Showing results for "the field" in Words, Language & Grammar

The richness of the Irish language is closely tied to the natural landscape and offers a more magical way of seeing the world. Most people associate Britain and Ireland with the English language, a vast, sprawling linguistic tree with roots in Latin, French, and German. But the inhabitants of these islands originally spoke another tongue. Look closely enough and English contains traces of the Celtic soil from which it sprung, found in words like bog, loch, cairn, and crag. Today, this heritage can be found nowhere more powerfully than in modern-day Gaelic.

A bonzer (p. 288) discussion of the strange but dinkum (p. 289) pedigree (p. 224) of the naughty (p. 202), nice (p. 212), and, sometimes, obscene (p. 217) English language. We live in a torrent of words — from radio and television, books and newspapers, and now from the internet. But, as Julian Burnside reminds us in this new edition of the bestselling Wordwatching, words are a source both of pleasure and power, and can be deployed for good or for ill.

Failure is a topic discussed in every creative writing department in the world, but this is the book every beginning writer should have on their shelf to prepare them. Less a guide to writing and more a guide to what you need to continue existing as a writer, On Writing and Failure: Or, On the Peculiar Perseverance Required to Endure the Life of a Writer describes the defining role played by rejection in literary endeavors and contemplates failure as the essence of the writer’s life.

For 14 years, five-time Edgar winner and MWA grandmaster Lawrence Block wrote a monthly column on fiction for Writers Digest magazine. These columns yielded four books regarded as classics: Telling Lies for Fun & Profit, Spider Spin Me a Web, The Liar's Bible, and now, The Liar's Companion. Listen to The Liar's Companion and gain inspiration to create outstanding fiction.

Sketches New and Old is a compilation of fictional stories written by Mark Twain. Among them is "A Ghost Story". In each story, one can catch a great sense of Twain's humor and creativity. These classic sketches from Twain are no longer than 10 minutes, but all show his quick witted humor in response to the events of the day.

An American editor arrives in Venice on a quest to acquire some unpublished letters written by his favorite Romantic poet, Jeffrey Aspern. He tracks down the mistress to whom the letters were addressed, a now elderly Miss Bordereau, and presents himself as a prospective lodger. In hopes of gaining access to the secret papers, he begins courting Miss Bordereau's plain spinster niece, Miss Tina.