Showing results by narrator "Brian Smith" in Literature & Fiction

In this lively study of both modern film and stage productions of Shakespeare, Samuel Crowl provides fascinating insights into the ways in which these productions have been influenced by one another as well as by contemporary developments in critical approaches to Shakespeare's plays. Written in a style which places a premium on capturing the vivid and often dazzling moments of stage and film performances of Shakespeare, Crowl's study will be of interest to the avid film and theatergoer as well as to the scholar and student.

This is the story of Roger Alcott, his wife, Susan, and their two boys. On the surface, Roger Alcott has it all — a well-paying job, a nice home, and luxury cars. Unfortunately, these have come at the expense of long hours and high stress of his corporate job. But most importantly, he's missing time with his wife and kids. 

Thirty years after serving in World War II, middle-aged Rob’s holiday plans see an unforeseen change that leads him on a coach tour of Italy. Struggling with post-war PTSD and depression, he reluctantly agrees to the journey - and sparks a dream that plunges him into long-stifled memories. Set in Europe, Sue Parritt’s Feed Thy Enemy is an account of courage and compassion in the face of trauma.

Nothing exciting ever happened to Melissa Berkley. It was time to try to change that, she thought. She stood on the stern of the ship looking out at the horizon. Most of the other passengers stayed inside, or sat on the deck chairs with something to read. Melissa had something to read herself, even if it was just a short note on a post card that read: "To whomever finds this bottle: I dropped it overboard in the middle of Lake Michigan on this, the third day of September 1997. If you find it, please mail this post card back to me and let me know where you found it."

Is theater really dead? Does the theater, as its champions insist, really provide a more intimate experience than film? If so, how have changes in cinematic techniques and technologies altered the relationship between stage and film? What are the inherent limitations of representing three-dimensional spaces in a two-dimensional one, and vice versa? American Drama in the Age of Film examines the strengths and weaknesses of both the dramatic and cinematic arts to confront the standard arguments in the film-versus-theater debate.

Penelope was a plain, unassuming woman that nobody noticed. Her job was going nowhere. Enter Debbie, her new co-worker at the insurance company where Penelope had gone unnoticed for nearly three years. Debbie's going places in the company, and fast. Why? Because she saved her money and got breast implants. Once Penelope saw what those implants did for Debbie, she decided to have the operation herself. One way or another, she would get noticed. Be careful what you wish for, Penelope. Attention may not be all that it's cracked up to be.

In these four riveting tales, Carter takes a classic of science fiction - the time-travel story - into surprising new territory. A man finds a room where time doesn't pass in the spellbinding "The Time of His Life". When a scientist becomes the first person to time travel, "The Time Traveler's Wife" refuses to be left behind in this touching tale. A salesman on the road has a chance encounter with a girl who gives him a glimpse of his "Happy Time", a better life that might have been. And in "Static in a Still House", a garage sale hunter finds a baby monitor tuned into the future.

FEAT DESC

No one thought that MacTrump - Lord of MacTrump Towers, Son of New York - would ascend to the highest position in the kingdom. Yet with the help of his unhappy but dutiful wife Lady MacTrump, his clever daughter Dame Desdivanka, and his coterie of advisers, MacTrump is comfortably ensconced in the White Hold as President of the United Fiefdoms, free to make proclamations to his subjects through his favorite messenger, McTweet. The Democrati, mourning the loss of their cherished leader O'Bama, won't give up without a fight.

How does a kid who can barely ride a horse, and who’s better with his fists and a team of mules than a six-shooter, think he can track and kill the most notorious killer on the Plains? Simple: Cuno Massey's thirst for revenge runs deep. Deeper than his skills. But when Rolf Anderson and Sammy Spoon killed the young man’s step-mother and his father, nothing would stand in young Cuno’s way.