Showing results by publisher "Penguin Audio" in Literary Fiction

A book about family, selfishness and compassion on Ireland's Atlantic coast, from the Booker Prize-winner. Hanna, Dan, Constance and Emmet return to the west coast of Ireland for a final family Christmas in the home their mother is about to sell. As the feast turns to near painful comedy, a last, desperate act from Rosaleen - a woman who doesn't quite know how to love her own children - forces them to confront the weight of family ties and the road that brought them home.

Seeking refuge and anonymity in the cobbled streets of Montmartre, Yanne and her daughters, Rosette and Annie, live peacefully, if not happily, above their little chocolate shop. Nothing unusual marks them out; no red sachets hang by the door. The wind has stopped - at least for a while. Then into their lives blows Zozie de l’Alba, the lady with the lollipop shoes, and everything begins to change….

On Earth We're Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late 20s, the letter unearths a family's history that began before he was born - a history whose epicentre is rooted in Vietnam - and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class and masculinity.

Serena Frome, the beautiful daughter of an Anglican bishop, has a brief affair with an older man during her final year at Cambridge, and finds herself being groomed for the intelligence services. The year is 1972. Britain, confronting economic disaster, is being torn apart by industrial unrest and terrorism and faces its fifth state of emergency.

Three men meet on a ship bound for Haiti, a world in the grip of the corrupt 'Papa Doc' and the Tontons Macoute, his sinister secret police. Brown the hotelier, Smith the innocent American, and Jones the confidence man - these are the 'comedians' of Graham Greene's title. Hiding behind their actors' masks, they hesitate on the edge of life. And, to begin with, they are men afraid of love, afraid of pain, afraid of fear itself.

At forty, Peter, an asylum lawyer in New York City, is overworked and isolated. He spends his days immersed in the struggles of immigrants only to return to an empty apartment and occasional hook-ups with a man who wants more than Peter can give. But when the asylum case of a young gay man pierces Peter's numbness, the event that he has avoided for twenty years returns to haunt him. Ann, his mother, who runs a women's retreat centre she founded after leaving his father, is wounded by the estrangement from Peter but cherishes the world she has built.

Eve is a successful novelist who wakes up one day in a hospital bed with no memory of how she got there. Her husband, never far from her side, explains that she has had an operation to remove the large, malignant tumour growing in her brain. As Eve learns to walk, talk, and write again — and as she wrestles with her diagnosis, and how and when to explain it to her beloved children — she begins to recall what’s most important to her: long walks with her husband’s hand clasped firmly around her own, family game nights and always buying that dress when she sees it.

Amory's first memory is of her father doing a handstand. She has memories of him returning on leave during the First World War. But his absences, both actual and emotional, are what she chiefly remembers. It is her photographer, uncle Greville, who supplies the emotional bond she needs, and,when he gives her a camera and some rudimentary lessons in photography, unleashes a passion that will irrevocably shape her future.

Time is a resource. Everyone knows it has to be managed. And on Discworld, that is the job of the Monks of History, who store it and pump it from the places where it's wasted (like underwater; how much time does a codfish need?) to places like cities, where there's never enough time. But the construction of the world's first truly accurate clock starts a race against, well, time for Lu Tze and his apprentice, Lobsang Ludd. Because it will stop time. And that will only be the start of everyone's problems.

In this wry take on the post-apocalyptic horror novel, a pandemic has devastated the planet. The plague has sorted humanity into two types: the uninfected and the infected, the living and the living dead. Now the plague is receding, and Americans are busy rebuild­ing civilisation under orders from the provisional govern­ment based in Buffalo. Their top mission: the resettlement of Manhattan.

A narrative particle accelerator that zooms between Wild Turkey Whiskey and Bob Dylan. Unicorn skulls and voracious librarians. John Coltrane and Lord Jim. Science fiction, detective story, post-modern manifesto. All this rolled into one rip-roaring novel, End of the World and Hard-boiled Wonderland is the tour de force that expanded Haruki Murakami’s international following.

Jamie O'Neill loves the colour red. He also loves tall trees, patterns, rain that comes with wind, the curvature of many objects, books with dust jackets, cats, rivers and Edgar Allan Poe. At age 13 there are two things he especially wants in life: to build a Perpetual Motion Machine, and to connect with his mother Noelle, who died when he was born. In his mind these things are intimately linked. And at his new school, where all else is disorientating and overwhelming, he finds two people who might just be able to help him.

Romy Hall is at the start of two consecutive life sentences, plus six years, at Stanville Women’s Correctional Facility. Outside is the world from which she has been permanently severed: the San Francisco of her youth, changed almost beyond recognition. The Mars Room strip club where she once gave lap dances for a living. And her seven-year-old son, Jackson, now in the care of Romy’s estranged mother. Inside is a new reality to adapt to: thousands of women hustling for the bare essentials needed to survive.

Sean's brother Anthony is a hard man. When they were kids their ma did her best to keep him out of trouble but you can't say anything to Anto. Sean was supposed to be different. He was supposed to leave and never come back. But Sean does come back. Arriving home after university, he finds Anthony's drinking is worse than ever. Meanwhile the jobs in Belfast have vanished, Sean's degree isn't worth the paper it's written on and no one will give him the time of day. One night he loses control and assaults a stranger at a party, and everything is tipped into chaos.

On remote Tuga de Oro, vet Charlotte Walker’s caseload of donkeys, cows, and ailing lizards has only increased. She still can’t believe the humiliating truth about her father. Probably, she ought to feel worse than she does. But the islanders have taken Charlotte to their hearts and somehow, between days on the farms and nights with a new love interest, she’s content to remain in blissful retreat from her real life in London. Just for now.

Scout (Jean Louise Finch) has returned to Maycomb from New York to visit her father, Atticus. She is forced to grapple with issues both personal and political as she tries to understand both her father's attitude toward society and her own feelings about the place where she was born and spent her childhood.

When twenty-something Isabella Pasternack is fired from her job at a digital food magazine, she accepts a thankless job for the paycheck: ghostwrite the very past-due cookbook for a once-beloved thirty-something actress, Molly Babcock. Molly, trying to repair her reputation after a serious downward spiral, meets Isabella’s earnest attempts to connect with inconsistency, indifference, and cruelty. But, for the first time in her life, Isabella is determined to dig in her heels, and figure out if there’s anything Molly actually knows how to cook (or even likes to eat).

Lucy Barton is a successful writer living in New York, navigating the second half of her life as a recent widow and parent to two adult daughters. A surprise encounter leads her to reconnect with William, her first husband—and longtime, on-again-off-again friend and confidante. Recalling their college years, the birth of their daughters, the painful dissolution of their marriage, and the lives they built with other people, Strout weaves a portrait, stunning in its subtlety, of a decades-long partnership.

It’s the tabloid sensation of the year: two well-known footballers standing in the dock, charged with sexual assault, a series of vile text messages pointing towards their guilt. As the trial unfolds, Evan Keogh reflects on the events that have led him to this moment. Since leaving his island home, his life has been a lie on many levels. He’s a talented footballer who wanted to be an artist. A gay man in a sport that rejects diversity. A defendant whose knowledge of what took place on that fateful night threatens more than just his freedom or career.

Ted Wallace is an old, sour, womanising, cantankerous, whisky-sodden beast of a failed poet and drama critic, but he has his faults too. Fired from his newspaper, months behind on his alimony payments and disgusted with a world that undervalues him, Ted seeks a few months repose and free drink at Swafford Hall, the country mansion of his old friend Lord Logan. But strange things have been going on at Swafford....