Showing results by publisher "Recorded Books" in Music & Performing Arts

It's 1993, and Generation X pulses to the beat of Kurt Cobain and the grunge movement. Sixteen-year-old Maggie Lynch is uprooted from big-city Chicago to a windswept town on the Irish Sea. Surviving on care packages of Spin magazine and Twizzlers from her rocker uncle Kevin, she wonders if she'll ever find her place in this new world. When first love and sudden death simultaneously strike, a naive but determined Maggie embarks on a forbidden pilgrimage....

Best-selling author Marilyn Singer's celebrated children's books have been named amongst the Top Ten Children's Books of the Year by Time. In this charming tale, Singer introduces Tallulah, a girl who wants nothing more than to be a ballerina. And not just any ballerina - a real one with a tutu! But when Tallulah finally gets to take a ballet class, she discovers that there's more to dancing than getting to wear a pretty, pink tutu.

Meet the inventors and innovators who defined American music history. A radio repairman named Leo Fender imagined a solid-body electric guitar. The inventor of 3-D glasses, Laurens Hammond, envisioned an electric organ in every home. And a German carpenter named Steinway immigrated to New York City with the dream of designing the greatest piano in the world.

Award-winning Karma Wilson, author of Bear Snores On, has created the delightful Hilda Hippo - a hippo who loves to dance despite all the noise she makes while doing so. It’s just that the Ka-bump! Ka-bump! Crash! Crash! Crash! noises disturb her jungle friends. Maybe Hilda could take up knitting? But knitting doesn’t quite suit the would-be ballerina. Perhaps she and her friends can find some sort of compromise!

Tallulah strives for perfection during ballet class and dreams of dancing a solo in the upcoming recital, but her little brother Beckett, who misbehaves all during class, gets a better role than she does.

Pinky wants to try out for the school play. Rex, on the other hand, is terrified of appearing on stage. But when Pinky talks Rex into going with him to the auditions, guess who ends up getting the lead part that Pinky wanted for himself? Rex is so good, the teacher changes the name of the play so that she can play the lead role. And Pinky has been cast as one of the monkeys! It's no wonder that Pinky is sad and angry.

Junior, a 300 pound musical and artistic prodigy, depends on his imagination for companionship. Buddy is used to depending on no one but himself. Homeless, he uses his wits to survive the streets. With the help of Mr. Poole, the school custodian, the two boys discover a sheltered universe of their own in the basement room. When their hiding place is discovered, and Junior loses the only place he feels safe, his imagination takes over. It will take all of Buddy’s resource to protect his friend as the realities of Junior’s world come crashing in around them both.

The King of Rock 'n' Roll lives! And he's Josh's dad. When 13-year-old Josh finds out that he has to stay with his dad in Chicago for a few months, he's not too thrilled. But when he arrives at the airport, he's simply devastated. His father - who used to be a scatterbrained but pretty normal shoe salesman - has become...Elvis. Well, a sideburn-wearing, hip-twisting, utterly embarrassing Elvis impersonator. Josh is determined to keep his dad's identity a secret, but on his very first day at his new school, a note appears on his locker.

No one is shocked by the six-eyed alien strolling around the Universal back lot. The tourists just think he's part of the show. It doesn't take long for Buddy to land a role on a popular TV show, playing (of course) an alien. He becomes an overnight heartthrob and is suddenly faced with legions of adoring fans, rides in glamorous limos, and appearances at "all-the-shrimp-you-can-eat" red carpet parties. But can Buddy maintain his secret identity while in the spotlight?

At a young age, Yo-Yo Ma discovered a remarkable gift for the cello, playing Bach from memory by age four. His technique was far beyond his years, but even as he grew and became a world-class musician—studying at Juilliard, performing at Carnegie Hall at a young age, even playing on television before the president of the United States—he wanted to use his gift for something deeper, something bigger. As he asked question after question, trying to understand his place in the world, he discovered something that every culture has in common: music.

Written by Aixa Pérez-Prado, this is the powerful biography of Argentinean folksinger and human rights advocate Mercedes Sosa. Affectionately known as La Negra, Mercedes used her musical talents and powerful voice to speak out against poverty and inequality in her home country. In the face of a cruel dictatorship, Mercedes refused to be silenced. She bravely stepped on stage to lend a “voice to the voiceless” with uplifting songs of empathy and empowerment. Her unforgettable music and messages of hope continue to resonate with people across the world to this day.

Ballet is Florencia del Lago's entire world. After years of hard work, she is chosen as Clara in the winter production of The Nutcracker. Not only is she the youngest dancer to receive such an honor but also the first Latina. She's on track to be recruited by the best ballet companies. Unfortunately, she suffers a panic attack on opening night—on stage, in front of everyone. And then Selena, Florencia's best friend, steps right into the role to replace her.

Celebrate 50+ artists who broke barriers, took risks, and changed the world of entertainment forever! While these creatives came from different backgrounds and overcame unique struggles, they had one thing in common: they would not take "You can't" for an answer. With a don't-give-up attitude, these fearless firsts fought for what they believed in and created a better artistic world.

El ballet lo es todo para Florencia del Lago. Después de años de arduo trabajo, es seleccionada como Clara en la producción invernal de El Cascanueces. No sólo es la bailarina más joven en recibir tal honor sino también la primera latina. Está en camino de ser contratada por las mejores compañías de ballet.

It’s the beginning of eighth grade, and Nat Beacon is nervous. Not only will she be the New Kid, but the New Kid in a Wheelchair. And the school year starts off rocky: No one seems friendly, and she can’t get to the cafeteria without help. But there are a few bright spots. Namely, her best friend, Hudson; her boyfriend (swoon!), Malik; and her very favorite thing: theater. This year, there’s a middleschool theater competition, and any production that wins their regional competition will get the chance to perform—on a real Broadway stage!

Shira Gordon is painfully shy. She rarely speaks and blushes at everything. And yet, when she’s alone in her room, she’ll sing and dance, dreaming she were different. So when her best friend forces her to audition for their school’s production of The Music Man, she’s mostly hoping the play will get canceled…but a tiny part of her hopes she’ll get in. And she does. As a member of the barbershop quartet. Playing a dude with a mustache is not exactly her dream role, but Shira is surprised by how much she loves rehearsing with her quirky new friends.

Meet Sadie. When she's not mixing it up on the basketball court, she's mixing the perfect batter with her friends in the cupcake club. Sadie's definitely no stranger to competition, but the oven mitts are off when the club is chosen to appear on Battle of the Bakers, the ultimate cupcake competition on TV. But the real battle happens off camera when the club's baking business starts losing money. With the clock ticking and the cameras rolling, will the club and their cupcakes rise to the occasion?

It’s 1915, and Victorine Berryman (now reluctantly in disguise) is struggling to figure out who she most truly is: An orphaned heiress to one of the country’s largest fortunes? An extra in other people’s films? Or does she perhaps want to be a different sort of person entirely? When an ominous advertisement appears, offering a big reward for information leading to the “lost” Miss Berryman, Victorine decides it’s time to leave the old film town of Fort Lee with her best friend, photoplay star Darleen Darling, and look for work in Hollywood, California.

With perfect pitch and fierce persistence, Amy Beach always knew she had to make music. There was just one big problem. Her mother believed it was not proper or suitable for a young lady to draw attention to herself, let alone have a musical career. But give in or give up? Not Amy Beach. She demanded to play the piano. She demanded to have a real teacher. She demanded to perform.

August Wilson grew up open to the creative inspiration in everything he encountered: in library books, in music, in artworks, in the lively conversations overheard in the restaurants and barbershops lining the Pittsburgh neighborhood of his childhood. August paid attention. He listened. And when he got older, he got ideas about what to do with everything he’d seen and heard—ideas that would make him one of the greatest playwrights in American history.