Showing results by publisher "----RM Alexander" in History & Criticism

House is the first descendant of disco. While Black and Hispanic communities were jamming and party DJs spinning records, a new birth of rhythm gave way to music lovers from Chicago and New York in the form known as house music. Developed in Chicago's underground dance club culture in the early 1980s, today house music is worldwide and continues to dominate most club scenes and has expanded beyond its subculture beginning.

With a wide-ranging mix of rants on pop culture, politics, and coping with the present, Parker’s personal stories show you how to conquer problems with poise. Using Parker’s toolbox of humor, irony, and common sense, you too can take on any challenge.

A delightful biography of a celebrated Stradivarius cello and an inviting overview of cello music and musicians by world-famous concert cellist Carlos Prieto.

True tales from - and about - rock 'n' roll, including the outrageously true, never-before-told event that accidentally sparked the greatest rock rumor of all time: "Paul Is Dead."

Do everyday annoyances make you want to tear out what's left of your hair? Author and comic book store owner Rembert N. Parker feels your pain, and he's here to give you a piece of his mind. With dry wit and hilarious adages, Parker tackles an eclectic mix of topics, from Academy Award mistakes to using sci-fi principles on Supreme Court decisions. If you like observational humor, expanding your point of view, and in-depth looks at the past, present, and future, then you'll love Rembert N. Parker's side-splitting stories.

Danny Goldberg's new book is a subjective history of 1967, the year he graduated from high school. It is, he writes, "an attempt at trying to remember the culture that mesmerized me, to visit the places and conversations I was not cool enough to have been a part of." It is also a refreshing and new analysis of the era; by looking at not only the political causes, but also the spiritual, musical, and psychedelic movements, Goldberg provides a unique perspective on how and why the legacy of 1967 lives on today.

For a Kentucky rifleman who spent his tour trudging through Vietnam's Central Highlands, it was Nancy Sinatra's "These Boots Are Made for Walkin'". For a "tunnel rat" who blew smoke into the Viet Cong's underground tunnels, it was Jimi Hendrix's "Purple Haze". For a black marine distraught over the assassination of Martin Luther King, Jr., it was Aretha Franklin's "Chain of Fools".

This is the first study to explore fully the myth of America as reflected in the nation's popular music. Beginning with the songs of the Pilgrims and continuing through more than two centuries of history and music, Born in the U.S.A. shows the emerging American myth and gives a close reading of the compositions of songwriters as diverse as William Billings, Henry Clay Work, Irving Berlin, Woody Guthrie, Bob Dylan, and Bruce Springsteen.

A tour de force of storytelling years in the making: a dual biography of two of the greatest songwriters, Bob Dylan and Woody Guthrie, that is also a murder mystery and a history of labor relations and socialism, big business and greed in 20th-century America - woven together in one epic saga that holds meaning for all working Americans today.

Rooted in rhythm-and-blues pioneered by black musicians, 1950s rock and roll was racially inclusive and attracted listeners and performers across the color line. In the 1960s, however, rock and roll gave way to rock: a new musical ideal regarded as more serious, more artistic-and the province of white musicians. Decoding the racial discourses that have distorted standard histories of rock music, Jack Hamilton underscores how ideas of "authenticity" have blinded us to rock's inextricably interracial artistic enterprise.

Lors d'une rencontre en 1986 dans les studios de France Musique, Cyril Huvé (pianiste) et Daniel Mesguich (comédien) décident d'explorer ensemble le répertoire du mélodrame romantique dans les œuvres de Robert Schumann, Franz Schubert, Franz Liszt, Johann Strauss, Richard Wagner... Cette collaboration donne lieu à de fréquents concerts en France et à l'étranger, puis à ce livre audio.

Dal primo nucleo di quelli che diventeranno i Rolling Stones, all'arrivo di Brian Jones, che ne sarà l'anima per qualche tempo, fino alla costituzione della vera "fabbrica" Jagger/Richards. Questo audioBook è un viaggio avventuroso e a volte impietoso lungo le tappe di una delle carriere più "granitiche" del rock: quella delle Pietre per eccellenza, i Rolling Stones. Un disco dopo l'altro per raccontare l'avventura della band più longeva della musica senza dimenticare qualche aneddoto curioso e, soprattutto, dando il giusto spazio a quello che più conta.

For more than 20 years, music critic Bernard Holland reviewed the most celebrated artists of the 20th century. He reported both sides of the culture war between an honored past and radical change. Throughout his writings, Holland discusses what classical music really is, destroys the myth of high and low art, and defines the job of the music critic. Along the way, the listener will chat with Herbert von Karajan, take a plane trip with Yo-Yo Ma, and walk the slow walk with Robert Wilson.

Listen to This stands out as the first book exclusively dedicated to Davis' watershed 1969 album, Bitches Brew. Victor Svorinich traces its incarnations and inspirations for 10-plus years before its release. The album arrived as the jazz scene waned beneath the rise of rock and roll and as Davis faced large changes in social conditions affecting the African-American consciousness.

Suddenly the music is not notes or a tune, but what those seven people are exactly: the music is an aural holograph of the Grateful Dead. All their fibers, nuances, histories, desires, beings are clear. Jerry and his questing, Phil the loyal comrade, Tom drifting beside them both on a cloud, Pig staying stubbornly down to earth; Mickey working out furious complexities trying to understand how Bill is so simple, and Bob succumbing inevitably to Jerry and Phil and joining them.

Da Andrea e Franz Campi, musicisti e artisti della scena bolognese, da sempre appassionati di musica italiana e di teatro. La canzone popolare italiana ha segnato un'epoca, due secoli fatti di versi e musica, dove i protagonisti sono le persone del popolo, prive di qualsivoglia cultura o preparazione accademica, ma dotate di un grande senso del ritmo, della poesia e della musicalità. Dal popolo sono nate "canzonette" ormai simbolo della nostra cultura, come "O Sole mio", "O surdato 'nnammurato", "Mamma" e "Volare".

Throughout the 1990s, Prince feuded with his record label, Warner Bros., over his rights as an independent recording artist - and made some of the most brilliant music of his career. During that time, Jim Walsh covered Prince for the St. Paul Pioneer Press and wrote about him passionately, thoughtfully, exhaustively. Here, in real-time, is that coverage: a look back at Prince in the '90s. Walsh's newly unearthed interviews, essays, columns, and reviews make Gold Experience an essential slice of history.

A chi è dedicata questa collana? A chi ha spesso sentito parlare di un certo artista o di un certo genere musicale ma non lo conosce perfettamente. A chi non è interessato a biografie "vita morte e miracoli" e a noiosi trattati su un genere o un altro, ma unicamente a ciò che in ambito musicale conta davvero: la musica.

A chi è dedicata questa collana? A chi ha spesso sentito parlare di un certo artista o di un certo genere musicale ma non lo conosce perfettamente. A chi non è interessato a biografie "vita morte e miracoli" e a noiosi trattati su un genere o un altro, ma unicamente a ciò che in ambito musicale conta davvero: la musica.

Sex, No Drugs & Rock'N'Roll: Memoirs of a Music Junkie is a "balls-to-the-wall" coming of age narrative explicitly told through the eyes of a musical "baby-boomer Holden Caulfield", simultaneously maturing with the country itself. From the 50s' innocent invulnerability following WWII, to the teenage years of rebellion and political unrest in the 60s, to the disillusionment and cynicism of the late 70s, sowing the seeds for the "me" generation to come. The dots connected in two universal languages: music and sex.