It was widely acclaimed when it was published in 1886 and remains a compelling narrative today.

The heroine of Tolstoy's epic of love and self-destruction, Anna Karenina has beauty, wealth, popularity and an adored son, but feels that her life is empty until she encounters the impetuous officer Count Vronsky. Their subsequent affair scandalizes society and family alike, and brings jealousy and bitterness in its wake. Contrasting with this is the vividly observed story of Levin, a man striving to find contentment and a meaning to his life - and also a self-portrait of Tolstoy himself.

Автобиографическая повесть Григория Белых и Леонида Пантелеева "Республика ШКИД" рассказывает о жизни вчерашних беспризорников-подростков послереволюционного Петербурга, нашедших себя и свою судьбу в Школе социально-трудового воспитания имени Достоевского (ШКИД).

The poignant, searching, haunting story of one family's entanglement with 20th-century history. Katja Petrowskaja's family story is impossible to untangle from the history of 20th-century Europe. Taking the listener from Moscow to Kiev to Warsaw to Berlin and deep into archives, pieced-together conversations and memories, Maybe Esther is a journey into language, memory, philosophy, history and trauma and a singular, beautiful, unforgettable work of literature.

L'immensité de la steppe, l'avidité et la fatuité française précipitent la Grande Armée vers la défaite. Koutousov, en fin stratège, ne fait qu'accompagner la décomposition de l'adversaire. À la suite de plusieurs défaites dues à une totale impréparation, les Français n'ont d'autre choix que de quitter Moscou et de se replier dans le plus grand désordre, harcelés par des groupes de partisans, suivis de près par les troupes russes et abandonnés par leur empereur.

1812. Napoléon rompt brutalement la paix avec la Russie. Les russes, pris de court, n'ont d'autre choix que de se retirer précipitamment, évitant tout contact avec l'ennemi. Finissant, sous la houlette de Koutousov, par se réorganiser, ils livrent la plus terrible des batailles de l'épopée napoléonienne : la victoire de la Moskowa pour les uns ou de Borodino pour les autres, faisant plus de 70.000 morts dont beaucoup d'officiers, de généraux, de maréchaux renommés et laissant la grande armée de Napoléon exsangue et épuisée.

À la suite du traité de Tilsit, la paix semble à nouveau s'établir durablement en Europe. Et chacun de retourner à ses occupations d'avant-guerre. Les bals, les fêtes, l'insouciance des vies reprennent de plus belle, d'autant que beaucoup ont vu la mort de près et sont revenus auréolés de gloire. Les alliances entre les familles se nouent et se dénouent au gré des amours. Chacun pousse ses pions pour trouver le bon parti au mépris des autres même de ses anciens camarades de guerre.

«Кобзар» Тараса Шевченка — це не лише збірка віршів та поем, а й своєрідний культурний код та історичний символ України, що відображає її народну душу, прагнення свободи та незалежності. Його творчість поєднує національну ідею з глибоким людським співчуттям, а мова і стиль — це зразки високої художньої майстерності, що зберігають свою актуальність і сьогодні, надихаючи нові покоління шанувальників української культури.

Новая книга литературного критика, культуртрегера, и, наверное, уже можно сказать — историка литературы, Алексея Колобродова — широкое и разнообразное полотно литературной жизни последних десятилетий, убедительный и многоцветный очерк литературных имён и нравов. Когда потоком шли печальные констатации о кризисе и скором конце русской литературной критики, Алексей создавал свою панораму, не забывая вспоминать по актуальным поводам классиков и звёзд минувших дней, сводил в глубоких и парадоксальных эссе Василия Шукшина и Роберта Л.