Showing results by publisher "Bolinda audio" in Europe

In the early 1930s, Nancy Wake was a young woman enjoying a bohemian life in Paris. By the end of the Second World War, she was the Gestapo's most wanted person. As a naive, young journalist, Nancy Wake witnessed a horrific scene of Nazi violence in a Viennese street. From that moment, she declared that she would do everything in her power to rid Europe of the Nazis. What began as a courier job here and there became a highly successful escape network for Allied soldiers.

The 15th century saw the evolution of a distinct and powerfully influential European artistic culture. But what does the familiar phrase “Renaissance Art” actually refer to? Through engaging discussion of timeless works by artists such as Jan van Eyck, Leonardo da Vinci, and Michelangelo, Tom Nichols offers a masterpiece of his own as he explores the truly original and diverse character of the art of the Renaissance.

A brilliant new cultural history of the long 18th-century, Writing on the Wall is told through the marks its citizens left behind, bringing into focus lost voices from the highest to the lowest in society. From the centre of London to the islands of the Caribbean, Pelling goes in search of graffiti, evidence of how ordinary people experienced the world-changing events that defined their lives – from political prisoners to sex workers, homesick sailors, Romantic poets and the artisans of the industrial revolution.

In June 1922, just seven months after Sinn Féin negotiators signed a compromise treaty with representatives of the British government to create the Irish Free State, Ireland collapsed into civil war. While the body count suggests it was far less devastating than other European civil wars, it had a harrowing impact on the country and cast a long shadow, socially, economically and politically, which included both public rows and recriminations and deep, often private traumas.

Blending narrative with analysis, Peter Davies explores a time of obscene opulence, mass starvation, and ground-breaking ideals; where the streets of Paris ran red with blood, and the numbers requiring execution precipitated the invention of the guillotine. Davies brings the subject up to date by considering the legacy of the revolution and how it continues to resonate in today’s France.

Growing up at Farmleigh, a country house outside Dublin, Arthur Edward Guinness – Ned for short – was fascinated by the secrets and legends that surrounded the early generations of his famous family of brewers. Against a backdrop of epic and convulsive times in Ireland and Britain, he outlines the struggles and passions of his ancestors, who went from obscurity in Kildare to the pinnacle of Irish and British society.

In a crawlspace at the offices of Switchboard, a queer helpline in operation since 1974, lie dozens of log books kept by volunteers describing the phone calls they had taken: a teenager kicked out of home for dressing as the wrong gender; a lesbian terrified of having her baby taken away from her; a man arrested for chatting up another man; a young person wanting to know how to come out. These logs documented traces of tens of thousands of queer lives, captured by people who lent an ear to those in need.

The Northern Ireland conflict is one of the most protracted, bitter, and complex campaigns of terrorism the Western world has ever seen. Since the Good Friday Agreement in 1998, the region has come a long way, finally achieving a hard-won peace. Yet hostility between Unionists and Nationalists is as strong as ever, communities remain divided, and sectarian violence is rife. Edwards and McGrattan’s balanced introduction skilfully dissects the “Troubles” to offer fresh perspectives on their complicated history and legacy.

Professor Farah Karim-Cooper grew up loving the Bard, perhaps because Romeo and Juliet felt Pakistani to her. But why was being white as a ‘snowy dove’ essential to Juliet’s beauty? Combining piercing analysis of race, gender and otherness in beloved plays from Othello to The Tempest with a radical reappraisal of Elizabethan London, The Great White Bard entreats us neither to idealise nor to fossilise Shakespeare but instead to look him in the eye and reckon with the discomforts of his plays, playhouses and society.

Why do good things happen to bad people? Can we prove whether God exists? What is the difference between right and wrong? Medieval philosophers were centrally concerned with such questions, questions which are as relevant today as a thousand years ago when the likes of Anselm and Aquinas sought to resolve them. In this fast-paced and enlightening guide, Sharon M. Kaye takes us on a whistle-stop tour of medieval philosophy, revealing the debt it owes to Aristotle and Plato.