Showing results by publisher "Audible Studios" in Entertainment & Performing Arts

Mike Daisey is a fierce storyteller, one minute hilarious, the next minute sweet, with a fine-tuned ear for digression. He circles in on his uneasy subject matter, closer and closer, until he exposes the raw heart. The New York Times calls him "the master storyteller" and he has been compared to Garrison Keillor, Spalding Gray, and David Sedaris.

Once in a lifetime a venue comes along that changes show business dramatically, that fosters growth and camaraderie, experimentation and freedom. The Comic Strip is one of those places, and Make ’Em Laugh is an inside look at how it all happened, straight from the mouths of the stars who built their careers on its stage.

Even as actresses become increasingly marginalized by Hollywood, French cinema is witnessing an explosion of female talent - a Golden Age unlike anything the world has seen since the days of Stanwyck, Hepburn, Davis, and Garbo. In France, the joy of acting is alive and well. Scores of French actresses are doing the best work of their lives in movies tailored to their star images and unique personalities. Yet virtually no one this side of the Atlantic even knows about them. Viewers who feel shortchanged by Hollywood will be thrilled to discover The Beauty of the Real.

Arthur Phillips talks to Audible Editor Gina Pensiero about music, memory, and his upcoming book, The Song Is You. Arthur Phillips is the best-selling and award-winning author of Prague, The Egyptologist, and Angelica.

Broadway’s most esteemed visionaries tell all - how they got started in the business, how they chose projects, how they raise money, why some of their shows were huge hits and others flopped, and much more. From Flo Ziegfeld and David Merrick, from Joseph Papp, from Cameron Mackintosh, from today’s up-and-coming new generation of producers - here are priceless words of wisdom.

Mike Daisey is a fierce storyteller, one minute hilarious, the next minute sweet, with a fine-tuned ear for digression. He circles in on his uneasy subject matter, closer and closer, until he exposes the raw heart. The New York Times calls him "the master storyteller" and he has been compared to Garrison Keillor, Spalding Gray, and David Sedaris.

Mike Daisey is a fierce storyteller, one minute hilarious, the next minute sweet, with a fine-tuned ear for digression. He circles in on his uneasy subject matter, closer and closer, until he exposes the raw heart. The New York Times calls him "the master storyteller" and he has been compared to Garrison Keillor, Spalding Gray, and David Sedaris.

The Stephen Leacock Memorial Medal for Humour is Canada's top award for humour - and nobody has won it more times than Arthur Black, who carried off his third medal in June 2006. Now, in case there is anyone left standing who still disputes Black's claim to the title of Canada's funniest man, Harbour presents the laughing proof: a retrospective of Black's best hits, high-graded from eleven previous collections stretching back over the past 20 years.

The theater is in the midst of a digital revolution! This audiobook provides listeners with an easy-to-understand overview of the digital technology currently available for the stage. In clear language, Digital Technical Theater Simplified explains digital technology in the fields of lighting, audio, video, and show control. All chapters contain do-it-yourself examples of how anyone can use these advanced technologies, as well as case studies of "how the pros do it".

Mike Daisey is a fierce storyteller, one minute hilarious, the next minute sweet, with a fine-tuned ear for digression. He circles in on his uneasy subject matter, closer and closer, until he exposes the raw heart. The New York Times calls him "the master storyteller" and he has been compared to Garrison Keillor, Spalding Gray, and David Sedaris.

From the sleek Aston Martin that spits out bullets, nails, and passengers at the push of a button to the microjet that makes hairpin turns to avoid a heat-seeking missile, the science and technology of James Bond films have kept millions of movie fans guessing for decades. Are these amazing feats and gadgets truly possible? The Science of James Bond takes you on a fascinating excursion through the true science that underlies Bond's most fantastic and off-the-wall accoutrements.

Una serie TV può cambiare la percezione di intere nazioni su tematiche sociali, scientifiche, politiche, relazionali, dando voce a persone che nella nostra società sono ancora invisibili, a cui non viene mai data la parola. Il merito di Marina Pierri è la capacità di mettere insieme mondi che fanno fatica a parlarsi: quello del femminismo intersezionale e quello della psicologia del profondo. In "Eroine", Marina Pierri prende il testimone da una vasta letteratura filosofica, cinematografica e psicologica, e compie un'operazione ancora inedita.

Il cinema è da sempre il mezzo di comunicazione più audace e irriverente, sa sfidare la società e misurarne i limiti. Tra gli anni Trenta e il 1968, l'anno in cui tutto cambia, il cinema, sia in Italia che a Hollywood, non esita ad affrontare temi considerati tabù - l'adulterio, il sesso, l'omosessualità - con uno sguardo disincantato e provocatorio. Dalla censura imposta agli Studios al fascino dirompente di Brigitte Bardot e Sophia Loren, dalla retorica di epoca fascista a Tinto Brass e Pasolini, fino alle polemiche dei giorni nostri riguardo al movimento #MeToo.

Alfredo Bini è l'uomo che ha reso possibile il cinema di Pier Paolo Pasolini. Questa autobiografia è la storia di uno dei più grandi produttori cinematografici italiani e il romanzo di una vita vissuta a perdifiato, dall'infanzia sulle colline toscane alla guerra in Grecia e Albania, dalle luci della ribalta dei festival a un oblio inspiegabile e amaro. È un album fotografico in cui si incontrano i volti di Claudia Cardinale e Anna Magnani, di Gina Lollobrigida e Marcello Mastroianni, di Totò e Federico Fellini.

È il 20 settembre 1905. Davanti a Porta Pia si proietta "La presa di Roma" diretto da Filoteo Albertini. Nasce così il cinema italiano. Evento pubblico che chiama in causa memoria storica, coscienza civile e passioni contrapposte: dai tempi eroici del muto all'ibridazione dei media, l'autore ci spiega cosa è stato il cinema nel nostro paese e cosa oggi ancora è.

Delve deeper into the scientific terms and theories at the core of the Peabody-winning, cult favorite show. With exclusive insights from the show's cocreator, Graeme Manson, and science consultant Cosima Herter, The Science of Orphan Black takes you behind the closed doors of the Dyad Institute and inside Neolution.

You start with a vision, and you deliver a compromise. You want a play to be challenging, ambitious, nuanced and complicated. You also want it to sell tickets. You want to make art, and you know you're in show business. These are some of the balancing acts that the National Theatre and this book are about. This is the inside story of 12 years at the helm of Britain's greatest theatre. It is a story of lunatic failures and spectacular successes.

Universal Studios never really wanted to get into the theme park business. They wanted to be the anti-Disney. But when forced to do so, they did it in a big way. Despite the fits and starts of multiple owners, the parks have finally gained the momentum to mount a serious challenge to the Walt Disney Company. How did this happen? Who made it happen? What does this mean for the theme park industry?

In 1982, in Ocean Springs, Mississippi, Chris Strompolos, eleven, asked Eric Zala, twelve, a question: "Would you like to help me do a remake Raiders of the Lost Ark? I'm playing Indiana Jones." Alan Eisenstock's Raiders! is the incredible true story of Eric Zala and Chris Strompolos, how they realized their impossible dream of remaking Raiders of the Lost Ark, and how their friendship survived all challenges, from the building of a six-foot round fiberglass boulder to the devastation of Hurricane Katrina.

Since it began several years ago Hugo Rifkind's dazzling My Week column has been satirising the high profile and the famous, and basically anyone foolish or unfortunate enough to find themselves at the top of the news agenda that week. The column itself is a fictional diary parodying their movements over seven days in a rarely flattering but always hilarious manner. Rifkind's victims are as diverse and as headline-grabbing as David Cameron, Beyoncé, Oprah Winfrey, Edwina Currie, Barack Obama and Pippa Middleton.