Showing results by publisher "Radiant Press" in Canadian

Katherin Edwards examines the fine line between what we remember and forget; how the memories we retain become cloudy and altered by the passage of time. This book of poems is also a compilation of the wonder and surprise we discover when we manage to endure in the midst of grief and loss.

A microscopic and intense view of the sometimes invisible and ignored parts of the world we inhabit. Peering into cities and our place within them, the poet searches for meaning after the death of his father, and observes the flora and fauna, which provide beauty and nourish us. This book delights the senses and poses the question, are we contributing to, or ultimately destroying our planet?

With awe and wonder leading the way, Leedahl’s poems chronicle a journey that speaks of resilience, of joy experienced in simple things, and of the solace in discovering—finally, and late in life—exactly where one belongs. Leedahl’s fifth poetry collection lyrically documents major life transitions and reveals how loneliness—the other contemporary epidemic—compels one to keep moving.

Earth-Cool, and Dirty is a timely debut collection by Jacob Lee Bachinger, full of wisdom and beautiful reflections on the state of humanity. It is a call to pay careful attention to the Earth, to nurture it in the same way that we attend to the people we love.

Crooked at the Far End, the latest book of poems in a series called The Man from Saskatchewan, travels, plays, and has a look around. Voices emanate from celebrities who inhabit cabins at Emma Lake, an old man sitting on a bench in Portugal, and the patrons of a fictional pub among others, all taking stock of the world we inhabit. This collection is an homage to the natural and physical world and how "We still and always love the tender fits / our language endures, lost souls asleep before the gate".

These poems peel back the layers of suburban life and the "American Dream". Vivian Maier was a self-taught street photographer who worked as a nanny for wealthy employers in New York and Chicago. The poet imagines her as a documentarian who is compassionate, abrasive, and meditative, while her subjects provide their own narrative. More than anything, the poems are a response to her work, which is all we have that comes directly from her. It is a deliberate challenge to the “mystery nanny” she is reduced to in much of the constructed narrative of her life.

The Dry Valley encapsulates one woman’s relationship with herself, her alcoholic spouse, and the world, in three different Saskatchewan landscapes. The poems offer a fascinating interplay between mindful explorations of self and immersions in the challenging complexities of interpersonal relationships, social issues, and meaningful engagement with the environment.