Showing titles in Dark Humour

Caroline Townsend is a nightmare for her children. The former actress and current alcoholic hits her nadir on Christmas Eve. Her five young children hope for a Christmas celebration. Instead, they get a fight with their mother, who's absolutely plastered and fresh off yet another failed relationship. After lashing out at her children, Caroline passes out under the bent and mangled Christmas tree. For the Townsend children, this proves to be a rare opportunity - a chance to set things right with their mother. Together, they concoct an elaborate ruse designed to teach her a lesson, once and for all.

Lydia is hungry. She's always wanted to try sashimi, ramen, onigiri with sour plum stuffed inside—the food her Japanese father liked to eat. And then there is bubble tea and the vegetables grown by the other young artists at the London studio space she is secretly squatting in. But Lydia can't eat any of this. The only thing she can digest is blood, and it turns out that sourcing fresh pigs' blood in London—where she is living away from her vampire mother for the first time—is much more difficult than she'd anticipated.

Boy (Tim Heidecker) is a dog who is tired of being held back by humans. When he wakes one morning to find his owner dead, he assumes there’s no one left to stop him from achieving his goal of being a wild and majestic wolf. Unfortunately, he’s about to meet Rebecca (Patti Harrison), a lifelong slacker who is out to prove to her roommates (Poppy Liu and Danny Pudi) that she’s not a total loser by getting a job as a dog walker for a start-up called Bow-Now.

Anders Jensen is having a bad month. His roommate is a data thief, his girlfriend picks fights in bars, and his best friend is a cyborg…and a lousy tipper. When everything is spiraling out of control, though, maybe those are exactly the kind of friends you need. In a world divided between the genetically engineered elite and the unmodified masses, Anders is an anomaly: engineered, but still broke and living next to a crack house.

Things are going well for Jane Murphy, or so it seems. She’s making it in New York, a sort of wunderkind at the social media marketing startup where she works. She’s put an experimental writer, Jeremy Miller, on the map by helping him concoct a viral internet novel, told in fragments through various fake social media accounts. But privately, Jane feels trapped, ruled by her routines and her compulsions, caught up in an endless cycle of soothing and punishing herself.

Ellen is tired of being overshadowed at work. Tired of watching less competent, entitled suits take the promotions she’s earned. But when one of them pushes her too far, things take a murderous turn. And it turns out the darker Ellen goes, the shinier her future starts to look. Business can be murder, but it turns out murder can also be good business for Ellen.

The world might be in disarray, but for one young woman, the very weave of herself seems to have loosened. Time and memories pass straight through her body, she’s afraid of her own floorboards, and ‘WHAT IS LOVE? BABY DON’T HURT ME’ plays over and over in her ears. ‘I’m sorry not to respond to your email,’ she writes, ‘but I live completely in the present now.’ But tearing through the slippery terrains of fiction and reality, the possibility for human connection seems to beckon from the other side – and with it, the chance for a blinding re-emergence into the world.

When 34-year-old Ms Shibata gets a new job in Tokyo to escape sexual harassment at her old one, she finds that, as the only woman at her new workplace—a company that manufactures cardboard tubes—she is expected to do all the menial tasks. One day, she announces that she can't clear away her colleagues' dirty cups—because she's pregnant and the smell nauseates her. The only thing is...Ms Shibata is not pregnant.

This is the story of a vile, cruel, disgusting man, getting exactly what he deserves. Johnny is a gangster in 60's Moon City. When Johnny picks up a delivery for his boss at an old warehouse on the edge of town, his life changes in a way you won't soon forget.

All Georgie Turner wants is to keep her family together. But with her daughter growing up fast, her sister married to a man Georgie hates, and their aging aunt getting more and more outrageous, nothing’s simple. So when her brother-in-law makes his biggest mistake yet, Georgie sees the chance to reunite the ladies in her life. And after a little persuasion, three generations of Turner women head off on a very unusual road trip. Georgie’s confident that some sun, sea and a bottle or two of prosecco will make this an adventure they’ll never forget. What could possibly go wrong?

One winter morning, Lorimer Black - young, good-looking, but with a somewhat troubled expression - goes to keep a perfectly routine business appointment and finds a hanged man. A bad start to the day by anyone's standards and an ominous portent. For Lorimer works in the only-slightly corrupt business of financial adjusting, and he is about to learn that it is much uglier - and even more crooked - than he ever imagined. Suddenly, he's being unfairly blamed for all kinds of irregularities. Next, his life is threatened.

This is a collection of the third six short stories in the Caverns and Creatures series.

When her mother emigrates to China for work, twenty-year-old Chizu moves in with 71-year-old Ginko, an eccentric distant relative, taking a room in her ramshackle Tokyo home, with its two resident cats and the persistent rattle of passing trains. Living their lives in imperfect symmetry, they establish an uneasy alliance, stress tested by Chizu's flashes of youthful spite. As the four seasons pass, Chizu navigates a series of tedious part-time jobs and unsatisfying relationships, before eventually finding her feet and salvaging a fierce independence from her solitude.

Sunday’s father is dying of cancer. They’ve come home to Malagash, on the north shore of Nova Scotia, so he can die where he grew up. Her mother and her brother are both devastated. But devastated isn’t good enough. Devastated doesn’t fix anything. Sunday has a plan.

Visitar un apartamento en venta no es una situación de vida o muerte. A menos que sea la víspera de Nochevieja, vivas en una pequeña ciudad en Suecia y alguien haya tenido la peor idea de su vida y decidido atracar un banco que no maneja efectivo. Entonces, sí lo es. Porque, cuando alguien es así de idiota, es inevitable que no sepa cómo huir y termine en un apartamento en venta tomando rehenes sin querer.

Taut, brooding and densely atmospheric, these stories show us the ways in which murder can arise out of boredom, perversity can result from adolescent curiosity and sheer evil might be the solution to unbearable loneliness.

Palahniuk’s fashion-model protagonist has it all - boyfriend, career, loyal best friend - until an accident destroys her face, her ability to speak, and her self-esteem. Enter Brandy Alexander, Queen Supreme, one operation away from becoming a bona fide woman.

For women of Penny's generation, being on hand for elderly parents is just part of life. But for Penny, things have become a little more serious. When she receives a frantic phone call from her parents one night, with express instructions NOT to call the police, Penny rushes over at once. But they haven't had a fall. They haven't forgotten their computer passwords. They've killed someone. And his body is lying in the garden, right next to the rose bushes.

After a dramatic change in character, a rather usual middle-aged man begins carrying out a series of rather unusual murders. Meanwhile Brad Shape, a crime beat reporter for the Manchester Daily News, is looking for the big scoop to revive his flagging career—and his crumbling marriage. But when he finds one of England's most notorious serial killers, it will be Brad's biggest break...in more ways than one.

Stacey was trying to live her best life, but now she's dead. But why hasn't she passed on? Could it be her fatal car accident is actually murder? Detectives Ed Beaufontaine and Rose Garafino have a long list of suspects, chief among them Stacey's fiancé, Liam. His business dealings and new relationship with Emily Jackson are raising a few eyebrows. As the detectives dig deeper, so does Stacey. With nothing but time on her hands, she forensically examines her past relationships realising she might have been better off without them.