Showing results by narrator "Roger Clark" in Literature & Fiction

Kaz Brekker and his crew have just pulled off a heist so daring even they didn't think they'd survive. But instead of divvying up a fat reward, they're right back to fighting for their lives. Double-crossed and badly weakened, the crew is low on resources, allies, and hope. As powerful forces from around the world descend on Ketterdam to root out the secrets of the dangerous drug known as jurda parem, old rivals and new enemies emerge to challenge Kaz's cunning and test the team's fragile loyalties.

Cal Hooper thought a fixer-upper in a remote Irish village would be the perfect escape. After 25 years in the Chicago police force and a bruising divorce, he just wants to build a new life in a pretty spot with a good pub where nothing much happens. But then a local kid comes looking for his help. His brother has gone missing and no one, least of all the police, seems to care. Cal wants nothing to do with any kind of investigation, but somehow he can't make himself walk away.

In this compelling account, eminent literary critic Terry Eagleton explores the nuances of tragedy in Western culture-from literature and politics to philosophy and theater. Eagleton examines the political nature of tragedy, looking closely at its connection with periods of historical transition. The dramatic form originated not as a meditation on the human condition, but at moments of political engagement, when civilizations struggled with the conflicts that beset them. Tragedy, Eagleton demonstrates, is fundamental to human experience and culture. 

The modern conception of sacrifice is at once cast as a victory of self-discipline over desire and condescended to as destructive and archaic abnegation. But even in the Old Testament, the dual natures of sacrifice, embodying both ritual slaughter and moral rectitude, were at odds. In this analysis, Terry Eagleton makes a compelling argument that the idea of sacrifice has long been misunderstood. Pursuing the complex lineage of sacrifice in a lyrical discourse, Eagleton focuses on the Old and New Testaments, offering a virtuosic analysis of the crucifixion.

It's summer, 1942, and after a tough couple of years, DI Tom Tyler is making a fresh start in Ludlow, Shropshire. On the outskirts of town, St. Anne's Convalescent Hospital, staffed by nursing sisters who are Anglican nuns, has been established in an old manor house to help victims of the war to recover. After a horrifying double murder is discovered on the grounds, Tyler must figure out how the crime could have occurred in such a secluded and presumably impenetrable place.

November, 1940. Tom Tyler, Detective Inspector of the small Shropshire town of Whitchurch, is a troubled man. The preceding summer had been a dark one for Britain, and even darker for Tom's own family and personal life. So he jumps at the opportunity to help out in the nearby city of Birmingham, where an explosion in a munitions factory has killed or badly injured several of the young women who have taken on dangerous work in support of the war effort.

George Bernard Shaw has been called the second greatest playwright in English (after William Shakespeare) and one of the inventors of modern celebrity as the most famous public intellectual of his time. Beginning in the 1880s, as a critic and as a playwright, he transformed British drama, bringing to it intellectual substance, ethical imperatives, and modernity itself, setting the theatrical course for the subsequent century. That his legacy endures 70 years after his death is testament to the prescience of his thinking and his prolific creativity. 

In this Very Short Introduction, Bernard O'Donoghue provides a fascinating look at the many different forms of writing which have been called "poetry" - from the Greeks to the present day. As well as questioning what poetry is, he asks what poetry is for, and considers contemporary debates on its value. Is there a universality to poetry? And does it have a duty of public utility and responsibility?

In 410 CE, arrogant 16-year-old Magonus Sucatus Patricius denounces Christianity as a religion for cowards when the Roman legions withdraw, leaving Britain vulnerable to raiders from the west. Determined to wield a sword despite being the grandson of a priest, the affluent young man is taken captive by barbarians and sold into slavery to a cruel Irish king. On a mountaintop in Eire, a shepherd strips him of his grand Roman name and calls him Padraic, marking him a man of no consequence.   

It's late 1942; World War II is still raging. Detective Inspector Tom Tyler is settling into his placement in Ludlow, Shropshire, a small town jammed with people sent there by the conflict. On the outskirts is an Italian PoW camp. Tyler's job is both to keep the peace and to enforce wartime regulations. Then a troubled old man goes missing in a winter storm. The next day his body is discovered in a secret hideout supposedly known to very few. It soon becomes clear that a crime has been committed, and there is no shortage of suspects.

James Crowley met his mortal end in a hail of gunfire. Now, he finds himself in purgatory, serving the White Throne to avoid falling to hell. Not quite undead, though not alive either, the best he can hope for is to work off his servitude and fade away. His not-so-sacred duty as a Hand of God? Use his new abilities to hunt down demonic beings that have infiltrated the mortal realm. This time, the White Throne has sent him to the middle of nowhere: a Western town called Dead Acre with a saloon, a moldy church, and little else worth talking about. There isn’t even a sheriff.

Devin Lyle and Craig Rockwell are back, this time to a haunted castle in Ireland where a banshee may have gone wild...or maybe there's a much more rational explanation - one that involves a disgruntled heir, murder, and mayhem, all with that sexy light touch Heather Graham has turned into her trademark style.

Beloved by children and adults worldwide, the writings of C. S. Lewis have a broad and enduring appeal. Although he is best known for the iconic Chronicles of Narnia series, C. S. Lewis was actually a man of many literary parts. 

George Arrow, a good-looking, independently wealthym and single man of 36, has just been diagnosed with a weak heart. A heart so weak, his doctor tells him, he must go to extraordinary lengths to avoid putting the slightest strain upon it. On his doctor's advice, George packs up his life in Dublin and boards a train to the Bay of Galway where he intends to live quietly in a hotel and await the inevitable end. On the train, he meets John Burden, and as they chat, George realizes that his new acquaintance is an odious man.

A coming of age story set in a Scottish fast food restaurant: take a group of full time burger flippers and cash starved students, add a likeable geek with a love of political theory, and a passionately angry French anarchist, and you have a recipe for rebellion. Rife with dry British humor and working-class sensibilities.