Showing titles in Collections & Anthologies

Il manoscritto è costituito da quarantaquattro poesie, che trattano problematiche attuali, danno voce a chi voce non ha: a persone che a torto non vengono ascoltate, perché ritenute non importanti e quindi, anche se hanno voce, vengono tramutate in persone mute dall'indifferenza generale. Io dono la mia voce perché possano difendersi e farsi valere per gridare le loro ragioni. Queste tematiche vengono affrontate con uno stile personale diretto e descrittivo, attraverso il quale l'ascoltatore riesce a vedere quello che sussurro al suo cuore.

Zwölf berühmte Balladen schrieben Goethe und Schiller im Balladenjahr 1797, quasi eine Art "Balladen-Battle". Und die Resultate können sich wahrlich hören lassen! Mit dabei: "Der Schatzgräber", "Der Ring des Polykrates", "Der Zauberlehrling", "Der Taucher", "Der Gott und die Bajadere", "Der Handschuh", "Die Braut von Korinth", "Die Kraniche des Ibykus", "Legende vom Hufeisen", "Ritter Toggenburg", "Der neue Pausias und sein Blumenmädchen", "Der Gang nach dem Eisenhammer".

Cette anthologie de la poésie érotique constitue un florilège idéal de textes écrits au travers des âges. Elle présente la diversité et l'ingéniosité des grands auteurs de la poésie et de la littérature, un art toujours répété et merveilleusement renouvelé. Ces 110 poèmes sont interprétés magnifiquement par Sterenn Guirriec et Daniel Mesguich, de manière complice, crue, drôle ou sensuelle. Claude Colombini Frémeaux.

A/ Poésie : 1. La Fontaine : Le Lion et le moucheron, 2. Du Bellay : Heureux qui comme Ulysse, 3. Michelet : Les volontaires de 92, 4. La Fontaine : Le coche et la mouche. B/ Chant : 1. Dimanche à l'aube (chant populaire de Bretagne), 2. La Truite (Musique de Schubert, paroles de J. Ruelle), 3. Chante un Noël nouveau (chant populaire du Languedoc). A/ Poésie : 1. Hugo : Il neigeait (Châtiments), 2. La Bruyère : Giton (Les Caractères), 3. Colette : La cendre (Prisons et Paradis), 4. Carco : Le vent du soir (La Bohême et mon cœur). B/ Chant : 1. Air de Laurette ("Richard Cœur-de-lion").

The question is asked by each of us, but the answer remains elusive. Dictionaries summon up many words, but none fulfill. Love itself is often ethereal, felt but only seen in a glance, a look, a fleeting touch. Part of love’s beauty is perhaps in the fact that the question never can be adequately answered; it's ephemeral, a chimera of the heart and only felt. Our own experiences are unique and personal to ourselves and of little help defining it for another.

Today perhaps we all agree that youth is spoilt, ill-disciplined and in search of constant and instant gratification. No matter how much we love them, our children, as they mature from child to youth, are pampered. A century ago, and even further back, even the most privileged of youth was rarely indulged. In this volume we look at those years of youth through the eyes and pens of classic poets. They reveal times of hardship, of fear, of love and loss.

Travel across oceans and discover the vengeful wrath of a river god in Kayo Chingonyi's West African tale. Soar too close to the sun with Inua Ellam's timely story of a young refugee girl. Fly to a mysterious castle inhabited by a cursed prince with Helen Mort's retelling of 'East of the Sun, West of the Moon'. Uncover the truth of #Bluebeard with Joelle Taylor's modernised fairy tale. Look to the constellations with Will Harris' futuristic Greek tragedy, and never, ever answer to your name in Malika Booker's Trinidadian re-creation of the douen.

A collection of the funny, curious verse written during the 19th and 20th centuries, read by some of Britain's most renowned actors. Humorous and whimsical verse are collated together in these timeless readings of poetry from our funniest writers. Performed by Sir John Gielgud; Imogen Stubbs; Tim Pigott-Smith; Peter Orr; Wendy Hillier.

How have women poets approached the question of eros throughout history? This collection explores the poetry of both physical and spiritual longing and fulfillment from ancient Greece to New York's East Village. In 50 poems, more than a dozen women poets express all the facets of desire. Included in this collection are Sappho, Mirabai, Hilda Dolittle [H.D.], Emily Dickinson, Anne Waldman, Olga Broumas, Brenda Coultas, Julie Patton, Eleni Sikélianòs, and Marina Tsvetayeva, as well as Pulitzer Prize-winners Jorie Graham, Mary Oliver, and Anne Sexton.

Love whether fleeting or of the ages, expressed with a look, a touch, or a thought is wanted by us all. Our classic poets did not surrender to the logic of the group or seek advice from others quick to blame but slow to embrace. Their legacy remains because it is true, because in that look, that touch, that thought, that display of words the heart remembers us and treasures us. Here are words and verse of love. For your ears, your loved one’s ears and hearts everywhere.

Between then and now poets have written verse, both serious and humorous, in attempts to keep a poetic track both of feelings and as a tribute to our four-legged friends and their adventures.

This volume pays tribute to 50 different women poets, some well-known whilst others undeservedly forgotten but all contributing a single poem which we hope might nudge listeners to discover more of their verse.

ഈ ഭൂമിയുടെ നിലനില്പിന് 'മനുഷ്യൻ' എന്ന ജീവിയാണ് ഭീഷണിയായിത്തീർന്നിട്ടുള്ളത്. അതിനു പരിഹാരം കാണേണ്ടതും ഭീഷണിക്ക് ഉത്തരവാദിയായ മനുഷ്യൻതന്നെ. സുഖഭോഗങ്ങളുടെ പിന്നാലെയുള്ള മനുഷ്യന്റെ ഭ്രാന്തമായ ഓട്ടം പ്രകൃതിയെ കീറിമുറിച്ചുകൊണ്ടിരിക്കുന്നു. 'അരുതേ, അരുതേ' എന്നു പറയാൻ ഒരാൾ നമുക്കിടയിൽ. പ്രകൃതി അമ്മയാണെന്നും അമ്മയെ മുറിപ്പെടുത്തരുതെന്നും പറഞ്ഞുകൊണ്ടിരിക്കുന്ന ഒരാൾ. തപ്തമായ ആ മനസ്സിന്റെ തേങ്ങലുകൾ അക്ഷരരൂപംകൊണ്ടതാണ് ഈ കൃതി.

‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears.

‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears.

‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears.

‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears.

‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears.

‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears.

In A Symphony in Twilight, an anthology, Forester uses free verse, a style of poetry that does not conform to established rules of meter or rhyme to create a flowing, conversational tone with listeners. Portraying a wide range experiences, he writes about the sea, the farm, the cities, and of the experiences of real people. While not overtly transcendental, Forester writes about the interconnectedness of all life and the divinity in each individual.