Showing results by publisher "Audible Studios" in Music

Suddenly the music is not notes or a tune, but what those seven people are exactly: the music is an aural holograph of the Grateful Dead. All their fibers, nuances, histories, desires, beings are clear. Jerry and his questing, Phil the loyal comrade, Tom drifting beside them both on a cloud, Pig staying stubbornly down to earth; Mickey working out furious complexities trying to understand how Bill is so simple, and Bob succumbing inevitably to Jerry and Phil and joining them.

"She sings jumping and dancing, her fists alternately clenching and breaking open to clap; the corners of her marvelous mouth turning down in the fierceness of joy breaking through anguish; her hair covering her eyes until swept back with a meaty hand. In great shouts that send her strings of beads flying and knot her face into grimaces, the energy explodes and explodes again, sending out waves of electrical excitement. Some say she can sing more than one note at a time; maybe, but does it matter? In her every note there are infinite meanings."

Cerphe's Up is an incisive musical memoir by Cerphe Colwell, a renowned rock radio broadcaster for more than 45 years in Washington, DC. Cerphe shares his life as a rock radio insider in rich detail. His story includes promotion and friendship with a young unknown Bruce Springsteen; his years at radio station WHFS 102.3 as it blossomed in a new freeform format; and candid interviews with famous musicians.

Best known for his sinuous pop hit 'Walk on the Wild Side', Lou Reed was one of the most original and innovative songwriters of the rock era - a sardonic chronicler of underground culture and the dark side of human nature.

Guided by Voices was one of the most popular indie-rock bands of the 1990s. Critics internationally have lauded the band's brain trust, Robert Pollard, as a once-in-a-generation artist. Pollard has been compared by The New York Times to Mozart, Rossini, and Paul McCartney (in the same sentence) and everyone from P. J. Harvey, Radiohead, R.E.M., the Strokes, and U2 has sung his praises and cited his music as an influence. But it all started rather prosaically.

The news that Cilla Black had died in August at the age of 72 triggered an outpouring of love and a wave of sadness that spread around the world. Her infectious personality and her common touch made her one of Britain's best loved entertainers. Known to one generation for a string of number-one hits like 'Anyone Who Had a Heart' and 'You're My World', and loved by another for hosting the classic ITV show Blind Date, Cilla came a long way from hanging coats in Liverpool's Cavern Club for five bob an hour.

Simon Critchley first encountered David Bowie in the early '70s, when the singer appeared on Britain's most-watched music show, Top of the Pops. His performance of "Starman" mesmerized Critchley: it was "so sexual, so knowing, so strange". Two days later Critchley's mum bought a copy of the single; she liked both the song and the performer's bright orange hair (she had previously been a hairdresser). The seed of a lifelong love affair was thus planted in the mind of her son, aged 12.

Based on extensive research and interviews with some of the participants, Browne - a contributing editor at Rolling Stone and author of Fire and Rain and Dream Brother - vividly chronicles the year America went rock & roll in everything from politics to technology. The Spirit of '76 will make you think anew about an under-appreciated moment in the country - and will make you wonder if its optimistic, can-do spirit of reinvention and renewal will ever come again.

Released in 1974, Sweet Home Alabama has become synonymous with Southern rock. From its opening guitar riff, it is instantly recognizable, a raucous, irreverent defense of a Deep South state and its segregationist governor against the jabs of Neil Young. But the roots of Lynyrd Skynyrd's best-selling anthem go much deeper than regional pride or resentment of a fellow rocker.

Critical Mass is a treasure trove of sparkling, spiky prose and a fascinating portrait of our lives and cultural times over the past decades. In an age where a great deal of back scratching and softball pitching pass for criticism, James Wolcott’s fearless essays and reviews offer a bracing taste of the real critical thing.

La música es una manifestación artística presente en la totalidad de la historia. Desde el nacimiento de las primeras sociedades tribales hasta la actualidad, ha acompañado al hombre no sólo en los acontecimientos históricos más relevantes, sino en la vida cotidiana de los seres humanos. Es por esto que un acercamiento a la historia de la música es necesario para cualquier hombre, pero muchas veces los conceptos musicales pueden ser complejos o nuevos para el oyente.

Drawing on interviews with family members, managers, promoters, and the jazz musicians who worked with her, as well as contemporary newspaper articles and reviews, Late Life Jazz tells the unsung story of one of America's finest singers, Rosemary Clooney. Ken Crossland and Malcolm Macfarlane trace Rosemary's life from her hardscrabble beginnings in Maysville Kentucky, through her first performances singing with the Barney Rapp Band in Cincinnati, through her rise to pop stardom in the early 1950s.

From "Over the Rainbow" to "Moon River" and from Al Jolson to Barbra Streisand, The Songs of Hollywood traces the fascinating history of song in film, both in musicals and in dramatic movies such as High Noon. This delightful book sheds much light on some of Hollywood's best known and loved repertoire, explaining how the film industry made certain songs memorable, and highlighting important moments of film history along the way.

The King and I tells the story of Harry Mount's fixation with Elvis over 35 years; how it changed from mild interest as a child, via self-mocking adolescent fandom to full-blown obsession at university, before settling into relatively sane reverence today. What happens to our teenage obsessions when we grow up? How do they help - or harm - us? In this moving, funny memoir, Harry Mount reveals how Elvis released him from the bookish shyness of his sheltered childhood, and provided a magical escape route from his conventional, cloistered public school background.

In the 1950s, at the age of 14, Little Freddie King hopped a southbound freight train in McComb, Mississippi, fleeing the life of a sharecropper’s son in what was then the "worst part of the most intransigent state" in Jim Crow-era Dixie. Landing in New Orleans, he taught himself to play blues guitar, then found work performing at the city’s corner nightclubs, including one nicknamed the Bucket of Blood for its nightly eruptions of violence. Dodging bullets and drinking with abandon, he became a fixture in the subterranean blues scene.

The long-awaited autobiography of entertainment icon Jerry Blavat, You Only Rock Once is the wildly entertaining and unfiltered story of the man whose career began at the age of 13 on the TV dance show Bandstand and became a music legend. Lifelong friendships with the likes of Sammy Davis Jr. and Frank Sinatra, a controversial relationship with Philadelphia Mafia boss Angelo Bruno that resulted in a decade-long FBI investigation, and much more colors this amazing journey from the early 60s through today.

Told against the backdrop of the American landscape of the late '80s to the mid-'90s, Growing Up Dead is the story of Peter Conners's journey from straight-laced suburban kid to touring Deadhead. Peter discovered the Grateful Dead in 1985, at the age of 15, through friends who exchanged bootleg tapes of live Grateful Dead concerts. A teenager living in the suburbs of Rochester, New York, he became exposed to an entirely new way of life, and friends who were enjoying more freedom and less parental guidance.

Contrary to popular belief, the roots of American country music do not lie solely on southern farms or in mountain hollows. Rather, much of this music recorded before World War II emerged from the bustling cities and towns of the Piedmont South. No group contributed more to the commercialization of early country music than southern factory workers.

In his 1967 megahit "San Francisco," Scott McKenzie sang of "people in motion" coming from all across the country to San Francisco, the white-hot center of rock music and anti-war protests. At the same time, another large group of young Americans was also in motion, less eagerly, heading for the jungles of Vietnam.

It was a time when music fans copied and traded recordings without permission. An outraged music industry pushed Congress to pass anti-piracy legislation. Yes, that time is now; it was also the era of Napster in the 1990s, of cassette tapes in the 1970s, of reel-to-reel tapes in the 1950s, even the phonograph epoch of the 1930s. Piracy, it turns out, is as old as recorded music itself. In Democracy of Sound, Alex Sayf Cummings uncovers the little-known history of music piracy and its sweeping effects on the definition of copyright in the United States.