Showing results for "the-women" in Literary History & Criticism

From early childhood, we learn about the world and its possibilities through myths and fairy tales. The heroines, though, tend to be golden-haired princesses, and the evil-doers often older women. But from midlife onwards, women today are searching for positive versions of themselves, and this dazzling array of not-to-be-messed-with characters provides them. They outwit monsters, test and mentor younger heroines, embody the cycles and seasons of the earth, weave the world into being - and almost always have the last laugh.

1913 - Suffragette throws herself under the King's horse. 1969 - Feminists storm Miss World. Now - Caitlin Moran rewrites "The Female Eunuch" from a bar stool and demands to know why pants are getting smaller. There's never been a better time to be a woman: we have the vote and the Pill, and we haven't been burnt as witches since 1727. However, a few nagging questions do remain.... Why are we supposed to get Brazilians? Should you get Botox? Do men secretly hate us? What should you call your vagina?

Drawing from the author's original, uncensored journals, Fire follows Anaïs Nin's journey as she attempts to liberate herself sexually, artistically, and emotionally. While referring to her relationships with psychoanalyst Otto Rank and author Henry Miller, as well as a new lover, the Peruvian Gonzalo More, she also reveals that her most passionate and enduring affair is with writing itself.

From modern literature to menopause, from utopian thought to rodeos - in this classic collection of essays, Ursula K. Le Guin roves with her customary audacity over the intersecting arenas of literature, feminism, and social responsibility, exploding any received notions she comes across and revealing visionary possibilities in their stead.

Devilishly attractive Lord Illingworth is notorious for his skill as a seducer. But he is still invited to all the "best" houses, while his female conquests must hide their shame in seclusion. In this devastating drawing-room comedy, Oscar Wilde uses his celebrated wit to expose English society's narrow view of everything from sexual mores to Americans.

If F. Scott Fitzgerald was the hero of the Jazz Age, Edna St. Vincent Millay, as flamboyant in her love affairs as she was in her art, was its heroine. A winner of the Pulitzer Prize, Millay was dazzling in the performance of herself. Her voice was likened to an instrument of seduction, and her impact on crowds and on men was legendary. Yet beneath her studied act, all was not well.

In this blazing, razor-sharp takedown of popular culture in the twenty-first century, Girl on Girl turns 90s and 00s nostalgia on its head, and shows how the media of that era repackaged the feminist movement as a containable, commodifiable (and hugely successful) product: 'Girl Power'. From the Spice Girls to the Kardashians, to #GirlBoss and OnlyFans, Pulitzer Prize-finalist Sophie Gilbert illustrates how the cultural forces of the last few decades have systematically shaped - and warped - women's relationships with themselves and other women.

Britney Spears's new book, "The Woman in Me," is a memoir that chronicles her rise to fame, her personal struggles, and her journey to self-empowerment. The book is expected to be a bestseller, and it has the potential to generate a lot of controversy. Spears has been in the public eye since she was a child, and she has been open about her struggles with mental health and addiction. In her book, she is expected to share more details about these experiences, as well as her thoughts on the conservatorship that controlled her life for over a decade. Some people are concerned that Spears's book ...

The theory that Shakespeare may not have written the works that bear his name is the most horrible, unspeakable subject in the history of English literature. Scholars admit that the Bard’s biography is a “black hole,” yet to publicly question the identity of the god of English literature is unacceptable, even (some say) “immoral.” In Shakespeare Was a Woman and Other Heresies, journalist and literary critic Elizabeth Winkler sets out to probe the origins of this literary taboo.

Best known for her internationally, multi-million-copy bestselling novel Flowers in the Attic, Cleo Virginia Andrews lived a fascinating life. Born to modest means, she came of age in the American South during the Great Depression and faced a series of increasingly challenging health issues. Yet, once she rose to international literary fame, she prided herself on her intense privacy.

From the beautiful apsaras of Hindu myth to the swan maidens of European fairy tales, stories of flying women - some carried by wings, others by clouds, rainbows, floating scarves, and flying horses - reveal the perennial fascination with and ambivalence about female power and sexuality. In Women Who Fly, Serinity Young examines the motif of the flying woman as it appears in a wide variety of cultures and historical periods, in legends, myths, rituals, sacred narratives, and artistic productions.

For over 10 years, Sue Townsend has written a monthly column for Sainsbury’s Magazine, which covers everything from hosepipe bans and Spanish restaurants to writer’s block and the posh middle-aged woman she once met who'd never heard of Winnie the Pooh. Collected now for the first time, these columns from one of Britain’s most popular and acclaimed writers are funny, perceptive, and touching.

The Greek myths are among the world's most important cultural building blocks, and they have been retold many times, but rarely do they focus on the remarkable women at the heart of these ancient stories. Stories of gods and monsters are the mainstay of epic poetry and Greek tragedy, from Homer to Aeschylus, Sophocles and Euripides, from the Trojan War to Jason and the Argonauts. And still, today, a wealth of novels, plays and films draw their inspiration from stories first told almost 3,000 years ago.

Philippa Gregory’s Normal Women is a new podcast from HarperCollins, launched to coincide with the publication of this landmark work of scholarship and storytelling, from celebrated novelist and historian Philippa Gregory. Normal Women is a radical retelling of our nation’s story – not of the rise and fall of kings and the occasional queen – but of social and cultural change, powered by the determination, persistence and effectiveness of women– from 1066 to modern times. This is not another book or podcast about three or four well-known heroines; it is a story about millions of ...

The Heroine’s Journey describes contemporary woman’s search for wholeness in a society where she has been defined according to masculine values. Drawing on cultural myths and fairy tales, ancient symbols and goddesses, and the dreams of contemporary women, Murdock illustrates the need for — and the reality of — feminine values in Western culture.

From Little Nell to Miss Havisham, Dickens’ Women tells the story of Charles Dickens’ life through his beloved characters. Cowritten and performed by Miriam Margolyes, best known for her role as Professor Sprout in the Harry Potter films, this one-women show is a celebration of her infectious passion for Dickens’ work. Taking on 23 different Dickensian characters, many of whom were inspired by real people such as Mary Hogwarth, Dickens' sister-in-law, Margolyes showcases her astonishing versatility as a performer. Dickens’ Women delighted audiences across the world in 2012 as Margolyes took her Olivier nominated show on tour for the bicentenary of Dicken’s birth.

Generations of children have fallen in love with the pioneer saga of the Ingalls family, of Pa and Ma, Laura and her sisters, and their loyal dog. Laura Ingalls Wilder's Little House books have taught millions of Americans about frontier life, giving inspiration to many and in the process becoming icons of our national identity. Yet few realize that this best-selling series wandered far from the actual history of the Ingalls family and from what Laura herself understood to be central truths about pioneer life.

How was it that the novelist who created some of the most memorable and modern female characters in literature had such troubled relationships with real women? In this highly innovative book, acclaimed biographer Paula Byrne re-examines novelist Thomas Hardy’s life through the eyes of the women who made him—mother, sisters, girlfriends, wives, muses. The story veers from shocking scenes such as his obsession with the sight of a woman hanged, to poignant vignettes of unfulfilled passion, to fascinating details of working women’s lives in the nineteenth century.

Heyyy Katie, my favourite most precious girl in the whole world. I know you’ve been hearing me bang on about this book for so long now. And I know there’s no audio book, so I made you one! You have here before you a very special edition of women who run with the wolves. It's not the entire edition, I might add. Because this is the fattest book of my life. 
But one day, I'll get down to recording the entire thing for you. For now, these are some chapters that I think are really important. And to be honest, I haven't even read the whole book, so I might come across more chapters that I ...

Why did Agatha Christie spend her career pretending that she was 'just' an ordinary housewife, when clearly she wasn't? As Lucy Worsley says, 'She was thrillingly, scintillatingly modern'. Her life was 'modern' too: she went surfing in Hawaii, she loved fast cars, and she was intrigued by the new science of psychology, which helped her through devastating mental illness. So why—despite all the evidence to the contrary—did Agatha present herself as a retiring Edwardian lady of leisure?