Showing titles in Indigenous

It's the late 1800's and the Navajo are under siege by the white man. Northwestern New Mexico would serve as a backdrop for an encounter that few experience. “Annawan,” in Navajo, means “Chief.” The Navajo name for Bigfoot is Yé'iitsoh, or “Big God.” A startling encounter with Yé'iitsoh would scare young Annawan and send him running to the medicine man for answers.

Theirs is a fight to right the wrongs inflicted on them by "the white settlers." They know they are too small to take on the entire country, but they don't need to. Over a few tension-filled days as the battles rages over abundant energy resources, the frantic prime minister can only watch as the insurrection paralyzes the country. But when energy-dependent Americans discover the southward flow of Canadian hydroelectricity, oil, and natural gas is halted, they do not remain passive.

Crystal meth, brushfires, and a murderer on the loose threaten Du Pré’s tranquil Montana town. Drought has come to Toussaint, Montana, and appendicitis has stricken the Mtis Indian tracker and investigator Gabriel Du Pré. His appendix is bad enough, but what really hurts is being trapped in the hospital when he learns that Maddy Collins has been killed. As far as Du Pré knows, no one in town had cause to dislike the harmless old coot, much less bash her head in with a cast-iron hatchet. When the doctors release him, he goes looking for answers.

Gabriel Du Pré, the old Montana fiddler at the center of Peter Bowen's atmospheric, engrossing series set in the dirty, dusty Montana that's rarely featured in travel brochures, has a knack for finding trouble. Or rather, trouble has a knack for finding him. There's a rumor going around that Du Pré and his old sorceror friend Benetsee have come across a parcel containing the lost journals of Lewis and Clark, and outsiders, drawn by the spirit of the legendary explorers, are beginning to invade Toussaint.

Gabriel Du Pré’s aunt Pauline has burned through more than her share of husbands, so it’s no surprise when she shows up in Toussaint complaining that the latest one, Badger, has run off. Du Pré, the fiddler and sometimes deputy, agrees to go looking for her man and finds him shot, execution-style, in the wilds of the Montana countryside. A chat with his contacts at the FBI reveals that Badger, a small-time drug smuggler, had been working for them since his last arrest. Pauline’s husband was bait, but the big fish got away.

A lost and frightened horse plods down the National Mall, startling the crowd. When Gabriel Du Pré spots the confused animal, the connection is immediate, for neither of these creatures belongs in the sweltering heat of a DC summer. Du Pré, a Métis Indian from the wilds of Montana, calms the horse and leads it to the nearest policeman. Du Pré is in Washington to play his people’s music for a Smithsonian festival, but after leading the horse to safety, he encounters a murder instead.

When a hunted military whistleblower and his family need someplace to hide and someone to trust, Toussaint, Montana, is the place, and Gabriel Du Pre the man. The Metis Indian former cattle inspector and sometimes deputy is happy to offer protection, even though he's got his hands full with an ailing granddaughter, a meddling medicine man, and a Kazakh eagle hunter prowling the hills above town. As a guard at a Kabul prison, Hoyt Poe witnessed his fellow soldiers abusing the Afghan inmates. Poe's testimony threatens to expose the military contractor that led the interrogation program.

On the banks of the Missouri River, the town of Yellow Earth and the Three Nations reservation prepare for an invasion - the ground beneath their feet is loaded with readily frackable shale oil and the minions of corporate energy are rushing to extract it. Tribal Chairman Harleigh Kildeer welcomes Big Oil with open arms, while county sheriff Will Crowder has to deal with the overnight influx of roughnecks, truckers, drug dealers, and sex workers.

With his heart blown to bits by a staggering loss, Sheriff Zeb Hanks falls into an abyss of drunkenness, hatred, and rage. With the help of Deputy Kate Steele, former sheriff Jake Dablo, medicine man Jimmy Song Bird, and close friend Josh Diamond, Zeb pulls himself back from the edge and turns his rage on the cause of his torment: a Mexican drug and human trafficking cartel.

After a rancher finds 10 mutilated bodies at an archaeological dig site on the Navajo Reservation, both Captain Begay of the Navajo Tribal Police and Special Agent Palmer of the FBI become involved...but the case leads Palmer back up to Colorado where five more mutilated bodies and Stella's vehicle have been discovered at a burning cabin. Cole, Stella, and David escape the cabin, heading south. Stella believes David is a natural-born shaman, and knows their only hope of David ever defeating the Ancient Enemy is to find a reclusive shaman named Joe Blackhorn who can help train David.

In this spare novelette, acclaimed flash-fiction writers James Claffey and Tara Lynn Masih collaboratively create an original tale of loss and love, as The Bitter Kind deftly alternates between Stela, the daughter of a ship’s captain, burdened by her family secrets, and Brandy, a Chippewa orphan, haunted by ghost wolves and spirits. The authors cross genres and borders between historical and contemporary, speculative and realistic, presenting two unforgettable characters on a journey toward their inevitable, fateful destination.

One of the most distinguished voices in American letters, Pulitzer Prize-winning novelist and poet N. Scott Momaday has devoted much of his life to celebrating and preserving Native American culture, especially its oral tradition. In this wise and wonderous work, Momaday shares stories and memories throughout his life, stories that have been passed down through generations, stories that reveal a profound spiritual connection to the American landscape and reverence for the natural world.

In the 15 years since their teenage son, Ray-Ray, was killed in a police shooting, the Echota family has been suspended in private grief. The mother, Maria, increasingly struggles to manage the onset of Alzheimer's in her husband, Ernest. Their adult daughter, Sonja, leads a life of solitude, punctuated only by spells of dizzying romantic obsession. And their son, Edgar, fled home long ago, turning to drugs to mute his feelings of alienation.

After a brutal fight to the Mississippi River, Jonathan Fisher and the few survivors that follow him have begun their journey south. His task is clear and his reason to live has been renewed. Somewhere out there is power, working airplanes and a possible refuge from the nightmare around them. A small mute girl known as Geeda deserves a chance at life, and they want to make sure she has it. But it will not be easy. Lack of food, shelter and weapons makes their trip difficult. Foreign invaders, infected crazed citizens, and treasonous “Wranglers” make it perilous.

Within the shores of Isla Bestia, guests from around the world discover a utopia of ever-changing performances, sumptuous feasts and beautiful monsters. Many enter, but few ever leave—the wine is simply too sweet, the music too fine and the revelry endless. Sofía, a freedwoman from a nearby colonized island, cares little for this revelry. Born an enslaved mestiza on a tobacco plantation, she has neither wealth nor title, only a scholarly pragmatism and a hunger for answers. She travels to el Carnaval de Bestias in search of her twin brother, who disappeared five years ago.

Autobiography as Indigenous Intellectual Tradition critiques ways of approaching Indigenous texts that are informed by the Western academic tradition and offers instead a new way of theorizing Indigenous literature based on the Indigenous practice of life writing.

Do you believe in Fate? Is it possible that two people are meant to be together? That it is their Destiny? For Tammie Velarde and Grant Gibbins, all signs point to yes.

Starting at the present day and moving back in time, the novel is told in the voices of three women: 15-year-old part-black Rayona, searching for a way to find herself; her American-Indian mother, Christine, consumed by tenderness and resentment toward those she loves; and the fierce and mysterious Ida, mother and grandmother, whose haunting secrets, betrayals, and dreams echo through the years, braiding together the strands of the shared past - and their future.

Drawing on the wisdom and personal experience of its esteemed contributors, this first-of-its-kind anthology tackles complex questions of our times to provide a rich tapestry of Indigenous life, past, present, and future. These peace offerings—to settlers, to one another, to listeners—explore the histories that have brought us to this moment, the challenges and crises faced by present-day communities, and the visions that will lead us to a new architecture for thinking about Indigeneity.

New Mexico, 1935. Painter Georgia O'Keeffe is at her friend Mabel Dodge Luhan's home, Los Gallos, a house inhabited by a colorful range of artists, authors, and society figures, to attend the memorial service of the renowned writer D.H. Lawrence. Georgia has been commissioned to design the stained-glass windows for the small memorial chapel in Lawrence's honor. But when she checks to see how the light comes through the glass, another much more horrible sight awaits her: beloved Navajo potter Flora Namingha is dead, her face smashed in with a stone . . .