Showing titles in History & Criticism

From the sugar rush of Tokyo’s idol subculture to the discordant polyrhythms of its experimental punk and indie scenes, this audiobook by Japan Times music columnist Ian F. Martin offers a witty and tender look at the issues that shape Japanese music today. With insights into the evolution of J-pop as well as its history, infrastructure, and (sub)cultures, Martin deconstructs an industry that operates very differently from counterparts overseas.

At the height of the ideological antagonism of the Cold War, the US State Department unleashed an unexpected tool in its battle against Communism: jazz. From 1956 through the late 1970s, America dispatched its finest jazz musicians to the far corners of the earth, from Iraq to India, from the Congo to the Soviet Union, in order to win the hearts and minds of the Third World and to counter perceptions of American racism.

Released in 1998, Lauryn Hill’s first solo album is often cited by music critics as one of the most important recordings in modern history. Artists from Beyoncé to Nicki Minaj have claimed it as an inspiration, and it was recently included in the National Recording Registry by the Library of Congress, as well as named the second greatest album by a woman in history by NPR (right behind Joni Mitchell’s Blue). Award-winning feminist author and journalist Joan Morgan delivers an expansive, in-depth, and heartfelt analysis of the album and its enduring place in pop culture.

A small-town Florida teenager discovers punk rock through a loaned mix tape, and punk music and culture slowly takes over all aspects of his life. His new passion causes him to form a band, track down out-of-print records he loves and reissue them, open a record store, start a record distribution operation as a public service, mentor a host of young musicians, and befriend all manner of punk luminaries along the way. Slowly his life's pursuit pushes him to the point of personal ruination and, ultimately, redemption.

Memphis Boys chronicles the story of the rhythm section at Chips Moman's American Studios from 1964, when the group began working together, until 1972, when Moman shut down the studio and moved the entire operation to Atlanta. Utilizing extensive interviews with Moman and the group, as well as additional comments from the songwriters, sound engineers, and office staff, author Roben Jones creates a collective biography combined with a business history and a critical analysis of important recordings.

House is the first descendant of disco. While Black and Hispanic communities were jamming and party DJs spinning records, a new birth of rhythm gave way to music lovers from Chicago and New York in the form known as house music. Developed in Chicago's underground dance club culture in the early 1980s, today house music is worldwide and continues to dominate most club scenes and has expanded beyond its subculture beginning.

With a wide-ranging mix of rants on pop culture, politics, and coping with the present, Parker’s personal stories show you how to conquer problems with poise. Using Parker’s toolbox of humor, irony, and common sense, you too can take on any challenge.

A delightful biography of a celebrated Stradivarius cello and an inviting overview of cello music and musicians by world-famous concert cellist Carlos Prieto.

True tales from - and about - rock 'n' roll, including the outrageously true, never-before-told event that accidentally sparked the greatest rock rumor of all time: "Paul Is Dead."

A meditation on music as a non-sensory experience.

Do everyday annoyances make you want to tear out what's left of your hair? Author and comic book store owner Rembert N. Parker feels your pain, and he's here to give you a piece of his mind. With dry wit and hilarious adages, Parker tackles an eclectic mix of topics, from Academy Award mistakes to using sci-fi principles on Supreme Court decisions. If you like observational humor, expanding your point of view, and in-depth looks at the past, present, and future, then you'll love Rembert N. Parker's side-splitting stories.

In Michael Rabin: America's Virtuoso Violinist, Anthony Feinstein tells the poignant story of the life and career of one of history's greatest violinists. As a child prodigy, Rabin had the classical music world at his feet. Notable successes included a coveted EMI contract, recording the soundtrack for an Elizabeth Taylor movie, and guest appearances on The Milton Berle Show and The Bell Telephone Hour.

Danny Goldberg's new book is a subjective history of 1967, the year he graduated from high school. It is, he writes, "an attempt at trying to remember the culture that mesmerized me, to visit the places and conversations I was not cool enough to have been a part of." It is also a refreshing and new analysis of the era; by looking at not only the political causes, but also the spiritual, musical, and psychedelic movements, Goldberg provides a unique perspective on how and why the legacy of 1967 lives on today.

For a Kentucky rifleman who spent his tour trudging through Vietnam's Central Highlands, it was Nancy Sinatra's "These Boots Are Made for Walkin'". For a "tunnel rat" who blew smoke into the Viet Cong's underground tunnels, it was Jimi Hendrix's "Purple Haze". For a black marine distraught over the assassination of Martin Luther King, Jr., it was Aretha Franklin's "Chain of Fools".

This is the first study to explore fully the myth of America as reflected in the nation's popular music. Beginning with the songs of the Pilgrims and continuing through more than two centuries of history and music, Born in the U.S.A. shows the emerging American myth and gives a close reading of the compositions of songwriters as diverse as William Billings, Henry Clay Work, Irving Berlin, Woody Guthrie, Bob Dylan, and Bruce Springsteen.

A tour de force of storytelling years in the making: a dual biography of two of the greatest songwriters, Bob Dylan and Woody Guthrie, that is also a murder mystery and a history of labor relations and socialism, big business and greed in 20th-century America - woven together in one epic saga that holds meaning for all working Americans today.

Rooted in rhythm-and-blues pioneered by black musicians, 1950s rock and roll was racially inclusive and attracted listeners and performers across the color line. In the 1960s, however, rock and roll gave way to rock: a new musical ideal regarded as more serious, more artistic-and the province of white musicians. Decoding the racial discourses that have distorted standard histories of rock music, Jack Hamilton underscores how ideas of "authenticity" have blinded us to rock's inextricably interracial artistic enterprise.

Derided for its conformity and consumerism, 1950s America paid a price in anxiety. Prosperity existed under the shadow of a mushroom cloud. Optimism wore a Bucky Beaver smile that masked worry over threats at home and abroad. But even dread could not quell the revolutionary changes taking place in virtually every form of mainstream music. Music historian James Wierzbicki sheds light on how the Fifties' pervasive moods affected its sounds.

Lors d'une rencontre en 1986 dans les studios de France Musique, Cyril Huvé (pianiste) et Daniel Mesguich (comédien) décident d'explorer ensemble le répertoire du mélodrame romantique dans les œuvres de Robert Schumann, Franz Schubert, Franz Liszt, Johann Strauss, Richard Wagner... Cette collaboration donne lieu à de fréquents concerts en France et à l'étranger, puis à ce livre audio.

Dal primo nucleo di quelli che diventeranno i Rolling Stones, all'arrivo di Brian Jones, che ne sarà l'anima per qualche tempo, fino alla costituzione della vera "fabbrica" Jagger/Richards. Questo audioBook è un viaggio avventuroso e a volte impietoso lungo le tappe di una delle carriere più "granitiche" del rock: quella delle Pietre per eccellenza, i Rolling Stones. Un disco dopo l'altro per raccontare l'avventura della band più longeva della musica senza dimenticare qualche aneddoto curioso e, soprattutto, dando il giusto spazio a quello che più conta.