Showing results by publisher "-emdashery books-" in Coming of Age

Winner of the Whitbread Prize for best first fiction. Oranges Are Not the Only Fruit is a coming-out novel from Winterson, the acclaimed author of The Passion and Sexing the Cherry. The narrator, Jeanette, cuts her teeth on the knowledge that she is one of God’s elect, but as this budding evangelical comes of age and comes to terms with her preference for her own sex, the peculiar balance of her God-fearing household crumbles.

Stuck in a dead-end job, broken-hearted, broke and estranged from her best friend, Violet's life is nothing like she thought it would be. She wants more - better friends, better sex, a better job - and she wants it now. So, when Lottie - who looks like the woman Violet wants to be when she grows up - offers Violet the chance to join her exciting start-up, she bites. Only it soon becomes clear that Lottie and her husband, Simon, are not only inviting Violet into their company, they are also inviting her into their lives.

All Robbie Fontaine ever wanted was a place to belong. After the death of his mother, he bounces around from pack to pack, forming temporary bonds to keep from turning feral. It’s enough – until he receives a summons from the wolf stronghold in Caswell, Maine. Life as the trusted second to Michelle Hughes – the Alpha of all – and the cherished friend of a gentle old witch teaches Robbie what it means to be pack, to have a home. But when a mission from Michelle sends Robbie into the field, he finds himself questioning where he belongs and everything he’s been told.

After inexperienced seventeen-year-old Isaac loses his virginity through a dating app—a disappointing yet addictive experience—he spends his final months before university escaping into a dizzying new world of casual sex with forgettable men. This all changes when he meets twenty-eight-year-old Harrison at a party. Isaac is immediately infatuated by the handsome, charismatic artist, but while they grow closer, his sense of self becomes increasingly hazy

It’s the summer of ’96 and best friends (and secret girlfriends) Hannah and Sam are driving across the country from Long Beach, New York, to the fabled queer paradise of San Francisco, free from the harsh gazes of their neighbors and the stifling demands of Hannah’s devout Orthodox Jewish mother. In San Francisco, they will finally be together as a real couple, out in the open, around other queer people . . . even if the move means leaving behind Hannah’s beloved Bubbe.

Ren Yu is a swimmer. Her daily life starts and ends with the pool. Her teammates are her only friends. Her coach, her guiding light. If she swims well enough, she will be scouted, get a scholarship, go to a good school. Her parents will love her. Her coach will be kind to her. She will have a good life. But these are human concerns. The concerns of those confined to land. Ren grew up on stories of creatures of the deep, of the oceans and the rivers. Stories that called sailors to their doom. Stories that dragged them down and drowned them.

Written in a Yorkshire dialect that brings a place and its people magnificently to life, We Pretty Pieces of Flesh takes you by the hand and drags you through Doncaster’s schoolyards, alleyways and nightclubs, bringing back the intimate treachery of adolescence and how we betray ourselves when we don’t trust our friends. Like The Glorious Heresies and Shuggie Bain, it tracks hard-edged lives and makes them sing, turning one overlooked and forgotten place into the very centre of the world.

Samson Kabarebe is on the verge of stardom. At just nineteen, he's poised to take the football world by storm. Joining a struggling Premier League team, he steps into the spotlight, taking over the position-and squad number-of a rising homegrown talent who is wrestling with his own dreams and desires.

"There’s nothing there." The words may as well have been a death sentence to young Declan. Without mana, there could be no studying at the sky-piercing Pinnacle Towers, there could be no great monster hunts, and there could be no following in his father’s legendary footsteps. He’d be a cripple. But when a terrible accident forces him to flee, Declan learns the true nature of his mana. Just because it doesn’t resonate at any known frequency doesn’t mean it isn’t magic. Just because he can’t cast the same spells as everyone else doesn’t mean he isn’t a mage.

When Paul enters university in early 1970s Pittsburgh, it’s with the hope of moving past the recent death of his father. Sensitive, insecure and like a stranger to his family, Paul feels isolated and alone. When he meets the worldly Julian in his freshman ethics class, Paul is immediately drawn to his classmate’s effortless charm. Paul will stop at nothing to prove himself worthy of their friendship. But Julian is as volatile and cruel as he is charismatic, and Paul begins to suspect that he can never live up to what Julian expects of him.

Eighteen years old, pregnant and working as a pizza delivery girl, our dysfunctional heroine is deeply lost and in complete denial about it all. She’s grieving the death of her father, avoiding her loving boyfriend and flagrantly ignoring her future. Her world is further upended when she becomes obsessed with Jenny, a stay-at-home mother new to the neighbourhood, who comes to depend on weekly deliveries of pickle-covered pizzas for her son’s happiness.

Thirteen-year-old Byron needs to get away and doesn't care how. Sick of being beaten up by lads for 'talkin' like a poof' after school. Sick of dad - the weightlifting, womanising Gaz - and Mam, who selfishly pissed off to Turkey. Sick of the people who shuffle about Hucknall like the living dead, going on about kitchens they're too skint to do up and marriages they're too scared to leave. It's a new millennium, Madonna's Music is top of the charts and there's a whole world to explore - and Byron's happy to beg, steal and skank onto a rollercoaster ride of hedonism.

Savannah "Sav" Henry is almost the person she wants to be, or at least she's getting closer. It’s the second semester of her sophomore year. She’s finally come out as bisexual, is making friends with the other queers in her dorm, and has just about recovered from her disastrous first queer “situationship.” She is cautiously optimistic that her life is about to begin.

Victor and Zoey are getting old, well old-er, and it’s beginning to be a real problem. Best friends for a decade, they have seen each other through bad dates and office drama, late nights and hungover brunches, during their years together in New York City. As their wild twenties come to a close, though, the dynamic between the two is shifting. Coming off a tough breakup, Victor dedicates his energies toward building a career writing celebrity profiles for one of the last glossy magazines left, while Zoey navigates the terrain at her nascent fashion startup.

Thora, August and Hugo come from different worlds—one an art school dreamer, one a wealthy scion of the old elite and one an ordinary boy from out of town. But over the course of two sky-blue summers in Stockholm, they are drawn together magnetically. The novel opens years later, when Hugo, long estranged from Thora and August, is visited by their daughter—who has questions about her parents that she believes Hugo can answer—and the memories of those luminous days come flooding back.

True biz? The students at the River Valley School for the Deaf just want to hook up, pass their history finals and have politicians, doctors and their parents stop telling them what to do with their bodies. This revelatory novel plunges listeners into the halls of a residential school for the deaf, where they'll meet Charlie, a rebellious transfer student who's never met another deaf person before, Austin, the school's golden boy, whose world is rocked when his baby sister is born hearing and February, the headmistress, who is fighting to keep her school open and her marriage intact.

Buying into the dream that education is the road out of poverty, a teen mom takes a chance on bettering herself, gets on welfare rolls, and talks her way into college. But once she's there, phallocratic narratives permeate every subject, and creative writing professors depend heavily on Freytag's pyramid to analyze life. So Ariel turns to a rich subcultural canon of resistance and failure, populated by writers like Audre Lorde, Tillie Olsen, and Kathy Acker. Wryly riffing on feminist literary tropes, We Were Witches documents the survival of a demonized single mother.

In the Black Country in the 1950s, ex-boxer Norman Alonso is a determined and humble Jamaican who has moved to Britain with his wife to secure a brighter future for themselves and their children. At the turn of the millennium, Jesse seeks a fresh start in London - escaping from a broken immediate family, a repressive religious community and the desolate, disempowered Black Country - but finds himself at a loss for a new centre of gravity and turns to sex work to create new notions of love, fatherhood and spirituality.

A young royal from the far north, is sent south for a political marriage in an empire reminiscent of imperial China. Her brothers are dead, her armies and their war mammoths long defeated and caged behind their borders. Alone and sometimes reviled, she must choose her allies carefully. Rabbit, a handmaiden, sold by her parents to the palace for the lack of five baskets of dye, befriends the emperor's lonely new wife and gets more than she bargained for.

Serena and Beth are best friends who couldn’t be more different—Beth is an avowed demisexual, who lacks confidence in her career and in her chances at a happy relationship due to her sexual orientation. Serena is a free spirit who oozes with confidence, both in her job and her sexual proclivities. And yet, since the moment they met, they knew they were platonic soulmates. So, when Beth decides that she officially wants to take charge of her sex life and explore the things that scare her the most, Serena is more than happy to help.