Showing results by publisher "Audible Studios" in Asian

An essential classic, now available in Hindi.

रवीन्द्रनाथ टैगोर का यह उपन्यास बीसवीं सदी के प्रारम्भिक वर्षों के बंगाल पर केन्द्रित है और उस समय के समाज, राजनीति और धर्म की वास्तविक तस्वीर प्रस्तुत करता है।.

इस संकलन में कुछ ऐतिहासिक दस्तावेज़, कुछ खामोशी के दस्तावेज़, और कुछ उनकी बात भी है जो इस काल में संघर्ष की एक लम्बी यात्रा पर चल दी हैं....

Faiz Ahmed Faiz is the most famous contemporary Urdu poet of the 20th century who appeals both to the common man as well as the elite connoisseurs of poetry. Faiz's ghazals reflect a strong influence of the Persian style and diction, because of which he is often considered the inheritor of the tradition of Ghalib; and at the same time several of them are written in a simple conversational style dealing with the problems of the common man.

Zindagee ek achaar ke 'martabaan' kee tarah khud men bahut kuchh sameṭ-sahej ke rakhatee hai. Bahut se khaṭṭe meeṭhe s, beech-beech men halkaa-saa kasailaapain... 'martabaan' men snkalit kavitaa_en aadhunik duniyaa ke aam aadamee kee rozamarraa kee bhaavanaa_on, manahsthitiyon aur chunautiyon se roobaroo hain. Agar savaal yah hai ki jeevan kyaa hai, to mere lie javaab 'martabaan' ho sakataa hai.

Bas kuchh isee tarah vaqat ke kuchh ṭukadon ko yaad kee kachchee rassee se lapeṭ diyaa aur risane ke dard kee syaahee kaagazaon par bikharatee rahee, shabd banatee rahee aur zaindagee chalatee rahee. In pannon men jo bhee kuchh hain unhen kavitaa to naheen kahaa jaa sakataa, bas kuchh pal hain jo sustaane ko ṭhahar gae hain.

Kaviyitri Meena Sood ki kavitaon ka sangrah

'buraa n maano ḍaemokrezaee hai’ ek aisaa kavitaa-sngrah hai jo aapake bukashelph aur dil- donon men hee ghar kar jaa_egaa. Hamaare dil, dimaaga, desh aur duniyaa men tahalakaa machaate ka_ii muddon ko aapake samakṣ saral aur sashakt roop se rakhane kaa ek sachchaa prayaas hai....

Apane pitaa ko baa_oojee snbodhan denaa unake prati atirikt aadarey bhaav prakaṭ karanaa hai aur inakee vartamaan kavitaa ‘maun ke anunaad se bharaa main’ inakee saaree kavitaa_en paripakvataa lie hue jeevan darshan ko samaahit karate hue hai. Apane is sngrah men parivaar ke saath bitaaye ga_e ek-ek pal, un sabakee aadaton aur vyavahaar ko bahut khoobasooratee se is kavitaa men piroyaa hai. -- ḍaŏ

Mainne sthool shareer se aapane aas-paas ek duniyaa rachee. Is baahy jagat kaa srijan-snsaar rachate gaḍhate kab mere bheetar kee aatmakhoh me bhee ek rachanaatmak snsaar aakaar paataa gayaa main samajh hee n paa_ii aur dheere-dheere us maun ne kab kalam thaam bheetar kaa indradhanuṣee snsaar kaagaz par mukhar kar diyaa—sab kuchh mere lie bhee vismrit kar dene vaalaa thaa. Main aapane bheetar udit hue is prem ke mohapaash se mugdhit ho kaavy saritaa-see bahatee chalee ga_ii.

Kitaab ‘svaad zaindagee kaa’ shruti sukumaar dvaaraa rachit kavitaa_on kaa snkalan hai. Ye kavitaa_en yathaarth jeevan par aadhaarit sakaaraatmak soch vaalee kavitaa_en hain. Nakaaraatmak vichaaron ko sakaaraatmak soch men badalanaa aasaan naheen hai lekin kavayitree apane shabdon ke chayan men sahaj hain v vah ise prastut karane men safal huii hain.

Rahul Kumar Boyal ki kavitayon ka sangrah.

उर्दू दुनिया यानी पाकिस्तान-हिन्दुस्तान का बड़ा और मक़बूल शायर अहमद फ़राज़, जिसकी शायरी, दिल, दिमाग़ और रूह को नए जज़्बों और एहसास से सराबोर कर देती है।

‘darakht kaa darpaṇa’ ek visheṣ kavitaa-sngrah hai. Is sngrah kee kavitaa_en adhyaatm aur jeevan darshan par aadhaarit hain. Jeevan kaa mukhy uddeshy jeevan maraṇa ke chakravyooh se mukt honaa hai, isake lie shaastron men chaar mukhy maarg kaa varṇaan kiyaa gayaa hai jisamen bhakti aur prem maarg sabase lokapriy hai.

Raghupati Sahay, jinhein duniya Firaaq Gorakhpuri ke naam se jyaada pehchaanti hai, ek lekhak, shayar, kavi, samalochak aur apne samay ke mashoor Urdu lekhak-kavi hue hain.

'iraaq’ saahab ne anginat ghazalein, nazmein, rubaayiyaan, katye, ityaadi likhein hain. Samalochak bhi vah ucch-koti ke the lekin smaran ve sadaa apni ghazalon aur ghazalon ke unn sheron ke kaaran kiye jaayeingay jinki sankhya sainkdon tak pahuchti hai aur jo nihsandeh classic ka darza rakhte hain, unhee sheron ke kaaran jinmein tassafuk ghazal ki paramparaagat kathavastu se lekar raajneeti aur varFg-sangharsh tak sabhi kuch hai. Mashhoor shayar Firaaq Gorakhpuri ki chuni hui behtareen ghazalon ka sankalan hai Sargam.

Talkhiyan literally means ‘bitterness’ and was written in the poet’s student days. He discovered his unique style of expression by weaving his poetry with shades of bitterness that captured the decadence of the contemporary world. His romanticism was not in praising beauty or the consuming passion of love, but in sensitively urging the reader to empathise with other challenges of the world. His heart went out to the suffering of people in war, debt, poverty, homelessness, political conflict and gender inequality.

Ajay is fighting demons in his mind after losing his wife, Bhavna. Ten years of togetherness and a harsh twist of fate have thrown him into the pit of depression. With medication and therapy helping him fight his immense grief, there is only one ray of hope for him–he wants to immortalize his wife. Anisha lives life queen size. Making the most of each moment, she loves everything that she is blessed with. She is shocked when she meets Ajay. How can someone hate God so much? More than anything, what will that hatred do to him?

It is a popular belief that the Ramayana is idealistic while the Mahabharata is realistic. Yet these two epics have identical building blocks, identical themes, and identical history. In this groundbreaking book, Devdutt Pattanaik, India’s most popular mythologist, explores the similarities and dissimilarities between the two epics in a ‘playful analaysis’. Whether it is the family structure, forest exile, or war, the comparison between the two epics prove a startling point - the Mahabharata is in fact a reaction to the events in the Ramayana.

Naraz has many references that reflect the resenting virtue of Rahat Indori. A lyricist of films par excellence, and a master of literature in college, he is a famous poet loved by all - who also accomplishes in playing with colours and lines. Besides all these traits, he is also able to discern the inner and outer dilemmas of people against the political and social backdrop.