Showing results by publisher "Recorded Books" in Poetry

The smiling Buddha, or the Buddha of laughter, was a vagabond monk in the 10th cenury. Known as Pu Tai in China and Hotei in Japan, he found supreme happiness one stormy day under a bridge after a loud thunderclap illuminated his purpose. From that day forward, he traveled throughout China sharing his wisdom with laughter and good humor.

Subverting celebrated classics of poetry and mythology and examining horrors from contemporary film and cultural fact, National Book Award-winner Justin Phillip Reed engages darkness as an aesthetic to conjure the revenant animus that lurks beneath the exploited civilities of marginalized people. In these poems, Reed finds agency in the other-than-human identities assigned to those assaulted by savageries of the state. In doing so, he summons a retaliatory, counterviolent black spirit to revolt and to inhabit the revolting.

Unspoken Words will captivate your emotions throughout the journey of buried memories, events of pain, and multiple tests of faith. In the end, can a legacy survive the silence? As a pastor, nothing gives you greater pride than seeing your son follow in your footsteps by learning to teach, believe, and abide by the Word. Pastor Derek Lewis is not any different in wanting his legacy to continue through his only son, Zayvon. But what happens when the only heir to the legacy that you built is born deaf? Do you question God?

Freedom reverberates in Skye Jackson’s breathtaking debut, Libre, with evocative poems that are heart-wrenching, haunting, sensual, and tender. This collection explores the experiences of a young Black woman in New Orleans as she navigates the pull of familial and romantic relationships, celebrating the joys of Blackness, art, and friendship. Libre also includes Jackson’s award-winning poem “can we touch your hair?” which was hand selected by former US Poet Laureate Billy Collins for inclusion in the Library of Congress Poetry 180 Project.

Tears For My Father: Outlaw Thoughts & Poems explores not only Madsen's remarkable life and experiences in and out of Hollywood, but also his familial influences that have participated in crafting and shaping him, including thoughts on his father; his mother and the rumor that he was born without a left hand; ghosts, whiskey, and payback; Robert Mitchum, James Cagney, and "sensitive sons of bitches"; the mentality of actors and growing up to be a man; his first audition; drunken behavior; epic drinkers; and much, much more.

From a young age Kerouac was a spiritual thinker and questioner, and he always considered himself a spiritual writer. Buddhism gave more meaning to Jack’s work as a writer: he was working not for personal accomplishment and glory but for human betterment. And Buddhism justified his lifestyle: with its vision of the material world as empty and illusory, he was free to do what he wanted.

When Kevin Powell's elderly mother became ill, he returned home ever week to take her grocery shopping in Jersey City. Walking behind her during those trips, Powell began to hear her voice, stories, and language in a new way—and examined his own healing while praying for hers. Grocery Shopping with My Mother originated as social media posts about these visits and evolved into a breathtaking collection of thirty-two new poems, crafted like an album, plus four bonus tracks celebrating a great love of wordplay.

"Where does all the grief go when it's not tugging at your wrist?" Enyegue's debut collection is an ode to girlhood, to Blackness, to generational trauma, sexual assault, and mental health. This collection does not aim to heal anyone who listens to it, but instead help them confront their own healing. Rather than sugar-coated bullets that enter you lightly, these poems are designed to hurt.

In The Kingdom of Surfaces, award-winning poet Sally Wen Mao examines art and history—especially the provenance of objects such as porcelain, silk, and pearls—to frame an important conversation on beauty, empire, commodification, and violence. In lyric poems and wide-ranging sequences, Mao interrogates gendered expressions such as the contemporary “leftover women,” which denotes unmarried women, and the historical “castle-toppler,” a term used to describe a concubine whose beauty ruins an emperor and his empire