Showing results by publisher "Audible Studios" in Asian

Depuis l'enfance, Keiko Furukura a toujours été en décalage par rapport à ses camarades. À trente-six ans, elle occupe un emploi de vendeuse dans un konbini, sorte de supérette japonaise ouverte 24h/24. En poste depuis dix-huit ans, elle n'a aucune intention de quitter sa petite boutique, au grand dam de son entourage qui s'inquiète de la voir toujours célibataire et précaire à un âge où ses amies de fac ont déjà toutes fondé une famille. En manque de main-d'œuvre, la supérette embauche un nouvel employé, Shiraha, trente-cinq ans, lui aussi célibataire.

Zindagee ek achaar ke 'martabaan' kee tarah khud men bahut kuchh sameṭ-sahej ke rakhatee hai. Bahut se khaṭṭe meeṭhe s, beech-beech men halkaa-saa kasailaapain... 'martabaan' men snkalit kavitaa_en aadhunik duniyaa ke aam aadamee kee rozamarraa kee bhaavanaa_on, manahsthitiyon aur chunautiyon se roobaroo hain. Agar savaal yah hai ki jeevan kyaa hai, to mere lie javaab 'martabaan' ho sakataa hai.

Bas kuchh isee tarah vaqat ke kuchh ṭukadon ko yaad kee kachchee rassee se lapeṭ diyaa aur risane ke dard kee syaahee kaagazaon par bikharatee rahee, shabd banatee rahee aur zaindagee chalatee rahee. In pannon men jo bhee kuchh hain unhen kavitaa to naheen kahaa jaa sakataa, bas kuchh pal hain jo sustaane ko ṭhahar gae hain.

Kaviyitri Meena Sood ki kavitaon ka sangrah

'buraa n maano ḍaemokrezaee hai’ ek aisaa kavitaa-sngrah hai jo aapake bukashelph aur dil- donon men hee ghar kar jaa_egaa. Hamaare dil, dimaaga, desh aur duniyaa men tahalakaa machaate ka_ii muddon ko aapake samakṣ saral aur sashakt roop se rakhane kaa ek sachchaa prayaas hai....

Apane pitaa ko baa_oojee snbodhan denaa unake prati atirikt aadarey bhaav prakaṭ karanaa hai aur inakee vartamaan kavitaa ‘maun ke anunaad se bharaa main’ inakee saaree kavitaa_en paripakvataa lie hue jeevan darshan ko samaahit karate hue hai. Apane is sngrah men parivaar ke saath bitaaye ga_e ek-ek pal, un sabakee aadaton aur vyavahaar ko bahut khoobasooratee se is kavitaa men piroyaa hai. -- ḍaŏ

Mainne sthool shareer se aapane aas-paas ek duniyaa rachee. Is baahy jagat kaa srijan-snsaar rachate gaḍhate kab mere bheetar kee aatmakhoh me bhee ek rachanaatmak snsaar aakaar paataa gayaa main samajh hee n paa_ii aur dheere-dheere us maun ne kab kalam thaam bheetar kaa indradhanuṣee snsaar kaagaz par mukhar kar diyaa—sab kuchh mere lie bhee vismrit kar dene vaalaa thaa. Main aapane bheetar udit hue is prem ke mohapaash se mugdhit ho kaavy saritaa-see bahatee chalee ga_ii.

Kitaab ‘svaad zaindagee kaa’ shruti sukumaar dvaaraa rachit kavitaa_on kaa snkalan hai. Ye kavitaa_en yathaarth jeevan par aadhaarit sakaaraatmak soch vaalee kavitaa_en hain. Nakaaraatmak vichaaron ko sakaaraatmak soch men badalanaa aasaan naheen hai lekin kavayitree apane shabdon ke chayan men sahaj hain v vah ise prastut karane men safal huii hain.

Rahul Kumar Boyal ki kavitayon ka sangrah.

उर्दू दुनिया यानी पाकिस्तान-हिन्दुस्तान का बड़ा और मक़बूल शायर अहमद फ़राज़, जिसकी शायरी, दिल, दिमाग़ और रूह को नए जज़्बों और एहसास से सराबोर कर देती है।

‘darakht kaa darpaṇa’ ek visheṣ kavitaa-sngrah hai. Is sngrah kee kavitaa_en adhyaatm aur jeevan darshan par aadhaarit hain. Jeevan kaa mukhy uddeshy jeevan maraṇa ke chakravyooh se mukt honaa hai, isake lie shaastron men chaar mukhy maarg kaa varṇaan kiyaa gayaa hai jisamen bhakti aur prem maarg sabase lokapriy hai.

Raghupati Sahay, jinhein duniya Firaaq Gorakhpuri ke naam se jyaada pehchaanti hai, ek lekhak, shayar, kavi, samalochak aur apne samay ke mashoor Urdu lekhak-kavi hue hain.

Mohammad Iqbal was a poet and political philosopher who is known both for his poetry and his ideas that were influential in the creation of Pakistan. Mohammad Iqbal was born in Sialkot, Punjab, in 1877 and graduated from Government College, Lahore, with a master's degree in philosophy. He then taught there until 1905. This book presents a collection of some of the best poems and ghazals of Iqbal, along with their English translation as well as transliteration so that the listeners can enjoy the original flavor of Urdu poetry.

'iraaq’ saahab ne anginat ghazalein, nazmein, rubaayiyaan, katye, ityaadi likhein hain. Samalochak bhi vah ucch-koti ke the lekin smaran ve sadaa apni ghazalon aur ghazalon ke unn sheron ke kaaran kiye jaayeingay jinki sankhya sainkdon tak pahuchti hai aur jo nihsandeh classic ka darza rakhte hain, unhee sheron ke kaaran jinmein tassafuk ghazal ki paramparaagat kathavastu se lekar raajneeti aur varFg-sangharsh tak sabhi kuch hai. Mashhoor shayar Firaaq Gorakhpuri ki chuni hui behtareen ghazalon ka sankalan hai Sargam.

Talkhiyan literally means ‘bitterness’ and was written in the poet’s student days. He discovered his unique style of expression by weaving his poetry with shades of bitterness that captured the decadence of the contemporary world. His romanticism was not in praising beauty or the consuming passion of love, but in sensitively urging the reader to empathise with other challenges of the world. His heart went out to the suffering of people in war, debt, poverty, homelessness, political conflict and gender inequality.

Dr. Bashir Badra is considered an poet of such stature, who has not only transcended into his readers' hearts and minds through the fame of his published couplets but also into the literary hall of fame of well-received poets. For his contribution to Urdu and Hindi literature, he was awarded the prestigious Padma Shree in 1995. Dr. Badra has been a part of many prestigious mushayraas world over. Dr. Badra's style of poetry resonates with the common man and demystifies the world of Urdu shayari while staying true to its essence.

Naraz has many references that reflect the resenting virtue of Rahat Indori. A lyricist of films par excellence, and a master of literature in college, he is a famous poet loved by all - who also accomplishes in playing with colours and lines. Besides all these traits, he is also able to discern the inner and outer dilemmas of people against the political and social backdrop.

The compositions of Wasim Barelvi, an exponent of Moradabadi School of poetry, appeal to the classes and masses alike. Charag is a compilation of these works. Known for his deft handling of easy and everyday language, the poetry of Wasim wins the hearts of all. It also shows Wasim Barelvi’s engagement with contemporary times and its issues. His poems do not just dwell in any imaginary world, but contemporary problems and events form an integral part of his repertoire, which makes his works more relevant.

Khair Chhodo is a niche collection of poems written by Vishwa Deepak. In this book, the poet has tried to include poems on various emotions like love, valor, revolution, family relations, etc. The metaphors and similes used in his poems are refreshingly new, and the abstract references used by him in some places enchant you. But the real treat for the listener will be the introduction of a relatively new genre called Triveni.

Gautam Rajrishi - a name that has emerged as a refreshing change in modern poetry of Hindi literature. Who would have imagined that a serving colonel of Indian army would introduce us to a new style of Ghazals? And that is precisely what he does, with ease and panache...dismantling all the stereotyped images we have harbored in our minds. He picks up his words from our daily life, giving them a sublime bliss that we have never seen before in Ghazals.