Showing titles in History & Criticism

Dismantles the Woody Guthrie we have been taught—the rough-and-ready rambling’ man—to reveal an artist who discovered how intimacy is crucial for political struggle Woody Guthrie is often mythologized as the classic American “rambling’ man,” a real-life Steinbeckian folk hero who...

Can’t Stop Won’t Stop meets Girls to the Front in this essential and long overdue history of hip-hop’s female pioneers and its enduring stars. Every history of hip-hop previously published, from Jeff Chang’s Can’t Stop Won’t Stop to Shea Serrano’s The Rap Yearbook, focuses...

Revolution is a detailed exploration into the era of Prince's most prolific and groundbreaking music made with considerable inspiration and performed by a unique cadre of musicians he gathered and relentlessly drove to be the sonic, visual, and ideological reflection of his evolving vision. This is the story of the genre-shifting, multi-media, trailblazing Prince & the Revolution from their humble inception to their precipitous rise in celebrated hit singles, albums, films, and tours to their controversial and shocking demise.

Millions of people know the name of the iconic country music artist, George Jones, but few people know that behind the man and his golden voice was a strong, feisty woman who not only saved his life from cocaine addiction, alcoholism, and other abusive and self-destructive behaviors, but also was instrumental in saving his soul. For the first time, in Playin' Possum, Nancy Jones reveals the true “insider” perspectives and little known poignant and as well as humorous stories about the country music icon.

Known as opera’s “disrupter-in-residence,” director Yuval Sharon has never adhered to the art form’s conventions. In his many productions in both the United States and Europe, he constantly challenges the perception of opera as aloof by urging, among other things: performing operas in “non-places,” such as parking lots; encouraging the use of amplification; and shuffling the traditional structure of classic works, like performing Puccini’s La bohème in reverse order, ending not with the tubercular heroine Mimi’s death but with her first falling in love.

Since 1974, Judas Priest has established themselves as one of the go-to bands in the history of heavy metal. Cause & Effect: Turbo highlights many of the events that were going on within Judas Priest at the time of the controversial Turbo album, as well as many of Akin’s own personal recollections from that period in his life in 1986. In the end, Turbo is an album that has never changed the minds of hardcore fans, but brought in a new group of fans that stayed with them through their most recent works today.

Before The Beatles landed on American shores in February 1964, only two British acts had topped the Billboard singles chart. In the first quarter of 1964, however, the Beatles alone accounted for 60% of all recorded music sold in the United States; in 1964 and 1965 British acts occupied the number one position for 52 of the 104 weeks; and from 1964 through to 1970, the Rolling Stones, Herman's Hermits, the Dave Clark Five, the Animals, and more placed more than 130 songs on the American Top Forty.

In this collection of musical portraits, jazz pianist and radio host Marian McPartland pays sparkling tribute to such beloved and legendary figures as Benny Goodman, Bill Evans, Joe Morello, Paul Desmond, Alec Wilder, Mary Lou Williams, and others.

After February 9, 1964, everyone wanted to be Debbie Gendler. She was one of a handful of lucky fans who were in the live audience for the Beatles' historic performance on the Ed Sullivan Show. Everyone has a story about where they were when they watched the appearance, but very few were there in-person—and even fewer would go on not just to meet the Beatles, but end up building a career around the band. But Debbie did.

Servanthood of Song is a history of American church music from the colonial era to the present. Its focus is on the institutional and societal pressures that have shaped church song and have led us directly to where we are today. The gulf which separates advocates of traditional and contemporary worship—Black and White, Protestant and Catholic—is not new. History repeatedly shows us that ministry, to be effective, must meet the needs of the entire worshiping community, not just one segment, age group, or class.

NEW YORK TIMES BEST SELLER The Pulitzer Prize–winning journalist and editor of The New Yorker gathers his writing on some of the essential musicians of our time—intimate portraits of Leonard Cohen, Buddy Guy, Mavis Staples, Paul McCartney, Bruce Springsteen, Patti Smith, and more. The...

“The happiest, saddest, sweetest book about rock ‘n’ roll that I’ve ever experienced.”—Chuck Klosterman Mix tapes: We all have our favorites. Stick one into a deck, press play, and you’re instantly transported to another time in your life. For Rob Sheffield, that time was one of...

The rich and colorful story of America's most popular music and the singers and songwriters who captivated, entertained, and consoled listeners throughout the twentieth century--based on the upcoming eight-part film series to air on PBS in September 2019 This deeply researched and hugely...

It's 2013. You're a teenager squinting at your laptop in the dead of night, flicking between iTunes and YouTube and PirateBay. Endless reams of artists unspool at the click of a button. New forms of musical discovery open up before your very eyes. This evolving digital landscape exists beyond...

Weaving together more than a hundred interviews with Davis's bandmates, family members, friends, and peers, this book powerfully reconstructs Davis's extraordinary life and career. Washita Love Child thoroughly and finally restores the "red dirt boogie brother" to his rightful place in rock history, cementing his legacy for generations to come.

Featuring a player rejected by both Nirvana and Soundgarden who became a decorated special forces soldier, Britpoppers who spiralled into addiction before becoming novelists and missionaries, the terrifying story of Guns N' Roses' first drummer, super-rejecting band leaders, self-destroying rappers, troubled hard rock bassists and girl-band burnouts, The Rejects takes an intimate, thoughtful look at people who've been kicked out of bands, what they experienced and what came afterwards.

Everybody argues about the GOAT. Almost nobody agrees on why. Is greatness about bars? Sales? Cultural impact? Longevity? Innovation? Business power? Or just who you grew up listening to? Who's the GOAT? breaks the debate down with structure instead of nostalgia. Written from the perspective of a philosopher and student of hip-hop, this book traces the evolution of the MC from the Bronx in the 1970s to the global dominance of rap today.

The Banjo: The Twang of RebellionA Story of Strings, Spirits, and SurvivalThe banjo is one of the most misunderstood instruments in American history. Before it became a bluegrass trademark or a rural stereotype, it was an African invention — a spiritual tool, a storytelling instrument, and a survival technology carried through the trauma of slavery. This narrative history traces the true origin and evolution of the banjo from West African griots to modern American roots music.

Embrace over fifty years of Earth, Wind & Fire through percussionist and vocalist Ralph Johnson’s profound memoir. Ralph has seen it all and, for the first time, shares the inside story of their rise to fame through uplifting music, the challenges of the music industry, and the iconic mega band’s mission to ascend themselves and listeners to greater heights. Rhythm & Fire is a roadmap of music, resilience, and reflection as Ralph Johnson digs deep to tell the motivational story of Earth, Wind & Fire, from humble roots to worldwide fame and success.

Creed Taylor was one of the most successful jazz producers of all time—and one of the most controversial. His career spanned five decades, in which he produced albums with legends such as John Coltrane, Ray Charles, George Benson, Bill Evans, Charles Mingus, Stan Getz, and Nina Simone. In 1960, he famously founded Impulse! Records and signed John Coltrane, and in later years he produced at Verve Records—where he introduced the US to Bossa Nova, producing "The Girl from Ipanema"—and ultimately founded Creed Taylor Incorporated, which defined the sound of jazz during the 1970s.