Showing results by publisher "Penguin Audio" in World Literature

There Are Rivers in the Sky is a rich, sweeping novel set between the 19th century and modern times, about love and loss, memory and erasure, hurt and healing, centred around three enchanting characters living on the banks of the River Thames and the River Tigris – their lives all curiously touched by the epic of Gilgamesh.

A 30-something painter in Tokyo is abandoned by his wife and finds himself holed up in the mountain home of a famous artist. When he discovers a strange painting in the attic, he unintentionally opens a circle of mysterious circumstances. To close it, he must complete a journey that involves a ringing bell, a two-foot-high physical manifestation of an Idea, a dapper businessman who lives across the valley, a precocious 13-year-old girl, a Nazi assassination attempt during World War II in Vienna, a pit in the woods behind the artist’s home and an underworld haunted by Double Metaphors.

It's 1961 and the rural Dutch province of Overijssel is quiet. Bomb craters have been filled, buildings reconstructed, and the war is well and truly over. Living alone in her late mother's country home, Isabel's life is as it should be: led by routine and discipline. But all is upended when her brother Louis delivers his graceless new girlfriend, Eva, at Isabel's doorstep - as a guest, there to stay for the season. Eva is Isabel's antithesis: sleeps late, wakes late, walks loudly through the house and touches things she shouldn't. In response Isabel develops a fury-fuelled obsession.

In a city graveyard, a resident unrolls a threadbare Persian carpet between two graves. On a concrete sidewalk, a baby appears quite suddenly, a little after midnight, in a crib of litter. In a snowy valley, a father writes to his five-year-old daughter about the number of people who attended her funeral. And in the Jannat Guest House, two people who've known each other all their lives sleep with their arms wrapped around one another as though they have only just met.

Anna Walsh had a dream life - according to everybody else. She lived in New York, had a long-term boyfriend, and had The Best Job In The World working as a highly successful beauty PR. So why did she decide to take a flamethrower to the lot? Because now she's back Dublin, living with her parents. She's undeniably forty-eight, with no partner, no job, and no direction. Anna's lost her purpose. She needs a new challenge to help her fall back in love with life again. When an opportunity arises to solve a PR crisis in the tiny town of Maumtully, Anna leaps at the chance.

Nicholas Young's grandmother Su Yi is on her deathbed. While he rushes to be by her bedside, he's not the only one. The entire Shang-Young clan has convened from all corners of the globe to stake claim on their matriarch's massive fortune. With all parties vying to inherit a trophy estate in the heart of Singapore, Nicholas' childhood home turns into a hotbed of sabotage and scandal.

Enter a vanished and unjust world: Jackson, Mississippi, 1962. Where Black maids raise white children, but aren't trusted not to steal the silver. There's Aibileen, raising her 17th white child and nursing the hurt caused by her own son's tragic death; Minny, whose cooking is nearly as sassy as her tongue and white Miss Skeeter, home from college, who wants to know why her beloved maid has disappeared. No one would believe they'd be friends; fewer still would tolerate it. But as each woman finds the courage to cross boundaries, they come to depend and rely upon one another.

Setting aside the streamlining, modernizing approach of many recent translations, Mendelsohn artfully reproduces the epic’s formal qualities – meter, enjambment, alliteration, assonance – and in so doing restores to Homer’s masterwork its archaic grandeur. His expansive six-beat line, far closer to the original than that of other recent translations, allows him to capture each of Homer’s verses line for line, without sacrificing the amplitude and shadings of the original.

The Republic of Gilead offers Offred only one function: to breed. If she deviates, she will, like dissenters, be hanged at the wall or sent out to die slowly of radiation sickness. But even a repressive state cannot obliterate desire - neither Offred's nor that of the two men on which her future hangs. Brilliantly conceived and executed, this powerful evocation of 21st-century America gives full rein to Margaret Atwood's devastating irony, wit and astute perception.

It’s a blazing summer when two men arrive in a small village in the West of Ireland. They’re coming to get rich, but what they bring is trouble. Waiting for them is Cal Hooper, a retired Chicago detective who moved to rural Ireland looking for some peace. He’s found it, more or less – in his relationship with local woman Lena, and the bond he’s formed with tearaway teenager Trey Reddy. As the two men circle the townland with talk of a scheme to find gold in the mountainside, Cal gets ready to do whatever it takes to protect Trey.

Eleanor Bennett won't let her own death get in the way of the truth. So when her estranged children - Byron and Benny - reunite for her funeral in California, they discover a puzzling inheritance. First, a voice recording in which everything Byron and Benny ever knew about their family is upended. Their mother narrates a tumultuous story about a headstrong young woman who escapes her island home under suspicion of murder, a story that cuts right to the heart of the rift that's separated Byron and Benny. Second, a traditional Caribbean black cake made from a family recipe.

Watching her too is Robbie Turner who, like Cecilia, has recently come down from Cambridge. By the end of that day, the lives of all three will have been changed for ever. Robbie and Cecilia will have crossed a boundary they had not even imagined at its start. Briony will have witnessed mysteries, and committed a crime for which she will spend the rest of her life trying to atone.

Nell - funny, brave and so much loved - is a young woman with adventure on her mind. As she sets out into the world, she finds her family history hard to escape. For her mother, Carmel, Nell's leaving home opens a space in her heart, where the turmoil of a lifetime begins to churn. And across the generations falls the long shadow of Carmel's famous father, an Irish poet of beautiful words and brutal actions.

Ella Rubinstein has a husband, three teenage children, and a pleasant home. Everything that should make her confident and fulfilled. Yet there is an emptiness at the heart of Ella's life - an emptiness once filled by love. So when Ella reads a manuscript about the 13th-century Sufi poet Rumi and Shams of Tabriz, and his 40 rules of life and love, she is shocked out of herself. Turning her back on her family, she embarks on a journey to meet the mysterious author of this work.

When he hears her favourite Beatles song, Toru Watanabe recalls his first love Naoko, the girlfriend of his best friend Kizuki. Immediately he is transported back almost 20 years to his student days in Tokyo, adrift in a world of uneasy friendships, casual sex, passion, loss and desire - to a time when an impetuous young woman called Midori marches into his life and he has to choose between the future and the past.

One morning in December, Kyungha is called to her friend Inseon’s hospital bedside. Airlifted to Seoul for an operation following a wood-chopping accident, Inseon is bedridden and begs Kyungha to take the first plane to her home on Jeju Island to feed her pet bird, who will quickly die unless it receives food. Unfortunately, as Kyungha arrives a snowstorm hits. Lost in a world of snow, she begins to wonder if she will arrive in time to save the bird – or even survive the terrible cold that envelops her with every step.

Haruki Murakami’s highly anticipated first novel in six years follows the narrator as his enduring memory of his formative teenage relationship leads him to the mysterious City, and a disruption to the barriers between the real and shadow worlds.

It is 1873. Mrs Eliza Touchet is the Scottish housekeeper - and cousin by marriage - of a once famous novelist, now in decline, William Ainsworth, with whom she has lived for thirty years. Mrs Touchet is a woman of many interests: literature, justice, abolitionism, class, her cousin, his wives, this life and the next. But she is also sceptical. She suspects her cousin of having no talent; his successful friend, Mr Charles Dickens, of being a bully and a moralist; and England of being a land of facades, in which nothing is quite what it seems.

On a hot day in 1960s Maine, six-year-old Joe watches his little sister, Ruthie, sitting on her favourite rock at the edge of the blueberry fields, while their family, Mi’kmaq people from Nova Scotia, pick fruit. That afternoon, Ruthie vanishes without a trace. As the last person to see her, Joe will be forever haunted by grief, guilt, and the agony of imagining how his life could have been.

Growing up within the walls of Grave's Orphanage, Nica's imagination burned with fantastical stories. Including that of The Tearsmith, a mysterious craftsman, guilty of having forged all the fears and anxieties in the world. When at seventeen, she's adopted by Mr and Mrs Mulligan, Nica thinks she's leaving her world of dark fairy tales behind her. But the Mulligans also adopt Rigel, an orphan who is as mesmerising and handsome as he is troubled. They share a past filled with grief and isolation, and the ever-gentle Nica starts to fall for her forbidden love.