Showing results for "the women" in World War II

In 1943, German SS officers in charge of Auschwitz-Birkenau ordered that an orchestra should be formed among the female prisoners. Almost fifty women and girls from eleven nations were drafted into a hurriedly assembled band that would play marching music to other inmates, forced labourers who left each morning and returned, exhausted and often broken, at the end of the day.

In June 1941, when Hitler launched Operation Barbarossa, Lyudmila Pavlichenko left her university studies and ignored the offer of a position as a nurse to become one of Soviet Russia's 2,000 female snipers. Less than a year later, she had 309 recorded kills, including 29 enemy sniper kills. She was withdrawn from active duty after being injured. She was also regarded as a key heroic figure for the war effort.

Finding Hester explores the untold story of Hester Leggatt, a woman who helped trick the Nazis, and is a fascinating listen for fans of West End musical Operation Mincemeat and anyone with an interest in women’s war stories. Operation Mincemeat is one of the stranger tales to come out of the Second World War. A corpse dressed as a British pilot was dropped in the ocean near Spain, with the forged documents he carried landing in the hands of the Germans to convince them to move their troops to the advantage of the allied forces.

The Second World War is dominated by heroic tales of men defending their country against a formidable enemy, but what about the women who also played their parts in fighting for freedom? Eileen Younghusband was just 18 when she joined the Women’s Auxiliary Air Force (WAAF). She quickly demonstrated her keen intellect and mathematical skills, playing a crucial role in Fighter Command's underground Filter Room.

Die Historikerin und Autorin Miriam Gebhardt beschreibt das Lebensgefühl deutscher Frauen nach dem Zweiten Weltkrieg eindringlich, persönlich und mit viel Empathie. Dazu hat sie in bis dahin unerreichter Dichte die Selbstzeugnisse von Frauen ausgewertet und stellt konsequent deren Erleben in den Mittelpunkt.