Showing results by narrator "Geoffrey Whitehead" in Literature & Fiction

All six episodes of the radio series spoofing the adventures of the famous sleuth. Deep in the bowels of the British Museum, a locked leather portmanteau is unearthed. Contained within it is a rare treasure: the hitherto unpublished journals of Dr John H Watson. Prepare to be amazed and amused as he recounts his escapades with Sherlock Holmes, England's greatest detective, master of disguise and toffee-nosed ponce.

A BBC Radio 4 full-cast dramatisation of a classic Agatha Christie mystery, starring Lyndsey Marshal, Geoffrey Whitehead and John Rowe. Ten guests travel to an island at the invitation of someone named U. N. Owen. All are strangers, but they have two things in common: they have all been responsible for someone's death, and none will leave the island alive.

Sophisticated wit and intense emotion, religious fervor and erotic sensuality, delight in life’s pleasures and fascination with death, are all to be found in the paradoxical poetry of John Donne. One of the foremost metaphysical poets, Donne’s ingenious metaphors and inspired use of language has earned him affection and reverence in near equal measure to Shakespeare.

Sisters Alison and Maud are joint landladies of the Abbeyfield Guest House, dispensing hospitality to a variety of demanding clients while also looking after their irascible, bedridden father downstairs in the granny flat. Dreamy ornithologist Alison has just moved back from Bloomsbury, while Maud ran a 3,000-acre farm in Africa - but neither sibling is really up to the task of managing a B&B, and chaos generally ensues.

John Donne, Andrew Marvell, George Herbert, Thomas Carew, and Henry Vaughan: these were some of the 17th-century writers who devised a new form of poetry full of wit, intellect and grace, which we now call Metaphysical poetry. They wrote about their deepest religious feelings and their carnal pleasures in a way that was radically new and challenging to their readers. Their work was largely misunderstood or ignored for two centuries, until 20th-century critics rediscovered it, finding in it a deep originality and a willingness to experiment.

Arch-Brutalist Sir Lucien founded his architectural practice on a commitment to brutalist concrete in all its forms. But fashion has been a cruel mistress, and four decades later things are not going well for Sir Lucien and his loyal(ish) employees. With no money and no commissions, times are tough – but it’s onwards and upwards (and upwards again) for the staff, as they go all out to win new contracts, deal with nightmare clients and fight to get their ambitious projects past the planners.

Chris Dolan's dramatisation of Honore de Balzac's entertaining tale of family rivalry and fortunes lost and won, set in 19th-century France. Episode 1:After Napoleon's defeat at Waterloo, Philippe Bridau becomes a reckless gambler who steals from his mother to finance his obsession. She foolishly continues to idolise him, and it is left to his more dependable brother Joseph to rescue the family from destitution. Episode 2: Philippe's gambling has left his family destitute and his political activities have landed him in jail.

We join them in September - the start of the farming year - as daughter Megan, a brainy 'plain Jane', sets her sights on Mr Bootle - only to find he's really just interested in birdwatching. December brings 'Goose-Feathering Night' - but Megan's determined to save Gudrun from a plucking. February finds her desperate to get into Oxford University but fearing rejection: could the creepy Mr Jenkins offer a solution?