Showing results by publisher "Audible Studios" in Arts & Entertainment

From the Stooges and MC to Grand Funk Railroad and Ted Nugent, to the White Stripes, Eminem, and Kid Rock, and whole casts of other great bands and performers, Detroit has always produced louder, more rumbling, more subversive rock music than any city in the world. In Detroit Rock City, listeners get to hear the stories straight from the participants themselves: the singers, the guitar slingers, the fans, the reporters, the promoters, even the guys who hand-made amps to be louder and crunchier than the competition’s.

El título "AudibleLAB" engloba los cinco proyectos finalistas del programa educativo creado e impartido por Audible durante el curso 2022-23 en siete universidades españolas.

Suspense, ciencia ficción, humor, documental social, conversación…una representación del talento emergente local de las universidades de A Coruña, Deusto, Extremadura, Politécnica de Valencia y Zaragoza, ahora en Audible. Toda una demostración de lo que son capaces de hacer hoy en día los jóvenes universitarios de España a nivel de creación y producción de audio y que no te puedes perder.

In her bestselling autobiography, Bedsit Disco Queen, Tracey Thorn recalled the highs and lows of a 30-year career in pop music. But with the touring, recording and extraordinary anecdotes, there wasn't time for an in-depth look at what she actually did for all those years: sing. She sang with warmth and emotional honesty, sometimes while battling acute stage fright.

From National Book Critics Circle Award-winning author Sam Quinones, the story of a demanding instrument, the determined people who play it, and the hope they offer a fractured nation.

In The Language of Things, Deyan Sudjic, director of the Design Museum, decodes the things around us: their hidden meanings, our relationships with them, how they shape our lives and why we desire them. Design is everywhere. It seduces, pleases and inspires us. It makes us part with our money. It defines who we think we are. An iPhone, an anglepoise lamp, a Picasso, a banknote, an Armani suit, a William Morris textile, a Lucky Strike packet, a spacecraft - every object tells a story.

Both joyous tribute and serious biography, Mike Thomas' You Might Remember Me is a celebration of Phil Hartman's multi-faceted career and an exhaustively reported, warts-and-all examination of his often intriguing and sometimes complicated life - a powerful, humor-filled and disquieting portrait of a man who was loved by many, admired by millions and taken from them far too early.

Broadway’s most esteemed visionaries tell all - how they got started in the business, how they chose projects, how they raise money, why some of their shows were huge hits and others flopped, and much more. From Flo Ziegfeld and David Merrick, from Joseph Papp, from Cameron Mackintosh, from today’s up-and-coming new generation of producers - here are priceless words of wisdom.

In this lucid, illuminating profile, journalist David Handelman presents Sean Combs as he strives to make a positive impact on black lives despite the ever-present shadow of the East Coast/West Coast hip-hop feud, showing us why, in addition to being a CEO, visionary, father, and role model, Puff Daddy reigns as The Notorious VIP.

In a career that has spanned four decades, choreographer Twyla Tharp has collaborated with great musicians, designers, thousands of dancers, and almost a hundred companies. She's experienced the thrill of shared achievement and has seen what happens when group efforts fizzle. Her professional life has been - and continues to be - one collaboration after another. In this practical sequel to her national best seller The Creative Habit, Tharp explains why collaboration is important to her - and can be for you.

What would happen to international politics if the dead rose from the grave and started to eat the living? Daniel Drezner's groundbreaking book answers the question that other international relations scholars have been too scared to ask. Addressing timely issues with analytical bite, Drezner looks at how well-known theories from international relations might be applied to a war with zombies.

Wanting to be a dancer while growing up in a large military family made Christine Barker somewhat of a black sheep, but she followed her dreams to New York City, where—in a moment of almost unbelievable good fortune—she was chosen for the London cast of A Chorus Line. London, and then New York, in the '70s and '80s opened up Christine’s world. The creativity, culture, and nightlife were intoxicating, enough so to compel her older brother Laughlin to join her. Once there, the divorced father, veteran, and corporate lawyer met rising fashion star Perry Ellis.

This beautifully produced book contains the landmark work of the most influential lesbian photographers in the world, including Morgan Gwenwald, Della Grace, Diana Blok, Tee Corrine, Jill Posener, and Honey Lee Cottrell. Beyond the impact of the individual photographers, Bright writes about the themes that have fueled lesbian photography, including the feminist approach to the body and the lesbian relationship to popular culture.

¿Sabía que Akira Kurosawa, el director japonés más célebre y admirado, intentó quitarse la vida tras el fracaso comercial de Dodeskaden? ¿Que Martin Sheen sufrió un infarto durante el rodaje de Apocalypse Now, uno de los más infernales que se recuerdan? ¿Sabía que el principal creador del lenguaje cinematográfico era un fervoroso partidario del Ku Klux Klan? ¿Que en 1921 Fatty Arbuckle, uno de los cómicos más célebres de su tiempo, fue acusado de asesinar a la joven actriz Virginia Rappe?

Almost everything you know about Mickey Mouse is wrong: He wasn’t Disney’s first star; Steamboat Willie wasn’t his first movie; Mickey wasn’t a nice guy - and Walt Disney didn’t invent him. In 1928, two very different best friends invented Mickey Mouse. And the success tore them apart. Walt Disney and Ub Iwerks’ friendship is a story of betrayal, love, war, money, power, tragedy, intrigue, humor, despair, and hope. You’ll love them both - when you don’t want to drop anvils on their heads.

The Dudes Abide is the first behind-the-scenes account of the making of a Coen Brothers movie and offers an intimate, firsthand narrative of the making of The Big Lebowski--including never-before-revealed details about the making of the film and insight into the inner workings of the Coen Brothers' genius.

My real story starts with a disaster, an unmitigated, pull-the-rug-from-under-you, clean-out-the-bank-account disaster. But had it not happened, The Police would never have risen to become the biggest rock band in the world; Jools Holland would not have ended up on TV; The Bangles, The Go-Go’s, R.E.M., and many other music stars might never have made it either. It’s strange how a fluke, a disaster, an unlikely event can lead to incredible results. But that is in essence what happened to me....

Barry Avrich - a self-made, Montreal-born film producer-director, flamboyant advertising executive, and legendary biographer and connector of moguls and stars. For over three decades, he has relentlessly produced films on some of the most notorious show-business titans and also found the time to market and promote feature films, concerts, and the biggest shows on Broadway.

In 1979, the self-titled debut album by the B-52s burst onto the Billboard charts, capturing the imagination of fans and music critics worldwide. The fact that the group had formed in the sleepy southern college town of Athens, Georgia, only increased the fascination. Soon, more Athens bands followed the B-52s into the vanguard of the new American music that would come to be known as "alternative", including R.E.M., who catapulted over the course of the 1980s to the top of the musical mainstream.

As an industry insider and pioneering post-punk musician, Vivien Goldman’s perspective on music journalism is unusually well-rounded. In Revenge of the She-Punks, she probes four themes - identity, money, love, and protest - to explore what makes punk such a liberating art form for women. With her visceral style, Goldman blends interviews, history, and her personal experience as one of Britain’s first female music writers in a book that plays like a vivid documentary of a genre defined by dismantling boundaries.

The year was 1899, as the old people told the story, the place a sweltering tobacco farm in Truevine, Virginia, the heart of the Jim Crow South, where everyone they knew was either a former slave or a child or grandchild of slaves. The Muse brothers, George and Willie, were just six and nine years old, but they worked the fields from dawn to dark. Until a white man offered them candy and stole them away to become circus freaks. For the next 28 years, their distraught mother struggled to get them back.