Showing results by publisher "Naxos AudioBooks" in Arts & Entertainment

No great composer’s story is more predominantly happy than Haydn’s, though even his has its share of clouds. A classic rags-to-riches tale, it sees him move from humble beginnings through decades as a liveried servant to his emergence as the most popular and successful composer of his time. One of the healthiest and least neurotic artists in musical history, he did more than any other single figure to pioneer the symphony, the piano sonata and the string quartet - and he was the first truly great practitioner of each.

One of the best-loved composers of all time, Dvorák rose from rural origins to become not only a great but an influential composer. The first composer to put his native Bohemia on the musical map of the world, he was invited to do the same for America. One result was the famous "New World" Symphony, which made him a household name across the globe. Writing music of irresistible color, lilt and peasant vitality, he was also a melodist-in-a-million. This portrait-in-sound follows a lovable and in many ways a very simple, man from hay cart to imperial palace, from tragic loss to heart-warming joy, to pigeon-raising and world celebrity.

Pagliacci may be the most completely compelling short opera in the repertory and owes much of its impact to a brilliant story based, it is said, on true life and told through the device of a play-within-a-play. The action is set in Calabria in the deep south of Italy where the jealousies and illicit passions of a troupe of strolling actors precisely intersect with the play they are performing - to both touching and tragic effect.

The life of Franz Liszt was as daring and spectacular as his music. Famed throughout Europe as the greatest pianist of the nineteenth century, he was one of the most original and prophetic composers who ever lived. Beautiful in youth, glowering in age, his high-profile love affairs were the talk of the town wherever he went and his generosity to young musicians was legendary. In this account of his epic life, actors’ readings combine with plentiful musical excerpts to paint a living portrait of a highly complex man.

Rossini’s comic operas, like The Barber of Seville, are better known than his tragedies though he wrote in fact many more tragedies than comedies. One of them, his last, William Tell, is actually credited with launching the whole age of Grand Opéra. Tancredi is an early work - indeed his first smash hit - and it established his international fame.

Felix Mendelssohn was a child prodigy to rival Mozart and achieved great fame during his lifetime, fêted across Europe, and composing in the widest possible range of musical genres. However, his music has also been denigrated for its elegance, charm and symmetry. This insightful biography explores the breadth of his achievements, the complexities of his privileged upbringing, and the reasons for the fluctuating nature of his reputation. Musical excerpts include the Violin Concerto, String Octet and Elijah, as well as his choral works, symphonies, sonatas and songs.

The lives and music of the great composers of classical music unfold in this entertaining account, introduced by the conductor and musical personality Marin Alsop. In 1200 years, classical music grew from the chanting of medieval monks through the symphonies of Beethoven and the grand operas of Wagner to the huge orchestral sound-world of the 21st century, with its electronics and its film music.

The Bayreuth Festspielhaus stands today as a testament to Richard Wagner’s ambition and self-importance—a theatre designed and built solely for the performances of his immersive ‘music dramas’. From the influence of Beethoven to the transcendental properties of his greatest music, Wagner’s work became a cornerstone of European musical culture, but what kind of journey took him towards this remarkable achievement?

The unresolved and ambiguous details of Robert Schumann’s psychological decline and death have tended to dominate his biography. Yet in his time Schumann was lauded as a protean Romantic literary genius whose writings, as a music critic, poet, novelist and dramatist, eclipsed his musical creativity. How did Schumann reconcile these elements? Does his music suggest he suffered from bipolar disorder? How did his pianist wife, Clara, influence his compositions?