Showing titles in Satire

Palahniuk’s fashion-model protagonist has it all - boyfriend, career, loyal best friend - until an accident destroys her face, her ability to speak, and her self-esteem. Enter Brandy Alexander, Queen Supreme, one operation away from becoming a bona fide woman.

It's 2002. Britney and Justin are done. Low-rise jeans tyrannise the pants-wearing public. And Hector Singh, a 27-year-old eccentric, moderately talented yet extremely confident aspiring TV writer, is hell bent on 'making it' in LA. He's Puerto Rican and Indian but also post-race (or so he thinks) and he refuses to be intimidated by the Whites Only landscape of show business. But when his mother dies suddenly, Hector's grief turns into depression, triggering dark thoughts and a binge-eating disorder. With a series of implosions that threaten to sink his work and relationships, Hector unravels.

Ben who rides dragons is twice a hero. He's defeated all kinds of demons and learned how to transform into a chimera. That's powerful stuff for a mere cat. Oh, how proud his ancestors would be if they saw him today. In fact, he's far too powerful for Astravar, the mighty warlock and Ben's nemesis, who can't stand the thought of being defeated by a mere moggie. But now he has allied with the other warlocks and together they have a plan to destroy the kingdom.

After surviving countless perils and dangers, including an examination by the Blood Council, Fred is preparing to take on his most important adventure to date: marrying Krystal. That is, if he can get everything handled in time. Visiting Boarback, hiring new staff, clearing out his schedule for a honeymoon; there’s no shortage of tasks to check off before the big day arrives. But not everyone views the occasion in such a happy light. With new dangers looming, old debts raised, and grudges rekindled, it’ll take everything Fred has to finally make it down the aisle.

Well the title looks familiar . . . and Peter Mayle's A Year in Provence may have been the trigger for Christopher Marsh's brilliant debut novel - but there the similarities end. Rather than a middle class Brit travelling all the way to the South of France to patronize the locals, Southern Europe gets its own back courtesy of Jesus Sanchez Ventura - the funniest fictional creation in many a year.

From Boston's social underworld emerges Verena Tarrant, a girl with extraordinary oratorical gifts, which she deploys in tawdry meeting-houses on behalf of "the sisterhood of women". She acquires two admirers of a very different stamp: Olive Chancellor, devotee of radical causes, and marked out for tragedy; and Basil Ransom, veteran of the Civil War, with rigid views concerning society and women's place therein. Is the lovely, lighthearted Verena made for public movements or private passions?

What sucks about waking up next to a dead girl on a Saturday is more than likely you're going to miss brunch. Just ask Sammy Junior—full-time house painter, part-time street artist, and, as of Saturday morning, prime suspect in a South Tampa homicide investigation. One more hassle he simply does not need. Then there's Penny Sullivan, a 15-year-old runaway who shows up in South Tampa that same Saturday morning with only her dead sister's street smarts, a whole lot of survivor's guilt, and a Canada backpack.

Ricky is joined by Diane Morgan, Danny Wallace, Kerry Godliman, Ben Bailey Smith, Sean McLoughlin, David Baddiel, Mark Watson and Robin Ince.

Meet Rabo Karabekian, a moderately successful surrealist painter who we meet late in life and see struggling (like all of Vonnegut's key characters) with the dregs of unresolved pain and the consequences of brutality. Loosely based on the legend of Bluebeard (best realized in Bela Bartok's one-act opera), the novel follows Karabekian through the last events in his life that is heavy with women, painting, artistic ambition, artistic fraudulence, and as of yet unknown consequence.

Alice: 30-something, IQ of 159 (almost a genius), only communicates with her mother in Morse code. Her imaginary friend is back. Erika: 15, daughter of hot ‘wealthugee’ who loves Russian literature, genuine genius, killer eyeliner and killer instincts. The climate is in crisis and wealthy immigrants are flocking to New Zealand for shelter, stealing land, driving up food prices and taking over. But Alice has far more important things to worry about – hating her best friend’s husband, getting free wine and quiet-quitting her dull day job. Until she meets Erika.

A wealthy and depressed man (thanks to the economy, he's not quite rich enough to expand his cache of paintings by Vincent Van Guy, the famed Dutch realist) bound for Christmas in the tropics is abruptly summoned home to North Dakota to visit an ailing aunt. He arrives just in time to be trapped there by a blizzard. The electricity goes out, and when it does, figures from his childhood appear, and historical figures too, for a festive candlelit holiday.

Eine Galeristin tauscht ihr aufregendes Berufsleben gegen den eintönigen und überfordernden Job als Vollzeitmutter. Doch der Drang, ihr Leben mit Kind gegen jede Konvention ungezähmt und frei zu gestalten, wird immer stärker – bis sich eine völlig neue Identität Bahn bricht. Dieser brillante Roman erzählt auf unerhört komische Weise davon, wie viel zu gewinnen ist, wenn man sich auf die monströsen Seiten der Mutterschaft einlässt.

Will Fairweather is getting old. His back aches, his bowels misbehave if he eats spicy food and he’s completely lost his sense of rhythm. Life has taught him not to take risks, but even that hasn’t stopped his marriage hitting the rocks too. The last thing he needs is a surprise call from Red Fairweather, devil-may-care rock god—and the father Will hasn’t seen for thirty years. If Will’s old before his time, Red’s the boy who won’t grow up.

Meet Otto and Cecil. Two brothers who grew up privileged in the Welsh countryside. They enjoyed watching nature shows, playing with their pet pony, impersonating their Grandfather…and killing the help. Murder is the family business after all. Downton Abbey, this is not. However, it’s not so easy to continue the family legacy with the constant stream of threats and distractions seemingly leaping from the hedgerow.

'There once was a man who, one night between the main course and the sweet at a dinner party, went upstairs and locked himself in one of the bedrooms of the house of the people who were giving the dinner party....' As time passes by and the consequences of this stranger's actions ripple outwards, touching the owners, the guests, the neighbours and the whole country, so Ali Smith draws us into a beautiful, strange place where everyone is so much more than they first appear....

In the festering muck of Boggy Ballsack Swamp, Frank—a short-legged, rage-fueled frog—croaks his way through a dark comedy fantasy that’s as hilarious as it is unhinged.

Candide, the illegitimate nephew of a German baron and student of eternal optimist Pangloss, is living a simple and sheltered life in "the best of all possible worlds." But when Candide falls in love with the wrong woman, his uncle's young daughter, he is exiled from the baron's castle and suffers great tragedy and catastrophe, which leaves him disillusioned and questioning the goodness of the universe.

Warning: This isn't the real thing...it's funnier! "Gerber's affectionate, giggle-inducing send-up is one giant step toward restoring the somewhat debased art form known as 'parody,'" says Sean Kelly, former editor of National Lampoon. If you love Harry Potter - or if you have had enough of him! - you've gotta hear this.

"I am Myra Breckinridge, whom no man will ever possess." So begins the irresistible testimony of the luscious instructor of Empathy and Posture at Buck Loner's Academy of Drama and Modeling. Myra has a secret that only her surgeon shares; a passion for classic Hollywood films, which she regards as the supreme achievements of Western culture; and a sacred mission to bring heteronormative civilization to its knees. Fifty years after its first publication unleashed gales of laughter, delight, and ferocious dissent, Myra's moment to instruct and delight has once again arrived.

Anthony Trollope's classic novel centers on Mr. Harding, a clergyman of great personal integrity whose charitable income far exceeds the purpose for which it was intended. On discovering this, young John Bold turns his reforming zeal toward exposing what he regards as an abuse of privilege, despite the fact that he is in love with Mr. Harding's daughter, Eleanor.