Showing results for "white" in European

Hedda and George have just returned from their honeymoon, but when her former lover Eilert appears with a brilliant new manuscript, George’s hopes for a professorship are dimmed. Hedda’s desperate dissatisfaction with her life leads to dangerous choices in this startling portrait of a woman hell-bent on destruction.

The tale of King Alfred, the Christian king who in 878AD battled a Viking invasion that had conquered the rest of England and burnt some cakes. He then became the last holdout of resistance against the invaders and forced the conversion of the Danish king Guthrum to Christianity after the battle of Ethandun.

Orthodoxy, first published 1908, is Chesterton's spiritual autobiography. Subtitled, 'The romance of faith', Chesterton declares that people need a life of 'practical romance; the combination of something that is strange with something that is secure.'

David Sterling Brown offers nothing less here than a wholesale deconstruction of whiteness in Shakespeare's plays, arguing that the 'white other' was a racialized category already in formation during the Elizabethan era—and also one to which Shakespeare was himself a crucial contributor.

The G.K. Chesterton Classics Collection brings together some of the most celebrated works of one of the 20th century's most influential writers, spanning his diverse contributions to detective fiction, theology, storytelling, and poetry. This richly illustrated edition includes key works such as The Innocence of Father Brown, featuring the iconic amateur detective whose sharp intellect and moral insight unravel complex mysteries; Orthodoxy, Chesterton's profound defense of Christian faith; and The Ballad of the White Horse, a lyrical epic about King Alfred the Great.

Un roman qui retrace, à travers le vingtième siècle, les destins croisés de quatre générations qui se font écho autour d'une seule quête : celle de la liberté.

Betjeman's England is a place of patriotic poets and seaside coves, provincial cathedrals and eccentric dons. For 50 years, Betjeman celebrated the glories of Englishness and what it meant to be English. Against a tide of rapid change, he unearthed forgotten heroes, bygone haunts, and old-fashioned modes of thought. But as this original collection reveals, his appeal goes far beyond simple nostalgia. It lies in his passionate convictions, his humour and his humanity.

From 1413-1415 the butcher’s guild, otherwise known as the “White Hoods” of Paris, kept that city in a state of near anarchy. With a mad king, a virtual civil war between the houses of Orleans and Burgundy, and King Henry V of England claiming the French throne, there is plenty of opportunity for Guy Aylmer, a squire to Sir Eustace de Villeroy, to show his mettle in many a skirmish, finally winning his spurs at the lopsided victory of the English over the French at the Battle of Agincourt on October 25, 1415.

Translating as 'initiation', kumukanda is the name given to the rites a young boy from the Luvale tribe must pass through before he is considered a man. The poems of Kayo Chingonyi's remarkable debut explore this passage: between two worlds, ancestral and contemporary, between the living and the dead, between the gulf of who he is and how he is perceived. Underpinned by a love of music, language and literature, here is a powerful exploration of race, identity and masculinity, celebrating what it means to be British and not British, all at once.

Love. Passion. Duty. The ties that bind, but can they set you free? In the opulent world of 19th-century England, where reputation and decorum are everything, Lady Cecilia Harrington's heart beats to a different rhythm. As the Duke of Harrington's daughter, her life is mapped out with lavish balls, couture gowns, and an impending engagement to Lord Ashworth, London's most eligible bachelor. However, beneath the glimmering chandeliers and behind the velvet curtains, a forbidden romance begins to kindle.

Universally admired and quoted, Shakespeare’s Sonnets have love, beauty and the passing of time at their heart. Featuring some of the best-known and best-loved lines in the history of poetry (‘Shall I compare thee to a summer’s day?’, ‘Love is not love which alters when it alteration finds’), these evocative sonnets explore passion, the fleeting nature of beauty and the essence of true and everlasting love.