Showing titles in Urban

The Pratchett family have to contend with coalman Alfie Pratchett's obsessive jealousy. A bully, his two teenage children, John and Millie, have learned to dodge him and his moods. The main concern of ugly duckling Millie - who looks nothing like her handsome brother John - is to protect their mum, Eileen. When crisis strikes the Pratchetts' home, Alfie is forced to watch his whole world gradually collapse around him. Their old life has gone forever, and a new one has begun - one in which rape, debt, alcoholism and insanity play their parts. And redemption is a long time coming.

Despite living in an actual castle, happily ever after is evading Margaret ‘Maggie’ Moore. From her bedroom in the Tower of London, twenty-six-year-old Maggie has always dreamed of her own fairy-tale ending. Yet this is twenty-first century London, so instead of knights on white horses, she has catfish on Tinder. And with her last relationship ending in spectacular fashion, she swears off men for good. And then a chance encounter with Royal Guard Freddie forces Maggie to admit that she isn’t ready to give up on love just yet.

Wien im Jahr 1966. Robert Simon verdient sein Brot als Gelegenheitsarbeiter auf dem Karmelitermarkt. Er ist zufrieden mit seinem Leben, doch zwanzig Jahre nach Ende des Krieges hat sich die Stadt aus ihren Trümmern erhoben. Überall wächst das Neue, und auch Simon lässt sich mitreißen. Er pachtet eine Gastwirtschaft und eröffnet sein eigenes Café. Das Angebot ist überschaubar, und genau genommen ist es gar kein richtiges Café, doch die Menschen aus dem Viertel kommen, und sie bringen ihre Geschichten mit – von der Sehnsucht, vom Verlust, vom unverhofften Glück.

Even decades after their arrival, Corrine and Russell Calloway still feel as if they're living the dream that drew them to New York City in the first place: book parties or art openings one night and high-society events the next; jobs they care about (and in fact love); twin children whose birth was truly miraculous; a loft in TriBeCa and summers in the Hamptons. But all of this comes at a fiendish cost.

Ditado pelo espírito Lucius, este romance mostra que nossas dificuldades têm a função de desfazer as ilusões que impedem a felicidade e revela que somos responsáveis por tudo o que nos acontece. Com base no enredo original do livro impresso, que desde o lançamento figura no ranking dos mais vendidos, a versão em audionovela conta com abertura de Zibia Gasparetto e é narrada de forma dramatizada por atores profissionais, com diálogos que prenderão o ouvinte do começo ao fim, proporcionando uma envolvente experiência.

Nainai has lived in Shanghai for many years, and the time has come to find a wife for her adopted grandson. But when the bride she has chosen arrives from the countryside, it soon becomes clear that the orphaned girl has ideas of her own. Her name is Fu Ping, and the more she explores the residential lanes and courtyards behind Shanghai’s busy shopping streets, the less she wants to return to the country as a dutiful wife. As Fu Ping wavers over her future, she learns the city through the stories of the nannies, handymen, and garbage collectors of postwar Shanghai....

Tommy Jr might be one of the youngest members of the Carter family, but he has plans to one day step into his Uncle Jonny’s shoes as head of the family. But when his young girlfriend Aimee announces she’s pregnant, everything changes. Although only nineteen, Tommy’s determined to be the best dad he can. Aimee’s dad Kevin Fox feels the Carters owe him big time and now he’s going to part of the family it’s time to pay up. But publicly rejected by the Carters, Kevin plots his revenge and Tommy Jr is firmly in his sights.

Nine people arrive one night on Chelsea Bridge. They’ve never met. But at the same time, they run and leap to their deaths. Each of them received a letter in the post that morning, a pre-written suicide note, and a page containing only four words: Nothing important happened today. That is how they knew they had been chosen to become a part of the People of Choice: a mysterious suicide cult whose members have no knowledge of one another.

I’m Johanna Morrigan, and I live in London in 1995, at the epicentre of Britpop. I might only be 19, but I’m wise enough to know that everyone around me is handling fame very, very badly. My unrequited love, John Kite, has scored an unexpected Number One album, then exploded into a Booze And Drugs HellTM - as rockstars do. And my new best friend - the maverick feminist Suzanne Banks, of The Branks - has amazing hair, but writer’s block and a rampant pill problem. So I’ve decided I should become a 'Fame Doctor'.

Is there such a thing as a normal life when you live with an ancient vampire and a temperamental hellhound? Victoria Westernly was just starting to think so. With Samhain just around the corner and the promise of a Halloween Ball, her life was looking good. Even the addition of a new master vampire couldn't bring her down. When Victoria and Darien become the victims of a series of unfortunate accidents, they know something's up. Where there's smoke, there's fire. But, the question is, who is burning what?

Daddy’s girl Samantha Reynold hadn’t bargained on unexpectedly needing to step into her father’s shoes and take over the family casino business. Pampered and spoiled, Sam knows nothing about the rules of this glamorous but deadly new world. She has a lot to learn and even more to prove. But she won’t let her family down, especially when it looks like they could lose everything to their biggest rivals - the Stoker family.

You are young, ambitious, college-educated and a feminist. Your new job is in television. To climb the ranks, you do whatever it takes. You know the rules of this world. When someone senior tells you how pretty you look, you smile and thank him—and make a mental note never to wear that dress alone with him again. When whispers start to circle that your office might have 'a bit of a rape problem', and your close friend confesses her own unsettling encounter, you know there is plenty to gain from staying silent, and all too much to lose through speaking out.

Banneker Homes is a low-income high rise in Harlem where gentrification weighs on everyone's mind. There is Swan in apartment 6B, whose excitement about his friend's release from prison jeopardises the life he's been trying to lead. Mimi, in apartment 14D, who hustles to raise the child she had with Swan, waitressing at Roscoe's and doing hair on the side. And Quanneisha B. Miles, a former gymnast with a good education who wishes she could leave Banneker for good, but can't seem to escape the building's gravitational pull.

Housewife Nancy never dreamed that she’d end up in Vickers steelworks factory, but when husband Bert is called up to serve, she needs to put food on the table for her two young children. Betty’s sweetheart, William, has joined the RAF Reserves, so she can’t sit around and do nothing - even if it means giving up her ambitions to study law at night school. Young Patty is relishing the excitement the war brings. But this shop-girl is going to have to grow up quickly, especially now she’s undertaking such back-breaking and dangerous work in the factory.

Rudy Sharpe is the irrepressible owner of a tiny, ramshackle record store, stacked from floor to ceiling with piles of vinyl. It’s a place with real soul, where the slogan is ‘If we don't have it – them don't mek it’. Helping out behind the counter is Tasha, Handsworth’s only Black goth girl, while Rudy’s best friend Clifton regularly drops in to talk music, women and rum.

Es ist kein Märchen. Aber es könnte eines werden. Jedenfalls, sofern der Präsident des MC Sons of Ragnarök das Sagen hat. Wie das Licht einer Straßenlaterne einen Nachtfalter, so zieht mich die zarte Gestalt auf dem dunklen, menschenleeren Supermarktparkplatz an. Doch im Gegensatz zur Motte weiß ich ganz genau, dass es mein Verderben sein wird, wenn ich diesem Bedürfnis nachgebe. Kann mich das zurückhalten? Gottverdammt! Natürlich nicht. Ohne Rücklagen ein Kosmetikstudio eröffnen? Mit Mitte zwanzig sollte das prinzipiell kein Problem darstellen.

At 31 Laura Valiant is a successful art historian who runs her own art advisory and acquisitions company. She and her husband, Douglas Casson, a Wall Street lawyer, have a happy marriage marred only by the fact that they are still childless. But Laura’s life changes radically in 1997, when her best friend from childhood, Claire Benson, tells her she is dying. Claire, who is divorced, begs Laura to become her daughter Natasha’s guardian upon her death. Laura agrees and brings the 15-year-old girl to live with them in New York City after Claire dies.

Twenty-five years ago, DCI Harry Rhimes arrested Andrew Streeter for the brutal murders of five young people. Streeter’s ‘kill list’ of victims was found in his home, and he was convicted of all five crimes. Now, Streeter’s convictions are being overturned, as new evidence implies the original investigation was corrupt. No one is more shocked that DI Henley. Because this case is personal; Rhimes was her old boss, and he’s no longer alive to defend himself. But when the killings start up again, Henley must face the truth: Rhimes got it wrong twenty-five years ago.

Recently dumped and stuck with the mortgage, artist Esther Ray wants to burn the world, but instead, she reluctantly accepts a scrapbooking job from the deliriously wealthy Naomi Duncan. The scrapbooks, a secret birthday gift for Naomi's husband Bryce, trace the Duncan's twenty-five-year marriage. As Esther binges true-crime podcasts and works through the near-two hundred-boxes of Duncan detritus, she finds herself infatuated with the gilded family - until, mid-project, Naomi dies suspiciously.

A husband and wife hear a mysterious bump in the night. A father mourns the closeness he has lost with his son. A friendship with a married couple turns into a dangerous codependency. With gorgeous sensitivity, assurance, and a propulsive sense of menace, these stories center on disappearances both literal and figurative—lives and loves that are cut short, the vanishing of one's youthful self.