Showing titles in History & Criticism

Welcome to 2090 – where sound no longer just fills the room, it fills your soul. In this Arabic audio edition, visionary cultural ambassador Birgit Maria Kemphues takes You on a magical journey through the soundscapes of the future – deeply rooted in the traditions of the Emirates. From AI-composed oud melodies to quantum-enhanced palm trees that sing at sunrise – this is no ordinary audiobook. This is an immersive tribute to the UAE, its people, its vision, and its rhythm.

This book explores the historical and cultural conditions of the genre as it appeared in the late 1970s and early 1980s and then again in the early 2000s, and illuminates what is at stake in delineating dance-punk as a genre. Looking at bands such as Gang of Four, ESG, Public Image Ltd., LCD Soundsystem, The Rapture, and Le Tigre, this book examines the tensions between and blurring of the rhetoric and emotion in dance music and the cynical and ironic intellectualizing associated with post-punk.

Folk music of the 1960s and 1970s was a genre that was always shifting and expanding, yet somehow never found room for so many. In the sounds of soul-folk, Black artists like Terry Callier and Linda Lewis began to reclaim their space in the genre, and use it to bring their own traditions to light— the jazz, the blues, the field hollers, the spirituals— and creating something wholly new, wholly theirs, wholly ours.

Neue Deutsche Welle (NDW), or “German New Wave,” was made extraordinarily popular in the 1970s and 1980s by the likes of Nena's "99 Luftballons" and Trio's "Da Da Da"—and then left as quickly as it came. Conventional wisdom among artists dictates that it’s better to burn out than fade away, but this doesn’t tell the full story of NDW—the reason for its rapid rise and fall, the historical context that necessitated the genre, and where the energy of the NDW movement went after its end.

Teen pop is a sub-genre of popular music marketed to tweens and teens. Its melodic yearning and veneer of sincerity appeal to an emerging romantic eroticism and autonomy. But tweens and teens buy music that isn’t primarily marketed to them, too. Teen pop encompasses several kinds of musical styles, not limiting itself to just one—teen pop wants to play. Although it’s very difficult to attain and maintain social progress and play it forward—there are so many tragedies—'70s Teen Pop examines how liberation and a true counterculture can be possible through music.

Krautrock is not a music genre. Krautrock is a way of life. Its sonic diversity and global reach belie the common culture from where it emerged. This is a band-by-band history. Krautrock explores the history and methodology of the genre, charting its influences and innovations, its more mainstream acts (like Faust, Kraftwerk, and Can) as well as the less universally known (including Harmonia, Popol Vuh, Embryo, and Ash Ra Tempel), and how the genre developed in post-war Germany and what it means to today's listeners.

Mouse Tracks: The Story of Walt Disney Records chronicles for the first time the fifty-year history of the Disney recording companies launched by Walt Disney and Roy Disney in the mid-1950s, when Disneyland Park, Davy Crockett, and the Mickey Mouse Club were taking the world by storm. The book provides a perspective on all-time Disney favorites and features anecdotes, reminiscences, and biographies of the artists who brought Disney magic to audio.

In this unique collection, Literary Witches co-creator Katy Horan unearths the true and fictional stories behind twenty traditional murder ballads, exploring the beauty and horror of the art form through stories, lyrics, and original interpretations. The audiobook includes covers of various folk songs by Okkervil River’s Will Sheff, Marissa Nadler, and Lizzie No.

Rilke und Brahms begegnen sich im Advent - gestört von Andersen, Bartok, Brecht, Kafka, Krenek,. TrakI, Walser, Webern unter anderen. Ein nicht immer nur gemütliches Adventsprogramm. Unter diesem Titel wurde unser Programm zunächst mit der Schauspielerin Dietlinde Turban entwickel. und vielerorts aufgeführt, später mit Peter Fricke und Patrizia Orlando zum ‚anderen Weihnachtsprogramm’. entwickelt. Den roten Faden des Programms bildet die Begegnung von Rilkes Poesie mit Brahms’ später Musik -. wie sie in den beiden Klarinettensonaten (hier in des Komponisten Fassung für Viola und Klavier) op.

DESPRE AUDIOBOOK. Iată cum o cultură marginală, considerată încă "tânără“ după aproape 50 de ani de afirmare, inspiră o carte atât de bogată în informații. Ce-i drept, autorii au îndrăznit, iar îndrăzneala le-a fost răsplătită: fie că vorbim despre concertul lui Slick Rick din Roxbury, fie despre vizita la studioul RJam, aceștia au documentat fenomenul din interior, dezbrăcat de orice aparență sau prejudecată. Porniți într-o misiune eminamente imposibilă, autorii reușesc totuși să se apropie de esența rapului.

This is an inspiring memoir about a young woman who, abandoned by her father and then her mother, must become an adult at a very young age and deal with her teenage pregnancy.

In November 1923, Max Ehrmann, the poet of the classic Desiderata, interviewed Theodore Dreiser, winner of the Nobel Prize for Literature. For two days, they discussed the life of Paul Dresser (Dreiser’s brother), the composer of "On the Banks of the Wabash, Far Away". When Dresser died, in 1906, he was a penniless alcoholic. Ehrmann was determined to rehabilitate his image. Dalgleish explores the background to Ehrmann’s quest, his relationship with Dreiser, and the consequences of their meeting in Washington, DC.

In a dim clearing off a county road in Kentucky sits a sagging outdoor stage buried in moss and dead leaves. It used to be the centerpiece of carnival-like Sunday afternoons where local guitarists, fiddlers and mandolin players hammered out old mountain ballads and legends from the dawn of country music performed their classic hits. Most of the musicians who showed up have long since passed, but Nashville stars Ricky Skaggs and Marty Stuart survive. Highways and Heartaches takes listeners on the rural circuit Skaggs and Stuart traveled.

"ROCK SCHOOL" geht heavy weiter mit der Band, die so groß ist, dass man versucht ist zu sagen, "and nothing else matters". Die Rede ist natürlich von METALLICA! Die neue Folge "ROCK SCHOOL mit Andy Brings" hat Gäste wie Mille Petrozza (KREATOR) sowie Veranstalter Matthias Prill, der die unschuldige Anfangszeit der Band hautnah miterlebt hat! "ROCK SCHOOL" die Hörbuch-Serie mit Andy Brings, in Kooperation mit dem ROCK CLASSICS-Magazin, veröffentlicht im Hause LAUSCH.

The true, exciting, and endearing chronicle of a "Jersey Boy" scoring a #1 hit record and the life adventures he wasn't prepared for. This is so much more than a "rock bio". It's a sometimes dark and gritty tale of redemption involving: Jimi Hendrix, The Beatles, The Rascals, Joe Pesci, Judy Garland, John Wayne, Jackie Kennedy, Nat "King" Cole, Shirley MacLaine, Tennessee Williams, Truman Capote, and Liberace, Salvador Dali, and Dick Clark. The list goes on and on.

Nach dem fulminanten Auftakt der Hörbuch-Serie "ROCK SCHOOL", bleibt "ROCK SCHOOL" seinem Namen treu und nimmt in Episode zwei die Band unter die Lupe, welche sich als Symbiose aus Hard-Rock, Punk und Rock'n'Roll bezeichnen lässt: Die Rede ist selbstverständlich von "Motörhead"! In Erinnerung an diesen Propheten des Rocks, lädt "ROCK SCHOOL" exklusive Gäste ein, mit denen leidenschaftlich über "Motörhead" sowie die Licht- und Schattenseiten des personifizierten Hard-Rocks diskutiert wird.

Esta desternillante antología de ensayos, reseñas, autopsias y semblanzas rescata del más inmisericorde de los olvidos algunas de las piezas más delirantes del impenitente grafómano y crítico por antonomasia del rock.

Anécdotas, curiosidades e incomprensibles detrás de las quintas de las canciones de Navidad más bellas de todos los tiempos.

"ROCK SCHOOL": Eine Ode an die geilste Musik der Welt: Leidenschaft, Einblicke hinter die Bühne und natürlich "Sex, Drugs and Rock ’n’ Roll". Fans und Freunde des Rocks sind eingeladen, zusammen mit Andy Brings und Stargästen der Branche in der neuen Serie "ROCK SCHOOL" über die einflussreichsten Größen der Musikszene zu philosophieren und zu schwärmen. "ROCK SCHOOL" wäre dabei nicht "ROCK SCHOOL", wenn es nicht mit einem Knall beginnen würde.

“What are the greatest rock albums of all-time?” Perhaps one of the more common questions examined between music-loving chums, that has led to many a good-natured debate. But if you really dig deeper into the question…is it from the standpoint of the album’s importance in rock history? A classic release that proved significant to an artist’s career? Or perhaps merely a personal favorite, that you just can’t get enough of?