Showing results by publisher "-emdashery books-" in History & Criticism

A history about the invention of the motion picture and the mysterious man behind it—detailing his life, work, disappearance and legacy. The year is 1888, and Louis Le Prince is finally testing his 'taker' or 'receiver' device for his family on their front lawn. The device is meant to capture 10 to 12 images per second on film, creating a reproduction of reality that can be replayed as many times as desired. In an otherwise separate and detached world, occurrences from one end of the globe could now be viewable with only a few days delay on the other side of the world.

"Anatomía del crimen: Guía de la novela y el cine negros" es una completa guía del escritor de novela negra y, al mismo tiempo, teórico del género Mariano Sánchez Soler, quien ha diseccionado la narrativa criminal, sus orígenes, el salto a la literatura española y su relación con el cine nacional e internacional. Subjetivo, apasionado y visceral, su visión compone una guía completa de este tipo de novelas y películas.

Эльдар Александрович Рязанов—советский и российский кинорежиссёр, сценарист, актёр, поэт, драматург, телеведущий, педагог, продюсер. На страницах книги раскрывается внутренний мир известного режиссера. Эльдар Рязанов рассказывает о сути комедийного жанра, поднимает важные проблемы современного кинематографа и ТВ.

With humor and honesty, Girls on Film looks at the good, the bad, and the unfairly written women in film. A celebration of the power of cinema and the hidden messages within media and culture, this collection of personal essays explores the women who inspired and confused a young film enthusiast.

In 1998, Satya opened to widespread critical acclaim. At a time when Bollywood was still rediscovering romance, Ram Gopal Varma's film dared to imagine the ordinary life of a Mumbai gangster. It kicked off a new wave of Hindi gangster films that depicted a vital, gritty side of Mumbai, rarely shown in mainstream cinema until then.

In the late 1960s and early 1970s, there were only three major television networks. And there was only one Harlan Ellison taking them all to task in a series of weekly essays he wrote for the countercultural, underground newspaper, the Los Angeles Free Press, a.k.a. “The Freep”. For nearly four years, he channel-surfed through the mire of ABC, CBS, and NBC, finding little of value but much to critique. No one offered a more astute analysis of the idiot box’s influence on American culture, or its effects on the intelligence and psyche of viewers.

For years, the media has often poked fun at various marginalized individuals, damaging the impact that these people have on the world. And this is especially true for the media’s portrayal of autism. In the modern day, we like to believe that we are more socially aware and more accepting of people’s differences. Then we get singer-songwriter Sia’s film Music. What should have been a story focused on the nuances of autism spectrum disorder was instead a foray into the pseudo-whimsical world of misrepresentation and autistic stereotypes.

For No Reason at All: The Changing Narrative of the First World War in American Film discusses a variety of Great War-themed films made from 1915 to the present, tracing the changing approaches to the conflict over time.

In Vitagraph, Andrew A. Erish provides a comprehensive examination and reassessment of the company most responsible for defining and popularizing the American movie. This history challenges long-accepted Hollywood mythology that simply isn't true: that Paramount and Fox invented the feature film, that Universal created the star system, and that these companies, along with MGM and Warner Bros., developed motion pictures into a multimillion-dollar business.

Fascinante ensayo que recorre, no solo la representación del vudú en el cine, desde cintas emblemáticas como El corazón del ángel a La serpiente y el arco iris, sino también los propios orígenes, evolución, idiosincrasia y prácticas del vudú real, de la mano de uno de los mayores expertos en el tema. El texto principal está aderezado con críticas y ensayos sobre el tema de otros autores emblemáticos de la escena hispanohablante contemporánea.

Concienzudo y divertido ensayo sobre el folk horror, los credos más antiguos que el cristianismo arraigados en diferentes áreas del continente europeo que fueron origen de varias de las películas más emblemáticas de terror de las pasadas décadas. Una colección de ensayos de autores expertos tanto en cultura popular como en cine y en diferentes ramas de la sociología, que no solo analizan películas de culto, sino sus conexiones con los cultos europeos a las diferentes entidades de la naturaleza.

This is a collection of twenty-three original interviews with stars of the silent screen, with biographical information and a filmography included for each. Interviewed are Lew Ayres, William Bakewell, Lina Basquette, Madge Bellamy, Eleanor Boardman, Ethlyne Clair, Junior Coghlan, Joyce Compton, Douglas Fairbanks Jr., Dorothy Gulliver, Maxine Elliott Hicks, Dorothy Janis, George Lewis, Marion Mack, Patsy Ruth Miller, Lois Moran, Baby Marie Osborne, Muriel Ostriche, Eddie Quillan, Esther Ralston, Dorothy Revier, David Rollins, and Gladys Walton.

¿Sabía que Akira Kurosawa, el director japonés más célebre y admirado, intentó quitarse la vida tras el fracaso comercial de Dodeskaden? ¿Que Martin Sheen sufrió un infarto durante el rodaje de Apocalypse Now, uno de los más infernales que se recuerdan? ¿Sabía que el principal creador del lenguaje cinematográfico era un fervoroso partidario del Ku Klux Klan? ¿Que en 1921 Fatty Arbuckle, uno de los cómicos más célebres de su tiempo, fue acusado de asesinar a la joven actriz Virginia Rappe?

Críticos culturales de plumas avinagradas han sentenciado durante décadas que el cine de Hollywood oculta un maligno instrumento de adoctrinamiento colectivo. Una perversión subliminal que aliena a las masas y les inocula la ideología dominante. Semejante visión del cine comercial supone que la gente es imbécil. Que se la traga siempre. Entre cuencos de palomitas. Y encima, riéndose.

From Animaniacs to Adventure Time, Wisecrack dives into our favorite cartoons and how they impacted us from childhood into adulthood.

Was It Yesterday? explores the impact of nostalgia in 21st-century American film and television. Cultural nostalgia, in both real and imagined forms, is dominant today, but what does the concentration on bringing back the past mean for an understanding of our cultural moment, and what are the consequences for viewers? This book questions the nature of this nostalgic phenomenon, the politics associated with it, and the significance of the different periods, in addition to offering counterarguments that see nostalgia as prevalent throughout film and television history.

Whether for game night with family and friends, preparing for the competition at the local pub, or passing the time during long family car trips, this is the book for you....

The Joker is one of the most compelling antagonists in comic book and movie history. Listen in as Wisecrack breaks down all things the Joker from his origin story, recent film adaptations, and what elements go into creating a stellar performance of this diabolical clown in this curated collection, available for the first time in audio.

From bad casting choices to rough screenwriting, some movies leave a sour taste in audiences’ mouths. Listen in as Wisecrack breaks down films that just missed the mark like Suicide Squad, Wonder Woman 1984, and more in this curated collection, available for the first time in audio.

Esta contundente obra se consolida como el análisis definitivo de la serie Twin Peaks tanto en sus temporadas iniciales en los años 90 como en la rotunda y más reciente tercera temporada. Mucho más allá de la recolección de datos o anécdotas, "Universo Twin Peaks" nos lleva de la mano a través de las cortinas rojas de los entresijos tanto de la serie en sí como de sus ramificaciones más alejadas y lyncheanas. Imprescindible para cualquier aficionado a la serie y a lo audiovisual en general.