Showing results for "the-women" in Greece

For nearly three thousand years, Helen of Troy has been both the embodiment of absolute female beauty and a reminder of the terrible power that it can wield. Held responsible for both the Trojan War and enduring the enmity between East and West, for millennia she has been viewed as an exquisite agent of extermination. But who was she really? Focusing on the 'real' Helen, bestselling historian Bettany Hughes reconstructs the true life for this elusive Green Bronze age princess and places her alongside the heroes and heroines of myth and history.

In Mythica Emily Hauser tells, for the first time, the extraordinary stories of the real women behind some of the western world’s greatest legends. Following in their footsteps, digging into the history behind Homer’s epic poems, piecing together evidence from the original texts, recent astonishing archaeological finds and the latest DNA studies, she reveals who these women – queens, mothers, warriors, slaves – were, how they lived, and how history has (or has not – until now) remembered them.

The Greek myths are among the world's most important cultural building blocks, and they have been retold many times, but rarely do they focus on the remarkable women at the heart of these ancient stories. Stories of gods and monsters are the mainstay of epic poetry and Greek tragedy, from Homer to Aeschylus, Sophocles and Euripides, from the Trojan War to Jason and the Argonauts. And still, today, a wealth of novels, plays and films draw their inspiration from stories first told almost 3,000 years ago.

For centuries, men have been writing histories of antiquity filled with warlords, emperors and kings. But when it comes to incorporating women aside from Cleopatra and Boudica, writers have been more comfortable describing mythical heroines than real ones. While Penelope and Helen of Troy live on in the imagination, their real-life counterparts have been relegated to the margins. In The Missing Thread, Daisy Dunn inverts this tradition and puts the women of history at the centre of the narrative.

Venus and Aphrodite brings together ancient art, mythology, and archaeological revelations to tell the story of human desire. From Mesopotamia to modern-day London, from Botticelli to Beyoncé, Hughes explains why this immortal goddess continues to entrance us today - and how we trivialize her power at our peril.

Any exploration of the lives of women in classical Athens has to take into consideration the legal framework which governed such matters as marriage, inheritance and basic rights within society, as well as the woman, herself, within the oikos. However, as a starting point, the simple issues relating to the day to day lives of the women in this period provide an initial understanding of how all of these other factors played a part in the overall pattern of life for an Athenian, upper class, woman.

Cuando se publicó por primera vez en 1970, La mujer eunuco supuso un punto de inflexión en la defensa de los derechos de la mujer. La tesis sobre la que se sustenta es que la familia nuclear, consumista y urbana reprime a la mujer sexualmente y esta acaba por desvitalizarse y convertirse en eunuco. Por esta razón, advierte Greer, la auténtica liberación pasa por una liberación sexual. Casi cinco décadas más tarde, La mujer eunuco se ha convertido en un importante documento histórico y pone en relevancia todo el trabajo que queda por hacer.

Epic poetry and tragic drama provide us with some of the richest ancient Greek depictions of women who are married to soldiers. In tales of the Trojan War, as told by Homer, Aeschylus, Sophocles, and Euripides, we encounter these mythical warriors' wives: Penelope, isolated but resourceful as she awaits the return of Odysseus after his lengthy absence; the war widow Andromache, enslaved and displaced from her homeland after the fall of Troy; the unfaithful and murderous Clytemnestra; and Tecmessa, a war captive who witnesses her partner's breakdown and suicide in the aftermath of battle.

The beautiful hetaera Thais was a real woman who inspired poets, artists, and sculptors in Athens, Memphis, Alexandria, Babylon, and Ecbatana. She traveled with Alexander the Great's army during his Persian campaign and was the only woman to enter the capitol of Persia - Persepolis. Love, beauty, philosophy, war, religion - all that and more in a historic masterpiece by Ivan Yefremov.

Qui n’a pas déjà son idée toute faite sur la situation des femmes de l’Antiquité grecque ? Les Athéniens – et les autres Grecs aussi, d’ailleurs – seraient forcément misogynes puisqu’ils sont réputés avoir exclu les femmes de leur cité. Ils les auraient reléguées dans l’espace privé de la maison. Dans cet entretien, l’historienne interroge cette affirmation car la recherche récente, tant en sciences sociales et en sciences de l’Antiquité permet de réévaluer l’attitude des sociétés antiques envers les femmes et, plus généralement, les rapports que les femmes et les hommes entretenaient.

Cleopatra VII Philopator was the last active ruler of the Ptolemaic Kingdom of Egypt, nominally survived as pharaoh by her son Caesarion. She was also a diplomat, naval commander, polyglot, and medical author. As a member of the Ptolemaic dynasty, she was a descendant of its founder, Ptolemy I Soter, a Macedonian Greek general and companion of Alexander the Great.

Über die antiken Frauen Griechenlands ist bis jeher wenig bekannt. Anhand des Beispiels von Xanthippe, der Frage des Philosophen Sokrates, zeichnet Michael Weithmann ein Bild der Frauen der Antike. Auf unterhaltsame und gleichzeitig fundierte Weise werden alte Lebenswelten wieder zum Leben erweckt, welche unterschiedlicher nicht hätten sein könnten.