Showing results by publisher "Audible Studios" in Short Stories

रस्किन बाॅन्ड ने एक बार कहा था कि वे भूत-प्रेत में विश्वास नहीं करते लेकिन उनको हर समय, हर जगह भूत नज़र आते -जंगल में, सिनेमा के बाहर भीड़ में और बार में।

Intezar ki almari se kuchh yaadein nikal kar aati hai. Unhe samet-te hue kuchh lamba waqt guzar jaata hai. Jahan se mud kar dekho to pata chalta hai ki kayi hisse peechhe chhoot gaye hai. Hum waqt ko sambhalte hue aage badhna shuru kar dete hai aur waqt hamare har kadam ko jodta jaata hai hamare beete se. Lekhak beeta hua kuchh sametne ki koshish ki hai. Is khayal mein kayi khayal beet gaye, aur kuchh rah gaye dimaag ke aas paas kahin. Jo dimaag mein rah gaya, use lekhak shabd-ba-shabd bahar utarna chaha.

Kahaniyon ka yah sangrah jeevan ke vibhinn padaav aur rozmarra ki zindagi ke kuchh lamhon ki ek anokhi jhalak prastut karta hai. Kahin guzre zamaane ki yaadein bikhri padi hain, toh kahin bhavishya ko sanvaarne ki koshish hai. Gaon se shahar tak ka safar, baal awastha se kishore awastha ki raah, dosti aur prem ke beech nazar aate rishte, kahaniyaan yah saare pehlu dikhaati hain.

Laghu kahaniyon ka yah sangrah samaaj ke badalte drishya saamne laata hai. Parampara aur dakiyanusi ke beech chalte sangharsh mein kiska palada bhaari hoga? Aham sawal uthaate yah qisse rozmarra ki zindagi ko samajhne ke vibhinn pehlu par prakash daalte hain. Dahej pratha ke kaaran na jaane kitne parivaar barbaad ho gaye iss desh mein, kayi nayi dulhanon ko iss laalach mein jala diya gaya aur log issi wajah se ghar mein paida huyi beti ko ek bojh samjhte hain.

Striking in their emotional immediacy, the stories in Before You Suffocate Your Own Fool Self are based in a world where inequality is reality but where the insecurities of adolescence and young adulthood, and the tensions within family and the community, are sometimes the biggest complicating forces in one's sense of identity and the choices one makes.

कुल नौ कहानियों का यह संग्रह अपने आप में स्त्री-पुरुष संबंधों की जटिल सच्चाइयों को समेटे हुए है। ये फँतासियों और नाटकीयता से बहुत दूर अवसाद और कुंठाओं की सहज कहानियाँ हैं।

कहानी सुनाने की कला को किस्सागोई कहते हैं।

Registan mein rehne waale ghummakad logon ki jeevan shaili, lokgaayan se judi jaatiyon ka samaaj mein sthaan aur jatil saamajik taanebaane mein upje vijaatiye prem ki gehri tees bhari kahani hai, Chhori Kamali. Iss kahani mein Maangniyaar lokgaayak aur ghummakad jogi ladki ka prem merudand hai aur uske aas-paas registaan ka jeevan aur ret ka baareek sawndarya ukera hua hai.

Entre la confirmación de la mitra de que Pedro Infante no murió en pecado, el Licenciado embustero que le juró a la autora convertirla en Primera Dama si ganaba la gubernatura de su estado natal y sentidas reflexiones sobre la posibilidad de un nuevo enamoramiento después de un divorcio en nuestro historial, Guadalupe Loaeza nos deleita con sus divertidas historias sobre mujeres y hombres atrapados en las redes del amor, la infidelidad y siempre, por supuesto, el lado amable de la vida.

कहानियाँ कहानियों का क्या है? वो तो सिर्फ़ कहानियाँ हैं कुछ कहना हो तो एक कहानी कुछ ना कहना हो तो एक और कहानी हर किसी की अपनी एक कहानी है और तो और कहानियों की भी अपनी एक कहानी है

Rusty ki zindagi ki kahaniyon ki kadi mein yeh teesri kitaab hai. Rusty apne abhibhaavak ka ghar chodh chukka hai aur Kapoor parivaar ke saath rehne aata hai. Wahan vah unke bete ko padhaata hai aur use acchi dosti ho jaati hai.

Kahaniyon ka yah sangrah, vibhinn prakar ki naari bhavnaon ko vyakt karta hai. Kayi anubhav samete hue, yah sankalan badalte rishton par roshni daalta hai. Kahaniyon mein rahasya hai, romanch hai, jeevan ke alag alag mod se guzarte kirdaar hain jo padhne-wale ko apni duniya mein aamantrit karte hain.

Maanav ki aadatein, uski kamzoriyo aur shaktiyo ko ban mei rehne-wale praniyo ke kisso ke maadhyam se batane-wali ek romanchak kitab hai yeh.

Stree vimarsh kea am muhawaron se hathkar jinn yuva lekhikaaon ne apne parivesh ka jevant chitran kar vishesh pehchaan banayi hai, unmein Tarana Parveen pramukh hai.

Skilfully translated into English for the very first time, these chilling tales from master storyteller Ratnakar Matkari are bound to keep listeners of all ages up at night. With every minute you listen, you'll be looking over your shoulder to make sure no one's there. Look again. Maybe there is!

Geetashree is one of the few authors who incorporates the local flavor and life references of both village life and a metropolis in her writings. This is not to say that she does not have her repertoire of dense lingo, traces of which can be seen in her writing as well. Litti-Choka and the anthology of 10 stories within it are a prime example of this.

Amidst the glittering names of Hindi writers, Rangey Raghav stands head and shoulders above all. Born in Agra, Raghav had a gift as he started writing pretty early, from age 13 onwards. While he lived only until 39 years of age, in his short time, he was endowed with numerous awards. Raghav had a knack for presenting and pitting conflicts which are omnipresent in our society. This anthology of stories is a pick of his favorite stories.

A house is not just a place where we store our things but also where we keep our secrets safe. There are many such stories that remain buried in a chest or hidden in a closet. These secrets, if let out, may change how we live or the way we think. This book revolves around such stories that no one cares to talk about. Things that are better left unsaid. Baki ki Baat is the conversation that begins when all is said and done.

Aacharya Chatursen Shastri was an important Hindi-language novelist, famous for works like Goli, Somnath, Vayam Rakshamah, and Aabha. Meri Priya Kahaniyan is a collection of his stories where he is able to demonstrate his versatility as a writer in creating significantly varied characters and narratives while maintaining his unique style of storytelling.

Sachchidananda Hirananda Vastyayana ‘Agyeya’ (Ajneya) is an important poet and writer of the ‘adhunik kaal’ (modern period) of Hindi literature. Meri Priya Kahaniyan (My Favourite Stories) is an anthology of 12 of his selected stories, where after 15 years of hiatus, he revisits his old writings as an exercise to reflect on questions of audience reception, truth and the position of a writer vis-à-vis the world he inhabits and the world that he creates.