Showing titles in Essays

Locked in his desk for 25 years, What Is Man? was Twain's most serious, philosophical, and private work. The narrative appears in the form of a Socratic dialogue between a romantic young idealist and an elderly cynic. The pair debate issues of mankind, such as whether man is free to act or is more of a machine, whether personal merit is meaningless given how the environment shapes us, and if man truly has impulses other than to pursue pleasure and avoid pain.

In this blistering, irreverent and very funny first book of non-fiction, Lauren Oyler - one of the most trenchant, influential, and revelatory critics of her generation - takes on the bizarre particularities of our present moment in a series of interconnected essays about literature, the attention economy, gossip, the role of criticism and her own relentless, teeth-grinding anxiety. No Judgement excavates the layers of psychology and meaning in how we communicate, tell stories and make critical judgements - to offer dazzling insights into how we live and think today.

”街に自分だけの歴史が積み重なり、深い色になっていく”（本文より）。子どもの頃に遊んだ街、青春を過ごした街、父の死を見送った道――。東京の「街」をめぐる自伝的エッセイ集。

The Reveries of the Solitary Walker was one of the last works written by the French philosopher Jean-Jacques Rousseau (1712-1778) and was, in fact, not quite complete. It was published four years after his death and came quickly to be regarded as one of his most poetic works. It consists of 10 Walks (only the final ‘Walk’ was unfinished) during which he muses on a variety of topics including thoughts on issues which featured strongly in his notable life as a philosopher and commentator, including education and political philosophy.

From her well-remembered New Yorker essays about the financial demands of big-city ambition and the ethereal, strangely old-fashioned allure of cyber relationships to her dazzlingly hilarious riff in Harper's about musical passions that give way to middle-brow paraphernalia, Daum delves into the center of things while closely examining the detritus that spills out along the way. With precision and well-balanced irony, Daum implicates herself as readily as she does the targets that fascinate and horrify her.

In her latest forays into the American scene, Joan Didion covers ground from Washington to Los Angeles, from a TV producer's gargantuan "manor" to the racial battlefields of New York's criminal courts. At each stop she uncovers the mythic narratives that elude other observers: Didion tells us about the fantasies the media construct around crime victims and presidential candidates; she gives us new interpretations of the stories of Nancy Reagan and Patty Hearst; she charts America's rollercoaster ride through evanescent booms and hard times that won't go away.

In this brilliant collection, the follow-up to her New York Times best seller Reading Like a Writer, the distinguished novelist, literary critic, and essayist celebrates the pleasures of reading and pays homage to the works and writers she admires above all others. In an age defined by hyper-connectivity and constant stimulation, Francine Prose makes a compelling case for the solitary act of reading and the great enjoyment it brings. Inspiring and illuminating, What to Read and Why includes selections culled from Prose’s previous essays, reviews, and introductions.

When Harold Ross founded The New Yorker in 1925, he described it as a “comic weekly.” And although it has become much more than that, it has remained true in its irreverent heart to the founder’s description, publishing the most illustrious literary humorists of the modern era. This anthology gathers together, for the first time, the funniest work of more than seventy New Yorker contributors.

In The Mind’s Eye, Oliver Sacks tells the stories of people who are able to navigate the world and communicate with others despite losing what many of us consider indispensable senses and abilities: the capacity to recognise faces, the sense of three-dimensional space, the ability to read, the sense of sight. For all of these people, the challenge is to adapt to a radically new way of being in the world - and The Mind’s Eye is testament to the myriad ways that we, as humans, are capable of rising to this challenge.

Styles of Radical Will, Susan Sontag's second collection of essays, extends the investigations she undertook in Against Interpretation with essays on film, literature, politics, and a groundbreaking study of pornography.

From Paris to Prague, from the past to the present, authors and artists say farewell in this unique collection. In this audiobook you'll find personal letters, reminiscences, poetry, art and brand new fiction from some of the most talented and important voices at work today, including Jessie Burton, Alain de Botton, Matt Haig, Richard Herring, Owen Jones, Mark Kermode, Robert Macfarlane, Kate Mosse, Chris Riddell, Lionel Shriver and many others.

Kurt Vonnegut presents in Fates Worse than Death a veritable cornucopia of his thoughts on what could perhaps best be summed up as "anti-theology", a manifesto for atheism that details Vonnegut's drift from conventional religion, even a tract evidencing belief in the divine held within each individual self--the deity within each individual person present in a universe that otherwise lacks any real order.

Quasi una vita, momento per momento, quelli più intensi che nel tempo acquistano ancora più vigore e ritornano in tutta la loro vividezza. Tanti incontri qui offerti nella forma del racconto, ognuno dei quali ha una luce, un'atmosfera e dei personaggi indimenticabili che hanno segnato soprattutto la giovinezza e l'adolescenza di Camilleri. Alcuni conosciuti negli anni più maturi, durante la sua carriera di regista teatrale e televisivo, molti altri sconosciuti, che ci riportano ai tempi del fascismo, della guerra.

In this deeply personal book, the celebrated Haitian-American writer Edwidge Danticat reflects on art and exile. Inspired by Albert Camus and adapted from her own lectures for Princeton University’s Toni Morrison Lecture Series, here Danticat tells stories of artists who create despite (or because of) the horrors that drove them from their homelands. Combining memoir and essay, these moving and eloquent pieces examine what it means to be an artist from a country in crisis.

This personal, philosophical narrative surveys the panorama of our world past and present. Dillard poses questions of natural evil, God, and individual existence. Can one individual really matter? If so, how? Compassionate, enthralling, and always surprising, For the Time Being is the latest work by one of our most original writers - her breadth of knowledge matched by keenness of observation- at her best.

George Orwell (1903-50) is known around the world for his satirical novella Animal Farm and his dystopian novel Nineteen Eighty-Four, but he was arguably at his best in the essay form. Below, we've selected and introduced ten of Orwell's best essays for the interested newcomer to his non-fiction, but there are many more we could have added.

Eu quero a árvore que existe é uma coletânea de seis ensaios que representam diferentes facetas da nossa ânsia de descobrir e desfrutar a realidade que nos cerca. Em textos repletos de delicadeza e lucidez, larinha divide conosco sua visão única da existência, numa conversa franca e aberta que passeia pelo que há de mais profundo e de mais banal na jornada de todos nós.

この地球の大きさを体感したい――人を旅へと駆り立て続ける不朽の名作!

Annie Liontas suffered multiple concussions in her thirties. In Sex with a Brain Injury, she writes about what it means to be one of the “walking wounded,” facing her fear, her rage, her physical suffering, and the effects of head trauma on her marriage and other relationships. Forced to reckon with her own queer mother’s battle with addiction, Liontas finds echoes in their pain. Liontas weaves history, philosophy, and personal accounts to interrogate and expand representations of mental health, ability, and disability—particularly in relation to women and the LGBT community.

Sebastian Barry's writing career has been as long and varied as it has extraordinary. Intimate, revealing and generous of heart, these three lectures—written and delivered as part of his three-year tenure as the laureate for Irish fiction—reflect on his life and career so far, and some of the formative moments and people he's met along the way.