Showing results by publisher "----RM Alexander" in Renaissance

Au Moyen Âge et à la Renaissance, les philosophes vont mener trois combats : les théologiens médiévaux intègrent les valeurs chrétiennes à la philosophie antique ; les philosophes chrétiens et mystiques opposent à la toute-puissance théologique les bienfaits de la philosophie antique ; les humanistes de la Renaissance réenchantent le monde et inspirent le renouveau de la métaphysique. Cet ouvrage cherche à mieux comprendre les relations entre philosophie et christianisme et redécouvre le mystère des penseurs de la Renaissance.

Mark Pegg offers a synthesis of the most innovative scholarship on the Middle Ages of the last thirty years. Interweaving the history of Muslims with the histories of Christians and Jews, the scholarly history is propelled by a narrative of the relationship of the human and the divine within individuals and their societies between 950 and 1550. In displaying the history of the Middle Ages to be no less than a history of the formation of Western culture, Pegg offers a rethinking of what it means to talk about the medieval world that is at once vital, compelling, and necessary.

In 1494, there were five sovereign regional powers in Italy: Milan, Venice, Florence, the Papal States and Naples. In 1536, only one remained: Venice. These decades of conflict precipitated great anxiety among Western thinkers, and Italians responded to the fragmentation, forevermore, of Latin Christendom, the end of self-governance for Italians, and the beginning of the early modern era in a myriad of ways. They were always heavily influenced by the lived experience of warfare between large Christian armies on the peninsula.

Although Genoa cannot compete in the popular imagination with some of Italy’s more famous cities, this busy port town perched above the sea once boasted a powerful empire that rivaled that of Venice. It also lasted for roughly the same time period, rising in the early Middle Ages and coming to an end at the hands of Napoleon Bonaparte near the end of the 18th century. Today, historians are starting to correct the imbalance that has focused on Venice, Florence, and Rome, and new histories are gradually introducing Genoa to the world, even as much remains to be uncovered.

Voyages of discovery, inventions, the revival of classical learning, and the advent of science contributed to the intellectual upheavals of this creative period, and are reflected in its literature and art. Hudson focuses on the one thread of continuity that he sees as both the seed and the fruit of this exciting era: the awakening of secular humanism and the emergence of the individual. This history gives the listener a lucid, perceptive analysis of the splendid Renaissance.

From the death of Richard III on Bosworth Field in 1485 to the execution of Charles I, after the Civil Wars of 1642-48, England was transformed by two Dynasties. Firstly the Tudors, who won the crown on the battlefield and changed both the nature of kingship but also the nation itself. England became a Protestant nation and began to establishment itself as a trading power; facing down impossible odds it defeated its enemies on land and sea.

Most historians credit the city-state of Florence as the place that started and developed the Italian Renaissance, a process carried out through the patronage and commission of artists during the late 12th century. If Florence is receiving its due credit, much of it belongs to the Medicis, the family dynasty of Florence that ruled at the height of the Renaissance. The dynasty held such influence that some of its family members even became pope.

Sixteenth-century Europe was a time of destabilization of age-old norms and the waging of religious wars - yet it also witnessed the remarkable flowering of a pacific culture cultivated by a cohort of extraordinary women rulers who sat on Europe's thrones, most notably Mary Tudor; Elizabeth I; Mary, Queen of Scots; and Catherine de' Medici.

Bestselling author Leonard Shlain explores the life, art, and mind of Leonardo da Vinci, seeking to explain his singularity by looking at his achievements in art, science, psychology, and military strategy (yes), and then employing state of the art left-right brain scientific research to explain his universal genius. Shlain shows that no other person in human history has excelled in so many different areas as Da Vinci and he peels back the layers to explore the how and the why.

this exciting story illuminates the captivating world of the late Renaissance - in this case its plagues, remedies, and alchemy - through the life of Leonardo Fioravanti, a brilliant, remarkably forward-thinking, and utterly unconventional doctor. Fioravanti's marvelous cures and talent for self-aggrandizement earned him the adoration of the people, the scorn of the medical establishment, and a reputation as one of the age's most colorful, combative figures.

The dome of the Santa Maria del Fiore, the great cathedral of Florence, is among the most enduring symbols of the Renaissance, an equal to the works of Leonardo and Michelangelo. Its designer was Filippo Brunelleschi, a temperamental architect and inventor who rediscovered the techniques of mathematical perspective. Yet the completion of the dome was not Brunelleschi’s glory alone. He was forced to share the commission with his archrival, the canny and gifted sculptor Lorenzo Ghiberti.

Most historians credit the city-state of Florence as the starting place of the Italian Renaissance, a process carried out through the patronage and commission of artists during the late 12th century. If Florence is receiving its due credit, much of it belongs to the Medici family, a Florentine dynasty that ruled at the height of the Renaissance. Both Leonardo and Michelangelo were members of Lorenzo de Medici's court. The famous leader, who also considered himself an artist and poet, became known for securing commissions for the most famous artists of the age.

Professor Farah Karim-Cooper grew up loving the Bard, perhaps because Romeo and Juliet felt Pakistani to her. But why was being white as a ‘snowy dove’ essential to Juliet’s beauty? Combining piercing analysis of race, gender and otherness in beloved plays from Othello to The Tempest with a radical reappraisal of Elizabethan London, The Great White Bard entreats us neither to idealise nor to fossilise Shakespeare but instead to look him in the eye and reckon with the discomforts of his plays, playhouses and society.

Age of Discovery explores a world on the brink of a new Renaissance and asks: how do we share more widely the benefits of unprecedented progress? How do we endure the inevitable tumult generated by accelerating change? How do we each thrive through this tangled, uncertain time? From gains in health, education, wealth and technology to crises of conflict, disease and mass migration, the similarities between today's world and that of the 15th century are both striking and prophetic: we have been here before.

The Reformation was a long struggle of ideas between the established Catholic Church and the questioning of faith brought about by the Renaissance in Western Europe. Started by Martin Luther in 1517, religious dissidence spread across Europe throughout the sixteenth century, causing wars, migration and disunity.

In the early morning of 6 May, 1527, the 20,000 starving, unpaid troops of Emperor Charles V began their assault on the great walls of Rome. After only a few hours they had overcome the barricades; the city into which they streamed was now in their grip. This uncontrollable force of German landsknechts, Spanish soldiers, and Italian mercenaries showed no mercy as they plundered, raped, and slayed their way through the holy city.

The Renaissance, or rebirth, was a period of time when Europeans began to question what they had been told was sacrosanct. Through art, inventions, science, literature, and theology, the separate nations of the European continent sought answers that the Roman Catholic Church was unwilling, or perhaps unable, to offer. It was a triumph of the human spirit and a confirmation of human ability, even as it affirmed the willingness of men and women to die for the right to think freely.

In 1610 Henry Stuart was a celebrity throughout Europe, at a momentous period for European history and culture. Eldest son of James VI and the epitome of heroic Renaissance princely virtue, his life was set against a period about as rich as any. The King James Bible, religious tension throughout Europe, the Gunpowder plot, Jacobean theatre and the dark tragedies pouring from Shakespeare's quill, innovation in learning and science, exploration and trade and the bloody traumas of the Thirty Years' War were his backdrop.

In this Very Short Introduction audiobook, Jeroen Duindam connects the earliest history of kings and queens to contemporary examples of family-based leadership. His sweeping overview of five millennia of dynastic rule brings to light recurring predicaments of families on the throne.

Henry IV is not famous except for the plays that bear his name: He is not even a "much-maligned" king. He is normally overshadowed by his far more famous son, Henry V, despite his many achievements. Shakespeare is partly to blame for Henry's diminution and his son's exaggerated stature but not completely; we just don't know what to make of a man who took the throne from the rightful king.